ABBA's Benny Andersson and Björn Ulvaeus, who wrote most of the disco-pop group's enduring hits, are most closely associated with Broadway thanks to the sunny rom-com Mamma Mia! — but they scored another musical, too. That would be Chess, a darker drama about people caught in a game of love, loyalty, and power amid an American-Soviet chess match. Both shows are having their first revivals this fall, making you, the audience, the winners who can take it all (in).

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Some performers get little stage time, but make a big impact. The same can be true for creatures. A massive striped sandworm makes a few memorable cameos in the musical adaptation of Beetlejuice (Beetlejuice, Beetlejuice — it's on its third Broadway run), while the spider-like Mind Flayer descends upon the stage in a climatic moment in Stranger Things: The First Shadow, a stage prequel to Netflix's sci-fi series. It's a scream.

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Hadestown is a retelling of the tragic Greek myth of Orpheus and Eurydice, setting their love story to folk and jazz music. But did you know it's not the only show inspired by those fabled lovers? Moulin Rouge! The Musical's Christian and Satine are inspired by multiple pairs of star-crossed lovers, including Orpheus and Eurydice. And instead of a jazzy score, their tale is set to dozens of chart-topping pop hits, just like in Baz Luhrmann's hit film.

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Old friends can talk to each other about anything — or can they? In two celebrity-led Broadway plays, that depends. One is Waiting for Godot, starring real-life old friends Keanu Reeves and Alex Winter (otherwise known as Bill & Ted) as two men probing life's deep questions while waiting for a third friend to arrive. Prefer your conversations between friends more comical? See Yasmina Reza's Art, with James Corden, Bobby Cannavale, and Neil Patrick Harris as a trio of pals whose debate over the worth of a plain white painting gets hilariously heated.

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If you love movies like Wall-E and Big Hero 6, then these two futuristic Broadway shows will tug at your heartstrings (heart-wires?). The 2025 Tony Award-winning Best Musical Maybe Happy Ending follows two obsolete, humanoid robots who spark an unexpected romance, and Marjorie Prime sees an elderly woman turn to an AI version of her late husband to relive her memories with him.

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An unusual trend emerged in the 2024-25 Broadway season: musical comedies involving corpses. There's Death Becomes Her, in which two frenemies take a potion that gives them eternal youth but stops their heartbeats, and Operation Mincemeat, about a daring WWII operation that hinged on disguising a dead body as an Allied soldier. Both are still alive on Broadway alongside Beetlejuice, another macabre comedy in which poltergeists and more undead beings reign supreme.

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For better or worse, some shows age like wine as their themes become more resonant in step with America's sociopolitical landscape. The 1998 musical Ragtime, back on Broadway following a 2024 Off-Broadway concert staging, is one such show, exploring class differences, racism, and social change in early-1900s New York — and suggesting the progress that still has yet to be made. Similarly, Bess Wohl's award-winning play Liberation, also straight from off Broadway, examines what progress has and hasn't been made since the 1970s feminist movement.

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You're never too old to feel like a child again, as evidenced by the enthusiastic online response from people finding out the Muppets would make their Broadway debut in 2025. They're starring alongside illusionist Rob Lake in a magic-and-comedy show running only for the holiday season — the perfect time to indulge in some childlike cheer. And of course, the Disney musicals Aladdin and The Lion King are timeless favorites both for kids and kids-at-heart who grew up with the animated films.

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Sometimes, an unexpected circumstance leads to an unlikely connection. That's the common thread in two wildly different new shows this fall. The Laurie Metcalf-led drama Little Bear Ridge Road sees an aunt and her estranged, gay nephew inch toward a newfound relationship as they sort out the aftermath of a family death, while Two Strangers (Carry a Cake Across New York) is a musical rom-com about two previously unacquainted wedding guests — a no-nonsense New Yorker and a cheery, visiting Brit — who bond en route to the big event.

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It's one thing to relive an iconic artist's heyday and their greatest hits; it's another to dive into their mind and discover how they became an icon in the first place. MJ The Musical frames the King of Pop's songs in the context of his meticulous creative process, while the play House of McQueen shows how fashion designer Alexander McQueen built himself up from scrappy beginnings that informed his daring, provocative designs.

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Oscar-winning actress Mira Sorvino is making her Broadway debut as murderess Roxie Hart in Chicago this fall — at the same time a musical adaptation of her cult-favorite movie Romy & Michele's High School Reunion, about best friends who invent fake careers to impress their former classmates, makes its world premiere off Broadway. Maybe Sorvino will see it on her day off!

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