Cats: The Jellicle Ball was an instant hit when it pounced onto the NYC stage. This reimagined revival sets Andrew Lloyd Webber's Cats in the queer ballroom scene, and our critic called it "refreshing," "revelatory," and "one of the best musicals, revival or otherwise, to be staged in New York.

"It grounds the notion of the 'dance musical' in an expansive history of queer joy, full of potential for nine lives and beyond," the review reads. "It imbues the show with care, pathos, drama, starlight, and explosive jubilation. Cats: The Jellicle Ball is queen (and kween) of this and all other nights."

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What do you get when you cross the Titanic movie, the song catalog of Celine Dion, and up-to-the-minute pop culture jokes? You get "a boatload of campy fun," per our critic, at Titanique, a zany reimagining of the Oscar-winning film in which Dion narrates her own wacky version of what really happened to Jack and Rose.

"Expect a titanic amount of pure joy [...] Titanique is one of those shows where anything can happen, so it does, up until the final twists that you surely won't see coming," the review reads. "Just get on board. The cast and creators' enthusiasm is infectious, and if you just let it wash over you, you'll have a boatload of fun."

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The Book of Mormon follows a pair of Mormon elders on mission to a Ugandan village, where converting the locals proves to be a difficult task that requires a lot of faith and perseverance. The show has been making Broadway audiences laugh since 2011, but be warned: Having been penned by the creators of South Park and Avenue Q, the comedy is irreverent and pokes fun at everyone, so you have to be able to take a joke while laughing at them.

Our five-star Book of Mormon review reads, "Ain't no one or nothing safe in The Book of Mormon, least of all the audience. This show makes you realize that when you are pointing one finger to make fun of someone, there are three fingers pointed back at you. And this news is delivered with a smile - a real one. [Creators Trey] Parker, [Robert] Lopez, and [Matt] Stone have a laser beam precision."

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Our critic described MJ The Musical as a "flawless" depiction of Michael Jackson's life, legacy, and performance style. The show sees Jackson rehearsing for his 1992 Dangerous World Tour, and each hit in his set list takes him back to a formative memory from his childhood and then-up-and-coming career. Our five-star MJ The Musical review reads, "Under the exemplary direction and choreography of Christopher Wheeldon, the production gives context to Jackson's inherited demons and zooms in on his daunting creative process and peerless genius. MJ is the platinum standard the often-uninspired, generic jukebox musical could benefit to emulate."

MJ The Musical won four Tony Awards in 2022 after being nominated for 10, including Best Musical. Bookwriter Lynn Nottage made history in early 2022 by having a musical, a play (Best Play nominee Clyde's), and an opera (Intimate Apparel) all running in New York at once.

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Racking up eight 2022 Tony nominations including Best Musical, Six is "pure musical theatre elation for a pop-packed 75 minutes." The show sees the six wives of Henry VIII recount their lives and mistreatment by Henry in high-energy pop girl group style, and our five-star Six Broadway review reads, "You'll laugh. You'll cry. You'll dance. It's everything a theatre experience should be and more."

Six came to Broadway from London's West End and tours around the U.K. and U.S. "The Broadway production is bigger, bolder, and beltier than any Six I've seen yet," our critic wrote. "From new riffs to surprise costume reveals, every element has been leveled up for New York, leaving no stone unturned."

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You've got to be in the room where it happens. It's clear by now that Hamilton is not to be missed, with near-universal critical acclaim and tons of awards including 11 Tonys and a Pulitzer. If you haven't yet heard about the musical that turned the world upside down, Lin-Manuel Miranda's show tells the story of Founding Father Alexander Hamilton with a diverse cast and a hip-hop/rap score. History has never been so lively, and the show gives a glimpse into the rocky frenemy-ship between Hamilton and Aaron Burr leading up to their final duel, which is often the only thing people learn about them.

Our five-star Hamilton Broadway review sums it up: "Hamilton is a magnificent tapestry where all the elements of theatre are called upon to be their very best... The end result is something much more than the story of one man. It is the story of how we each create our destiny and our mark on the world."

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The Lion King was a groundbreaking musical upon its 1997 premiere, bringing the world of the Disney movie to life with intricate, life-size puppetry never seen on stage. Twenty-five years later, audiences of all ages join the circle of life and watch the story of Simba, a young lion cub who grows into a strong leader and takes his place as king of the Pride Lands.

To celebrate the show's 20th anniversary in 2017, former The Lion King performer wrote a testament to why the musical is still the pride of Broadway. "The Lion King is still a timeless piece of artistry and magical allure. The moment you hear Rafiki's clarion call across the pridelands welcoming the new prince to the kingdom, you are lost in the story, as the iconic procession of animals begins."

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Wicked is one of Broadway's most popular shows, and for good reason. This fantastical tale tells the story of how the Wicked Witch of the West and Glinda the Good Witch of The Wizard of Oz used to be best friends, but there are also deeper messages about love, sacrifice, and corruption. "More than 8.8 million people have found the heart, nerve and wisdom to pay a visit, resulting in the happy scene of a Broadway house filled with as many teens as adults, and making a tale, born from a 115-year-old children's novel, one of the top five highest grossing shows of all time," our critic wrote in a five-star Wicked review in 2015, commemorating the show's 12th year on Broadway.

For musical theatre buffs, there are plenty of Easter eggs in the score, penned by the same composer as hit musicals like Pippin and Godspell. "Stephen Schwartz's classic score provides a wonderful playground for the cast to swing upon, while reminding us of this composer's important history. Close your eyes and hear strains of Pippin in 'As Long as You're Mine.' Find the hint of Godspell playfulness in the staccato beats of 'What is this Feeling.'"

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In Baz Luhrmann's film, the can-can act at the Moulin Rouge nightclub is called the "spectacular spectacular," and Moulin Rouge! The Musical lives up to that name. Colorful costumes, sets, and lighting, explosive choreography, and plenty of overall energy is the name of the game at this show, though all the flash underscores a heartbreaking love story between the writer Christian and the showgirl Satine.

Over and above Moulin Rouge! The Musical's visual pleasures is a score of diverse popular music, making it unlike any other jukebox musical on Broadway. Reads the five-star review, "Moulin Rouge! The Musical is in a league of originality and creativity all of its own; with a song stack of some 70 pop hits from the 40s to the present day, it is the ultimate jukebox show, encompassing Elton John, Sting and Katy Perry, the Rolling Stones, David Bowie, Bob Dylan and even Rodgers and Hammerstein, amongst numerous others."

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Chicago is "a living, breathing piece of musical theatre history," our critic wrote in a five-star review for the musical's 20th anniversary in 2016. Now celebrating 25 years on Broadway, the show continues to draw audiences in with a thrilling story of crime and jazz, centered on two murderesses competing for media attention in the hopes of getting acquitted.

"Chicago proves that you don't need to bombard your audience with a number of lavish sets or elaborate costume changes to put together a winning musical. All you need is a live band on stage, intoxicating the auditorium with that jazz-infused score from the genius that is John Kander and Fred Ebb and sprinkle it with that Bob Fosse-style choreography, and before you know it, you've razzle dazzled 'em!"

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As the stage sequel to J. K. Rowling's beloved Harry Potter book series, Cursed Child is naturally a story of witches, wizards, and magical adventures. But "ultimately this is a tale of family," our critic wrote in a five-star Harry Potter and the Cursed Child review. The respective sons of Harry Potter and Draco Malfoy, Albus and Scorpius, discover a found family in each other when bullied at school, and their friendship soon takes them on a time-traveling journey to right the wrongs of the Wizarding World. But the play is about biological families, too, as Harry and Albus especially learn how to connect with each other.

Harry Potter and the Cursed Child was written and reviewed as a two-part show, but the play has since been condensed into one part. All the magic, though, remains intact. Said our critic, "These are not the fancy schmancy special effects, but they are spectacular. They are simplicity itself, made of puppetry magic and lighting that tells us exactly where to look... The shadows are teaming with unseen life that are eager to reach out and touch someone - could even be you if you are in the right seat. The ensemble's choreographed movements, clean, simple and unrelenting, give the entire production a physical urgency."

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The story of a street urchin who, with the help of a genie in a magic lamp, transforms into a prince to win over a princess (who loves him even as an urchin, but is bound by royal tradition) has won over children's and adults' hearts since the 1992 film. And the Aladdin musical is Disney magic come to life, translating all the vibrant color and energy of the animated film and then some to the stage.

Our four-star Aladdin Broadway review notes, "The costumes and sets are wonderfully bright and make the production the most vibrantly colourful of all Disney Theatrical's offerings to date. Hats off to the ensemble members who undergo several quick (and magnificent) costume changes during the procession within the single musical number of 'Prince Ali'!"

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"This rhythm is gonna get you! In a spirited 2 hours, Buena Vista Social Club celebrates a rich slice of Cuban music and cultural heritage," our critic wrote. This joyous new musical dramatizes the story of a band whose members emerged from obscurity to record the classic sounds of Cuba's golden age of music — and that music will make you want to dance.

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This larger-than-life musical gives new life to a classic tragedy. The heroine of Shakespeare's Romeo & Juliet doesn't die, but goes off on a trip to Paris to find new friends, love, and herself.

Our four-star & Juliet Broadway review reads, "The action unfolds in Shakespeare’s era, but its heart and head are all about today...bursting with chart-toppers made famous by Britney Spears, Katy Perry, Bon Jovi, Celine Dion, Backstreet Boys, and other pop stars."

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From Off-Broadway to Broadway, Oh, Mary! didn't lose an ounce of its laughs or its excellence. Both sharply clever and (writer Cole Escola's words, not ours) utterly stupid, the comedy play imagines what Mary Todd Lincoln would be like if she were a lusty alcoholic with one desire only: to be a cabaret star.

"The entire ensemble elevates very silly jokes into a work of art that keeps you riveted from start to finish," our critic raved. "Suffice it to say that when the lights went up after the curtain call, my guest and I agreed we had literally laughed until our faces hurt."

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Did you know that a turning point for the Allies in World War II involved creating a fake identity for a corpse to confuse the Germans? Well, it happened, and it's the story of Operation Mincemeat, an award-winning musical comedy — yes, a comedy — from the U.K.

Operation Mincemeat "captures the Hollywood hagiographic, the self-deprecating, the ironic, and the tragic that will make you gasp," our review reads

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Alicia Keys is one of the latest artists to lend her catalog to a new musical. Inspired loosely by her own upbringing in the title Manhattan neighborhood, Hell's Kitchen tells the story of a teenage girl coming of age, learning hard truths about the world, and finding her passion for music. After its Off-Broadway premiere, Hell's Kitchen came to Broadway in March 2024.

"As portrayed in Hell's Kitchen, under Michael Greif's direction, Keys's home neighborhood is a living, pulsing, vibrant soundscape," our four-star Hell's Kitchen review reads. "Keys's music, including three excellent new tunes alongside her many existing hits, soars on stage, especially thanks to a cast of ace vocalists."

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This eight time Tony-winning Best Musical has been bringing audiences way down to Hadestown since 2019. This show retells the classic Greek myths of the lovers Orpheus and Eurydice, and Hades and Persephone, with a stirring folk and jazz score. But don't worry if you didn't pay attention during your mythology lesson in high school, our critic notes in a four-star Hadestown review: "Going to hell has never been as much fun as seeing a performance of Anaïs Mitchell's musical Hadestown, now playing at the Walter Kerr Theatre. And don't let its origins in Greek mythology scare you off because there's a built-in narrator in the form of the god Hermes."

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Critics hailed Death Becomes Her as a fabulous new musical to die for. Megan Hilty and Jennifer Simard prove worthy heirs to Meryl Streep and Goldie Hawn, reprising those actresses' roles from the 1992 movie as frenemies obsessed with achieving eternal youth.

"Hilty bursts with star power as the glamorous and self-indulged actress Madeline Ashton, and Simard’s dry delivery is hilarious in author Helen Sharp’s meeker getup — and even better after she transforms into a femme fatale to show up Ashton," our critic wrote. "There is love and fandom in every element of this show, like recreations of the movie's outfits and iconic lines, but the story is also amplified for a 2024 audience."

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Maybe Happy Ending isn't just one of the best-reviewed shows on our site, but the recipient of near-universal critical and audience acclaim. The show about two robots who fall unexpectedly in love after the world has deemed them past their prime was hailed for the smart writing, jaw-dropping set, and lead performances of Darren Criss and Helen J. Shen.

"Who could have imagined that a musical depicting romantic sparks between two robots would emerge as an emotional highlight of this Broadway season?" our Maybe Happy Ending review reads. "But a Kleenex-worthy payoff is just one of the delights of the artfully crafted Maybe Happy Ending, an exceptionally well-oiled and visually sublime production.

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Ragtime is "an impeccably performed revival of a stirring megamusical," our critic writes of the current production at Lincoln Center Theater. The show combines real and fictional figures in early-20th-century NYC to create a sweeping portrait of a nation in flux, with social groups of all kinds grasping at their own American dream.

"Between its robust score, showcase moments for the cast, and evergreen resonance, Ragtime is easy to heartily recommend," our review reads.

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This musical rom-com will warm the hearts of even the most jaded New Yorkers. When NYC newcomer Dougal, a Brit who's only seen the city in movies, meets local native Robin before a wedding, the two embark on a whirlwind adventure involving multiple boroughs, a limitless credit card, and of course, cake.

"Two Strangers is like a warm hot chocolate as respite from the snow," our critic wrote. "This musical is a love letter to the spontaneous connection people can find in New York City."

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Bobby Darin comes back to life in Just in Time, a new bio-musical starring Jonathan Groff as the "Splish Splash" and "Mack the Knife" singer. "With an exuberant band, Just in Time rides easy on Groff’s waves of showman charisma while paying tribute to the era-specific music and other singers, especially the women in Darin’s life who inspired his performance," our review reads.