Broadway

Where to see 'A Christmas Carol' in New York

A group of actors in black robes and top hats perform energetically on a theater stage under dramatic lighting with an audience visible in the background.

christmas carol old vic 2023-1200x600-NYTG

Get into the holiday spirit by seeing a production of Charles Dickens's classic tale about a miser who finds Christmas cheer with the help of three ghosts.

Brody Grant to depart 'The Outsiders' Broadway cast

A person in a white t-shirt sits in the dark, shining a flashlight on an open book in their lap and reading intently.

2 outsiders-1200x600-NYTG

Making his Broadway debut in the lead role of Ponyboy in spring 2024, the actor earned a Tony Award nomination for his performance in the Best Musical winner.

James Monroe Iglehart to join '& Juliet' Broadway cast

Close-up of a middle-aged man with a salt-and-pepper beard, mustache, and short hair, looking directly at the camera with a neutral expression.

james iglehart-1200x600-NYTG

The Tony Award-winning actor will step into the role currently played by *NSYNC's Joey Fatone in the hit pop musical at the Stephen Sondheim Theatre.

Laurie Metcalf to star in ‘Little Bear Ridge Road’ on Broadway

A middle-aged woman with short brown hair smiles softly at the camera against a plain background.

laurie metcalf-1200x600-NYTG

The Emmy and Tony-winning actress will return to the stage in a new play by Samuel D. Hunter, reprising her performance from the show’s Chicago world premiere.

Montego Glover to star in 'Gypsy' on Broadway for Sunday matinees

A person in a blue dress stands center stage with arms raised in front of a large illuminated sign that reads "ROSE.

montego gypsy-1200x600-NYTG

The Tony Award nominee will assume the lead role of Rose from six-time Tony Award winner Audra McDonald for one performance at the Majestic Theatre per week.

Look back on Hugh Jackman's theatre roles ahead of 'From New York, With Love'

A man in a gray suit sings into a microphone on stage with an art deco inspired backdrop and illuminated band stands behind him.

1 hugh jackman radio city-1200x600-NYTG

Jackman's triple-threat work in Broadway musicals, plays, and movie musicals has won him a Tony, Emmy, Grammy, and more across his decades-long career.

Hugh Jackman theatre roles we love | New York Theatre Guide

Jackman's work has won him a Tony, Emmy, Grammy, and more, and he performs tunes from his most beloved Broadway shows in his Radio City concert residency.

Tom Francis, Grace Hodgett Young set final performances in 'Sunset Boulevard'

sunset boulevard 1200 LT

Francis and Hodgett Young have starred alongside Nicole Scherzinger since director Jamie Lloyd's Tony Award-winning production opened in London in October 2023.

Broadway and Off-Broadway rush and lottery theatre ticket guide: Shows that offer rush and lottery tickets

Richard Rodgers Theatre on Broadway

Find out how to get rush and lottery tickets to Broadway and Off-Broadway shows.

Everything you need to know about ‘Ragtime’ on Broadway

Seven men in period costumes stand on stage in front of a large decorative archway, performing in a theatrical production with musicians visible in the background.

ragtime-1200x600-NYTG

Joshua Henry, Caissie Levy, and Brandon Uranowitz lead the musical adaptation of E. L. Doctorow’s novel, returning this fall after a hit Off-Broadway run.

Everything you need to know about ‘Mamma Mia!’ on Broadway

Three women sit on white steps, smiling and laughing while looking at a book together; a blue door is in the background.

1 mamma mia-1200x600-NYTG

The beloved musical comedy featuring the songs of ABBA has its first Broadway revival in 2025, returning to the same venue where the original run began.

Iglehart's back, alright! Tony Award winner [James Monroe Iglehart](https://www.newyorktheatreguide.com/stars-on-stage/james-monroe-iglehart) will return to Broadway this summer in [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets), joining the cast of the musical at the [Stephen Sondheim Theatre](https://www.newyorktheatreguide.com/venues/stephen-sondheim-theatre) from August 5 to November 2 only.

Iglehart is best known for his Broadway performances in [*Aladdin*](https://www.newyorktheatreguide.com/show/105-disneys-aladdin-tickets) (Tony Award), *A Wonderful World: The Louis Armstrong Musical (Tony nomination)*, [*Hamilton*](https://www.newyorktheatreguide.com/show/384-hamilton-tickets), and *Spamalot*.

In *& Juliet*, he will assume the role of Lance from [Joey Fatone](https://www.newyorktheatreguide.com/theatre-news/interviews/nsyncs-joey-fatone-has-always-been-a-theatre-kid), who departs the show July 31 as previously announced. The current *& Juliet* cast also includes Gianna Harris as Juliet, Alison Luff as Anne, Drew Gehling as Shakespeare, Michael Iván Carrier as May, Jeannette Bayardelle as Angélique, Liam Pearce as Romeo, Nathan Levy as François, and [Charli D'Amelio](https://www.newyorktheatreguide.com/theatre-news/interviews/charli-damelio-is-dancing-onto-broadway-in-and-juliet) as ensemble character Charmion.

The nine-time Tony-nominated *& Juliet* imagines a new ending for Shakespeare's formerly tragic heroine. In this version, she and her friends get a new lease on life and love in Paris, and their journey is set to over 30 pop hits by artists like Britney Spears, The Backstreet Boys, Kelly Clarkson, and more.

Get [*& Juliet* tickets](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) now.

*Photo credit: James Monroe Iglehart. (Photo by Deneka Peniston)*

Ages 8+. Children under 4 will not be admitted into the theatre.

& Juliet on Broadway - NYC [25598]

Genre: Musical (US and AUS)

NY - Broadway

Broadway shows

New York All Shows

Get last-minute theatre tickets for New York Shows at the best prices, and get exclusive access to our Lottery and Rush tickets.

Last-Minute Broadway Tickets & Theatre in NYC | New York Shows | TodayTix

New York Shows

Get tickets to the best shows at the best prices on Broadway and beyond

Discover New York City 

New York Header Image

Latest New York City Insider Posts 

Explore Broadway and Off-Broadway news and reviews, and book the best NYC events.

New York Theatre Guide Home Page (New York Theatre Guide)

New York Theatre Guide – Official site for theatre tickets & news

See what's on sale on Broadway, from classics to new hits. Get tickets today. Find tickets at New York Theatre Guide, a reliable source for Broadway.

New York Theatre Guide - New York Musicals & Plays

New York

New York Search Results

Search Results

New York Tile Image

NYC App Home

Venues in New York City

New York Home Page (TT Home)

Get the best prices on theatre tickets today and this week in New York, London and more. Read reviews. Win exclusive lottery or rush tickets. Download our app.

TodayTix | Theater Tickets to Musicals, Plays, Broadway, More 

New York Nav Links [NEW]

More shows

New York Home Page (WL)

WL Newsletter

WL NYC Nav

& Juliet on Broadway

& Juliet on Broadway - Product Media - App Hero Image

& Juliet on Broadway - NYC -  Product Media

& Juliet on Broadway  - Product Media - Header Image

& Juliet - Image for Ads

Production photo of & Juliet in New York, showing Gianna Harris with colorful set pieces and lights in the background.

& Juliet on Broadway - Product Media - Images & Videos - Asset #1

Production photo of & Juliet in New York, shoing Gianna Harris in a sparkly gold and burgundy dress.

& Juliet on Broadway - Product Media - Images & Videos - Asset #2

Production photo of & Juliet in New York, showing Gianna Harris sits on the floor in front of a large stone structure with pink and blue lighting in the background.

& Juliet on Broadway - Product Media - Images & Videos - Asset #3

Production photo of & Juliet in New York, showing Liam Pearce, Drew Gehling, Gianna Harris, Alison Luff and Jeannette Bayardelle with vibrant lighting and a decorative, urban backdrop.

& Juliet on Broadway - Product Media - Images & Videos - Asset #4

& Juliet on Broadway - Product Media - Poster Image

& Juliet on Broadway  - Product Media - Poster Image (Square)

*& Juliet* had a hit-making 2019 world premiere in London, receiving nine Olivier Award nominations, including Best New Musical, and a record-breaking 13 nominations at the WhatsOnStage Awards there. Once the show came stateside, it earned nine 2023 Tony Award nominations, including for Best Musical.

*& Juliet* is a pop musical for multiple generations. A total of 30 Max Martin songs are in the show, from the ‘90s through today. From Backstreet Boys, Bon Jovi, and early Britney Spears hits; to early-2000s bops from Katy Perry, Kesha, and P!nk; to 2010s chart-toppers from Ariana Grande and The Weeknd, there are songs everyone has on repeat on their Spotify playlists.

## What to watch for

- One of the songs in *& Juliet*, "One More Try," is a new song Martin and Jessie J wrote specifically for the show.
- Proper Elizabethan meets pop extravaganza in the details of *& Juliet* on Broadway. Elements like the costumes are inspired by Shakespeare’s era, but the choreography emulates the moves you’d see in your favorite pop stars’ music videos.
- In addition to his five Grammys, Martin has won the ASCAP Songwriter of the Year Award 11 times (including every year from 2011-2018), and he's an Oscar and two-time Golden Globe nominee.
- *& Juliet* is perfect for fans of Tony-winning shows like *Moulin Rouge! The Musical*, which also works pop music into an original, larger-than-life story, and *Six*, a pop-infused, feminist remix of English history.

& Juliet Rush

Enter for a chance to purchase {display price} {show} tickets.

{display price} Lottery tickets

If selected, you will have [CLAIM LENGTH] to purchase [PRICE] [SHOW TITLE] tickets.

Download our app to enter the Lottery for a chance to purchase {display price} tickets.

I entered the [SHOW] Lottery for [DISPLAY_PRICE] tickets on @TodayTix! Tap here to enter: https://www.todaytix.com/[LOCATION]/shows/[ID]?share=enter

Unlock Rush for a chance to purchase $49 tickets at 9:00 AM.  Rush tickets may be Partial View!

$49 Rush tickets

Download our app to unlock Rush for a chance at last-minute tickets for only $49.

Company may offer programs whereby the Company would make available certain features of the Services when you share information about the Services through an SNS or click on the “Unlock without sharing” button in the Application.  When you are considering purchasing a ticket for a specific show or after you purchase a ticket, if you select the “Share” button in the Application, Company will make available to you a personalized link to a Digital Property with text stating, for example, “Check out {show} on TodayTix! I’m thinking of going…” or something similar, which you may choose to share with your friends via SNS.  Once you have shared the personalized link through an SNS using the Application or selected the “Unlock without sharing” button in the Application, Company will make available to you the RUSH feature, which will provide you with otherwise unavailable offers for tickets to live events occurring in the next week. The opportunity to take advantage of these offers is only available to users who share a personalized link to an SNS through the Application or select the “Unlock without sharing” button in the Application.

I unlocked $49 Rush tickets for & Juliet on Broadway on @TodayTix! https://www.todaytix.com/nyc/shows/25598?share=unlock

& Juliet - NYC - TodayTix

& Juliet on Broadway Tickets | New York | TodayTix

What would happen after *Romeo & Juliet* if Juliet didn't die? That's the question this pop-fueled musical, from songwriting icon Max Martin and a writer on *Schitt’s Creek*, asks. Jam out to tunes made famous by Britney Spears, the Backstreet Boys, Pink, and more.

She's stronger than yesterday! After running to acclaim in London's West End for three years, the pop musical &amp; Juliet is now on Broadway with nine Tony Award nominations, including Best Musical. Get&nbsp;&amp; Juliet&nbsp;tickets now — and see *NSYNC's Joey Fatone in the show through July 31 only.

*& Juliet* on Broadway takes modern pop songs from the catalog of Max Martin and sets them to an original story about what might happen if Juliet did not die at the end of Romeo &amp; Juliet. Before you go, discover more about what to expect from this energetic, larger-than-life pop extravaganza.

<h2>What is&nbsp;&amp; Juliet&nbsp;about?</h2>

The&nbsp;&amp; Juliet&nbsp;musical kicks off nearly where&nbsp;Romeo &amp; Juliet&nbsp;left off: right before Juliet's death. This isn't a retelling of Shakespeare's tragedy, though; it's a whole new story in which Juliet decides losing Romeo doesn't mean she should die. Instead, she goes on a journey of self-discovery to Paris. Accompanied by her friends — which include some characters from the original play, like the nurse, as well as new characters, like her friends Francois and May — she goes to parties, makes new friends, falls in love (again), and sees what the world has to offer beyond the stifling walls of Verona.

The whole story is narrated by Shakespeare and his wife, Anne Hathaway, who are actually writing the story as they go along. Anne learns of Shakespeare's original&nbsp;Romeo &amp; Juliet&nbsp;ending and dislikes it, so she takes over.&nbsp;With Anne at the helm, Juliet gets more agency and depth independent of her relationship with Romeo, and&nbsp;a more positive lease on life. Anne even writes herself and Shakespeare in as characters, and debating their different ideas for the story ends up helping them work out the issues in their marriage.

The *& Juliet* Broadway musical is full of energy and laughs, as the&nbsp;&amp; Juliet&nbsp;book is by David West Read, a writer on the Emmy Award-winning&nbsp;Schitt's Creek.

<h2>What songs are in&nbsp;&amp; Juliet?</h2>

You may listen to top 40 radio, but you've never heard your favorite songs like this.&nbsp;&amp; Juliet&nbsp;has one new song, but the show mostly includes existing popular music. All 30 pop songs in&nbsp;&amp; Juliet&nbsp;were written or co-written by Max Martin, who's behind the hits of stars like Britney Spears, P!nk, Kesha, Katy Perry, and The Backstreet Boys. Anyone who grew up with, or just knows all the words to, hits from the 90s through today will relive their teenage dreams at this show. Below is a sampling of the shows in *& Juliet*; [discover more about all the show's songs here](https://www.newyorktheatreguide.com/theatre-news/news/how-juliet-uses-pop-songs-to-tell-a-fresh-coming-of-age-story).

<ul> <li>"Larger than Life"</li> <li>"I Want It That Way"</li> <li>"...Baby One More Time"</li> <li>"Blow"</li> <li>"Teenage Dream"</li> <li>"It's My Life"</li> <li>"Since U Been Gone"</li> <li>"That's the Way It Is"</li> <li>"Everybody (Backstreet's Back)"</li> <li>"Roar"</li> </ul>

<h2>More information about&nbsp;&amp; Juliet</h2>&amp; Juliet&nbsp;had its world premiere in 2019 in London's West End. The show received nine Olivier Award nominations and critical acclaim.<a href="https://www.londontheatre.co.uk/reviews/review-max-martin-musical-and-juliet-shaftesbury-theatre" target="_blank">

London Theatre review</a>&nbsp;reads, "Frequently resembling a series of pop videos come to life — thanks to performance platforms that come out of the floor, or benches that take on an aerial life of their own in Soutra Gilmour's sets, aided by Andrzej Goulding's dazzling projections — it is performed with a glinting knowingness and powerful pop theatre voices."

Since debuting in London,&nbsp;&amp; Juliet&nbsp; made its North American debut in Toronto; that production was the pre-Broadway tryout ahead of the premiere of&nbsp;&amp; Juliet&nbsp;on Broadway. The musical is also made its Australian premiere in Melbourne in February 2023.

As long as you love pop music, contemporized classics, and plenty of fun, it's gonna be you that sees&nbsp;&amp; Juliet&nbsp;in New York soon. Tickets to&nbsp;&amp; Juliet on Broadway are available now.See&nbsp;&amp; Juliet&nbsp;if you like:&nbsp;<a href="https://www.newyorktheatreguide.com/show/moulin-rouge-the-musical-on-broadway" target="_blank">Moulin Rouge! The Musical</a>,&nbsp;<a href="https://www.newyorktheatreguide.com/show/six" target="_blank">Six</a>,&nbsp;<a href="https://www.newyorktheatreguide.com/show/mj-the-musical" target="_blank">MJ The Musical</a>Photo credit: The company of &amp; Juliet in Toronto. (Photo by Matthew Murphy)

& Juliet - NYC - New York Theatre Guide

and juliet-760

& Juliet Broadway Tickets | The Official NY Theatre Guide

What would happen after Romeo and Juliet if Juliet didn't die? That's the question at the core of this pop-fueled musical created by the Emmy-winning writer of *Schitt's Creek*. Jam out to tunes made famous by Britney Spears, Backstreet Boys, P!nk, Ariana Grande, and more, as Juliet travels to Paris with new friends and new love. Find out about *& Juliet* tickets.

Anne Hathaway – the wife of William Shakespeare, not the Oscar-winning actress – has a message for her famous husband. In a nutshell: Your star-crossed-lovers tragedy stinks. 

That’s the start of [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets), a slim but cheeky and eager-to-entertain jukebox musical bursting with chart-toppers made famous by Britney Spears, Katy Perry, Bon Jovi, Celine Dion, Backstreet Boys, and other pop stars.

“What if Juliet didn’t kill herself?” muses Anne (Betsy Wolfe, goofy, gutsy, and serving gale-force vocals), who convinces Will (Stark Sands) to collaborate on a rebooted story. So long, Verona and stifling parents keen on locking her up in a nunnery. Freedom awaits! Juliet (the terrific Lorna Courtney), now 22 in the revised tale, considers life on her own terms.

She makes a beeline for Paris with her nurse (Melanie La Barrie, reprising her role from the show’s London premiere), a new non-binary BFF May (Justin David Sullivan), and another pal, April – who is actually Anne. She and Shakespeare write themselves into the revision; he’s a carriage driver. Along the way, some 30 hits from the Max Martin catalog, including “...Baby One More Time,” “Roar,” and “Since U Been Gone,” knit the narrative together.

This setup happens with surprising speed and economy. The early zippy energy is a big plus. Vibrant visuals are another. Director Luke Sheppard’s staging makes great use of projections, flying set pieces, and a levitating circular platform to showcase dramatic moments and athletic dance moves by choreographer Jennifer Weber. 

There's plenty of drama in France after Juliet and company meet Francois DuBois (Philippe Arroyo), who’s looking for love, and his stern father Lance (Tony winner Paulo Szot, game but frequently upstaged by his codpiece), who shares a secret history with Juliet’s nurse.

Thanks to Will’s desire to stir the plot, dim Romeo (Daniel Maldonado, in for Ben Jackson Walker at a recent performance) pops up. The newly undead guy descends in a superdope (to borrow his term) and glitzy entrance.

The action unfolds in Shakespeare’s era, but its heart and head are all about today. Costume designer Paloma Young pairs corsets, ruffs, and doublets with chunky boots and high-tops. There’s also a shoehorn lurking in the wings. As in any jukebox musical, some tunes are wedged in, but others fit surprisingly well.

“I Want It That Way” becomes a useful all-purpose expression of desire, while “Oops! … I Did It Again” neatly covers romantic missteps. “Stronger” lets Juliet’s defiance toll. Romeo and Juliet’s conflicted feelings churn into a raucous “Problem/Can’t Feel My Face.”

*Schitt’s Creek* writer David West Read penned the story, and it’s a mixed bag. *& Juliet*'s feminist attitude and celebration of gender fluidity make it topical. Mispronunciations of Francois’s surname makes way for (groan) DeBoy band jokes. And even with the youthful exuberance, the momentum sags whenever Anne and Will spar about the narrative — and they do it a lot. 

The script looks to history (or Wikipedia?) to connect the dots between Anne, who Shakespeare disregarded, and suicidal Juliet. Creative license abounds, of course, but the script breezes over the fact that if Romeo is alive, then Juliet is still married. That puts a kink in major plot developments. In the end, the show has no fewer than three separate conclusions.

To see or not to see any or all of that as just nitpicking? Theatregoers out for a silly good time likely won’t care as they hum along with *& Juliet*.

[*& Juliet* is at the Stephen Sondheim Theatre. Get tickets to *& Juliet* at New York Theatre Guide.](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets)

*Photo credit: Lorna Courtney (center) and the cast of & Juliet on Broadway. (Photo by Matthew Murphy)*

'& Juliet' review — the Bard meets 21st-century bops in energetic pop musical

& juliet review-1200x600-NYTG

Joey Fatone stars as Lance in [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) on Broadway at the [Stephen Sondheim Theatre](https://www.newyorktheatreguide.com/theatres/stephen-sondheim-theatre) from April 22 to July 31, 2025.

Fatone is best known as a founding member of the boy band *NSYNC. Additionally, he competed on *Dancing With the Stars*, finishing second; appeared on TV shows including *Family Feud* and *The Masked Singer*, and performed on Broadway in *Little Shop of Horrors* in 2004.

Joey Fatone - NY

Joey Fatone - Photo Credit Amy and Gabe Mendoza at TwentyNine Northwest Studio (1)

Charli D'Amelio stars in the ensemble of [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) on Broadway as Charmain at the [Stephen Sondheim Theatre](https://www.newyorktheatreguide.com/theatres/stephen-sondheim-theatre) through September 7, 2025.

D'Amelio rose to prominence as a dancer on the social media site TikTok. She was the most followed user on the platform from March 2020 to January 2022 and currently has an audience of over 150 million followers on that site alone. She also won season 31 of the reality competition show *Dancing With the Stars*.

Charli D'Amelio - NY

Charli DAmelio

Gianna Harris stars as Juliet in [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) on Broadway at the [Stephen Sondheim Theatre](https://www.newyorktheatreguide.com/venues/stephen-sondheim-theatre). Harris's additional credits include the original Off-Broadway and Broadway casts of [*Hell's Kitchen*](https://www.newyorktheatreguide.com/show/37579-hells-kitchen-broadway), understudying the Alicia Keys-inspired role of Ali and others, as well as *School of Rock* on Broadway.

Gianna Harris - NY

gianna h

Drew Gehling stars as Shakespeare in [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) on Broadway at the [Stephen Sondheim Theatre](https://www.newyorktheatreguide.com/venues/stephen-sondheim-theatre)

Gehling is best known for originating the role of Dr. Pomatter in the Broadway musical *Waitress*, and his other theatre roles include Orin in *Little Shop of Horrors* and Jeff Bebe in *Almost Famous*, adapted from Cameron Crowe's film.

Gehling has also appeared on screen in *Succession*, *Elementary*, *30 Rock*, *Smash*, and more.

Drew Gehling - NY

Drew Gehling (1)

Alison Luff stars as Anne Hathaway in [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) on Broadway at the [Stephen Sondheim Theatre](https://www.newyorktheatreguide.com/venues/stephen-sondheim-theatre). Her Broadway credits include *The Who's Tommy*, *Waitress,* *Les Misérables,* *Matilda the Musical,* and *Escape to Margaritaville.* Luff also starred as Elphaba in the national tour of *Wicked* and appeared in the television series *FBI.*

Alison Luff - NYC 

luff

Jeannette Bayardelle stars as Angelique in [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) on Broadway at the [Stephen Sondheim Theatre](https://www.newyorktheatreguide.com/venues/stephen-sondheim-theatre) through August 3, 2025. Bayardelle was nominated for a 2022 Tony Award for her performance as Mrs. Neilsen in *Girl From the North Country.* She has also been seen on Broadway in *Hair* as Dionne and *The Color Purple* as Celie. 

Jeannette Bayardelle - NYC 

jeannette

Liam Pearce stars as Romeo in [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) on Broadway at the [Stephen Sondheim Theatre](https://www.newyorktheatreguide.com/venues/stephen-sondheim-theatre). He made his Broadway debut in *How to Dance in Ohio*. Regional credits include *Rent* at New Jersey's Paper Mill Playhouse and *Legally Blonde* at The Muny in Missouri.

Liam Pearce - NYC 

liam

Michael Iván Carrier stars as May in [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) on Broadway at the [Stephen Sondheim Theatre](https://www.newyorktheatreguide.com/venues/stephen-sondheim-theatre). He performed in regional productions of *La Cage Aux Folles, Grease, Newsies* and more and was in the ensemble of the national tour of *Once On This Island*.

Michael Iván Carrier - NYC 

carrier

Nathan Levy stars as Francois in [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) on Broadway at the [Stephen Sondheim Theatre](https://www.newyorktheatreguide.com/venues/stephen-sondheim-theatre). Other Broadway roles include Omar in *Aladdin*, Clumsy in *Once Upon a One More Time*, and an understudy for multiple lead roles in *Dear Evan Hansen*.

Nathan Levy - NYC 

nathan

The Stephen Sondheim Theatre is a treasured gem within the heart of New York City. Located in the bustling Times Square district, it stands proudly, retaining its historical charm midst contemporary edifices. The theatre, formerly known as Henry Miller's Theatre, is deeply rooted in theatrical history, having hosted numerous Broadway classics since its inception in 1918. It boasts art nouveau architecture bathed in gentle, welcoming lights, with intricate details that add to its grandeur. A walk inside reveals a relaxing ambiance with ornamented ceilings, beautiful chandeliers, red velvet seats, and a sizeable stage that brings performances to life. Dedicated to the legendary composer Stephen Sondheim, the theatre's rich legacy continues by staging some of the most critically acclaimed plays, musicals, and performances, all enjoyed from the comfort of its 1,055 seats. 

**How to Get There** 
Stephen Sondheim Theatre is conveniently located at 124 West 43rd Street, accessible via various modes of transportation. Visitors can reach the theatre by subway, taking the B, D, F, or M train to 42nd Street/Bryant Park or the 1, 2, 3, 7, N, Q, R, S, or W train to Times Square/42nd Street. Buses M5, M7, M20, M42, or M104 also offer routes to Times Square. For those who prefer driving, several paid parking garages are available nearby.

Stephen Sondheim Theatre - NY

Stephen-Sondheim-Theatre-NY-1600x1200px

Stephen Sondheim Theatre

Stephen Sondheim Theatre - TodayTix

Originally called the Henry Miller's Theatre, the venue opened on April 1, 1918 with *The Fountain of Youth* - a translation of *Flor de la vida* by the Alvarez Quintero brothers.

In 1969, the venue became a cinema and then a nightclub; it reverted back to a theatre in 1998. The theatre closed in 2004 due to the Bank of America Tower construction at One Bryant Park.

The theatre was rebuilt — with the original facade preserved and restored — and reopened in September 2009. The venue was renamed the Stephen Sondheim Theatre at a special ceremony on September 15, 2010 in honor of the award-winning composer's 80th birthday.

When a theatre in London's West End was named for Sondheim in 2019, he became the only then-living person to have eponymous theatres in both New York and London.

## How to get to the Stephen Sondheim Theatre on Broadway

The subway stops nearest to the Stephen Sondheim Theatre are 42nd Street - Bryant Park on the B, D, F, M, and 7 lines; and 42nd Street - Times Square on the 1, 2, 3, 7, N, Q, R, W, and S lines.

The nearest bus stops are are 6th Ave/W 44th St. on the M55, QM2, QM3, QM4, QM15, QM16, QM17, QM18, and QM20 lines; and 6th Ave/West 42nd St. on the M5, M7, and M55 lines.

## Restaurants near the Stephen Sondheim Theatre

Popular restaurants within a block of the Stephen Sondheim Theatre include Charlie Palmer Steak, Tony's di Napoli (Italian), Brooklyn Diner (American), and Cafe Un Deux Trois (French). The American restaurants Junior's, Hard Rock Cafe, and Bubba Gump Shrimp Co., and the family-style Italian restaurant Carmine's, are also located about a block away.

Stephen Sondheim Theatre - New York Theatre Guide

History meets modernity at the Stephen Sondheim Theatre on Broadway, a refurbished venue home to the smash hit musical & Juliet. Get your tickets today.

A seating chart showing the stage at the top, followed by orchestra and mezzanine sections with rows labeled alphabetically.

Stephen Sondheim Theatre - NYC - 

The Stephen Sondheim Theatre is a cherished historical venue in Times Square, known for its Broadway classics and art nouveau architecture.

James Monroe Iglehart stars as Lance in [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) on Broadway at the [Stephen Sondheim Theatre](https://www.newyorktheatreguide.com/venues/stephen-sondheim-theatre) from August 5 to November 2, 2025.

James Monroe Iglehart is a Tony Award-winning actor&nbsp;who was born in Hayward, California on September 4, 1974. He attended California State University, East Bay and began his stage career in California, appearing in Bat Boy&nbsp;in Palo Alto and as Teen Angel in Grease&nbsp;in San Jose. He then appeared in the 1997 National Tour of Show Boat.

In 2006, he played the role of Mitch Mahoney in the musical comedy The 25th Annual Putnam County Spelling Bee&nbsp;at the Wilbur Theatre in Boston and would eventually take over the role on Broadway in April 2007 until the end of its run in January 2008, marking his Broadway debut. One year later, he originated the role of Bobby in the 2009 Broadway premiere of Memphis.

Iglehart’s breakthrough moment came when he secured the role of Genie in Disney’s stage adaptation of <a href="https://www.newyorktheatreguide.com/reviews/aladdin">Aladdin</a>. After pre-Broadway tryouts in Seattle in 2011 and Toronto in 2013, the show finally opened on Broadway in March 2014, landing Iglehart his first Tony Award.

He moved on from Agrabah to the Richard Rodgers Theatre in April 2017, assuming the dual roles of Marquis de Lafayette and Thomas Jefferson in Lin-Manuel Miranda’s smash hit musical *Hamilton*. Later Broadway musical roles included King Arthur in *Spamalot* and Louis Armstrong in *A Wonderful World*, which earned him another Tony nomination.

James Monroe Iglehart - NY

Ages 13+. Children under 4 are not permitted.

Chicago on Broadway - NYC [22]

Chicago on Broadway

NYC Chicago on Broadway [22]  Product Media

20 years old and she’s still got it, folks!

With the 20th anniversary of [*Chicago*](https://www.newyorktheatreguide.com/show/22-chicago-tickets) speedily approaching, I took a trip to Broadway’s [Ambassador Theatre](https://www.newyorktheatreguide.com/theatres/ambassador-theatre) to witness that timeless story of murder, greed, corruption, violence, exploitation, adultery and treachery… and rest assured, I still hold it near and dear to my heart!

*Chicago* is the second longest-running show in Broadway history, behind Andrew Lloyd Webber’s infamous [*Phantom*](https://www.newyorktheatreguide.com/show/38-the-phantom-of-the-opera-tickets), and still holds the record of being the longest-running musical revival and longest-running American musical on the Great White Way. So how has this iconic musical managed to outlast its competitors in the increasingly crowded and competitive market place that is Broadway?

One word can sum it all up, really… “Class”… which just so happens to be the title of one of the more reflective numbers in the show. As Velma and Mama Morton were serenading us, asking whatever happened to class, I couldn’t help but think that this production has it in abundance. *Chicago* proves that you don’t need to bombard your audience with a number of lavish sets or elaborate costume changes to put together a winning musical. All you need is a live band on stage, intoxicating the auditorium with that jazz-infused score from the genius that is John Kander and Fred Ebb and sprinkle it with that Bob Fosse-style choreography, and before you know it, you’ve razzle dazzled ‘em! Those tight-fitting, all-black (and often transparent) costumes by William Ivey Long enhance the show’s sensuality with equal measures of male and female exposure and have themselves become as recognisable as the show’s glittering red logo.

You forget how ground-breaking this revival must have been, when it officially opened on Broadway on 14th November 1996. Moments of breaking the fourth wall to introduce the musical numbers and having the conductor of the band interact with the actors on stage, still set *Chicago* apart from its predecessors, and who wouldn’t want to call for their “Exit Music” each time they left the room?

*Chicago* is equally as famous for its revolving casting door, which has seen both Broadway veterans and celebrities from the world of music, TV and film take to the stage and sink their teeth into those coveted principal roles for special limited engagements. Some of the company’s principals have been with the show for quite some time and continue to delight with every performance. NaTasha Yvette Williams’ brassy and sultry Mama Morton, Raymond Bokhour’s ever-loveable Amos and R. Lowe’s skilled, gender-bending performance as Mary Sunshine are always crowd-pleasing and essential parts of the production, offering the degree of stability that takes it smoothly through its many cast changes. Although some would argue that Chicago has been reduced to a star vehicle for celebrities wishing to dip their toes into the world of Broadway, I see it as a living, breathing piece of musical theatre history, which rightfully remains at the Ambassador Theatre and reminds us that all you need is class and, of course, all that jazz!

*(Photo by Jeremy Daniel)*

----------------------------------------------------------------------------

"As much tribute as revival, the spirit of Fosse's genius never leaves the stage, and Chicago, under Walter Bobbie's sharp direction, will dazzle newcomers to the trademark Fosse dance style and provide a thrilling reminder to those who've seen it before just how smart, sexy and exciting this brand of choreography was, or rather, is."
*Greg Evans for Variety*

"Chicago is a triumph! It doesn't just give us the old razzle-dazzle; it glows."
*Richard Zoglin for Time Magazine*

"Chicago still glitters hypnotically! It remains the best adult entertainment in town and still bubbles with the joy of performing!"
*Ben Brantley for New York Times (2007)*

"The show seems to have discovered the fountain of youth. As entertaining as ever. Brash, buoyant and utterly irresistible!"
*Michael Kuchwara for The Associated Press (2003)*

'Chicago' review

Read our 20th anniversary review of *Chicago* on Broadway at the Ambassador Theatre.

The Ambassador Theatre is a quintessential landmark venue situated in the heart of Times Square in New York City. The theatre, built in a unique diagonal orientation to fit within a corner property, opened in 1921 and has since been a stoić stalwart in the midst of the bustling city life. The beautifully ornated structure with its grand interiors and elegant façade captures the essence of old New York charm. With a seating capacity of 1125, the theatre provides an intimate and immersive theatrical experience. Ambassador Theatre has been the venue for numerous historically and culturally significant productions, including 'Chicago,' not only gaining it popularity but also cementing its position as a paragon in the New York theatre scene.

## How to get to the Venue
The Ambassador Theatre is easily accessible by public transport. The closest subway stations are 49th Street (N, R, and W lines), and 50th Street (1 and 2 lines). An alternate option is to take the C or E line to 50th Street. The theatre is also reachable by several bus lines such as M7, M20, M50, or M104. For attendees driving, numerous public parking spaces are available in and around Times Square.

Ambassador Theatre - NY

Ambassador Theatre

The Ambassador Theatre, an iconic venue in Times Square, New York, is known for its unique architecture and historic productions.

Ages 10+. Infants are not permitted in the theater.

Hamilton on Broadway - NYC [384]

Hamilton on Broadway

Hamilton on Broadway [384] Product Media

I saw *Hamilton* Wednesday last at the Richard Rogers Theatre. Last night I went to bed with *Hamilton*. I had Lin-Manuel Miranda's script all to myself and devoured it. There is so much information, not to mention plain old smarts, that is packed into this show that reading the text is an exercise in pure pleasure. And once again I came away with the same conclusion. This is a story ABOUT Alexander Hamilton while at the same time it is the story OF Aaron Burr.

Burr (Leslie Odom, Jr.) welcomes us to the evening almost purring:

How does a b*st*rd, orphan, son of a wh*re And a Scotsman dropped in the middle of a forgotten spot In the Caribbean, by Providence impoverished, to squalor Grow up to be a hero and a scholar?

Who did this immigrant Hamilton (Lin-Manuel Miranda) think he was? Burr was the son of money. Hamilton was the son of chance and fortune. Burr was willing to wait for his just rewards; Hamilton preferred the direct route.

... I'm just like my country I'm young, scrappy and hungry And I'm not throwing away my shot

Hamilton arrives from Nevis in the Bahamas just as the country is splintering into a new incarnation. He lands in New York, the center of everything, and works his way up the revolutionary ladder. He sits at the right hand of God in the person of George Washington (Christopher Jackson) and pines for a command that is denied him until there is no other option.

Hamilton did not live in a vacuum, however. Events and people were moving around him like a hurricane. The women in his life were a match in every way to the men. "The Schuyler Sisters," Angelica (Renée Elise Goldsberry), Eliza (Phillipa Soo), and Peggy (Alysha Deslorieux on the night I was there), are the center of New York's solar system. While Washington in planning battle, there is a social life to be created. Angelica is looking for a mind at work, and when both she and her sister, Eliza, are smitten by Hamilton, she steps aside in a scene that is tragic and gallant.

As each element is added to the story, the tapestry becomes richer and more dense. Family brings new responsibility but does not alter Hamilton's trajectory. As the new country is formed, he stays in the inner circle, annoying Thomas Jefferson (Daveed Diggs) who was in France for most of the war, and drives Burr just a little mad. Burr's thirst for the power that Hamilton has is palpable, and as his frustration explodes in the second act with "The Room Where It Happens," the experience is visceral for us all and becomes a showstopper.

Over and over again we see the tragedy that is coming. The rules of dueling are spelled out more than one time. The future is seen as a place where these folks may not walk but in which they will be remembered. The tension and terror of the time fill the theatre. This is balanced by Miranda's eye for the absurd, the ridiculous and the insidious which evoke belly laughs, winces and mental high-fives. He gives a generous nod to King George (Jonathan Groff, who is the only white person playing a main character) who smiles and winks through three pop numbers that remind us in the nicest possible way that the little people are just that:

Cus when push comes to shove I will kill your friends and family to remind you of my love

Hamilton was smart and driven - and he was a writer. It was his pen that got him out of his home, and it would be his pen that brought him to the side of Washington. Today he would have been tweeting (as is Miranda) several times a day. If the telegraph had been around he would have been tapping until the machine melted in his hands. But these were the days of longhand, quills, ink, and parchment. And delivery was by foot or, if you were lucky, horseback. Still, what Hamilton managed to crank out was not only impressive, it was world-altering. His accomplishments are listed like it was an awards banquet. He crafted a financial system. Created the national debt to save the country. Wrote *The Federalist Papers*. He wrote as if he were running out of time. And he was.

The last moments of Hamilton's life are perhaps the most delicately crafted. "I imagine death so much it seems like a memory," Hamilton sings as the bullet travels through time and relationships to reach him. And when it does, we hear the lament of Aaron Burr, still at the center of the tale, who didn't realize the world was wide enough for them both, and the chorus that delivers us back into our seats singing and asking us, "Who lives? Who dies? Who tells your story?"

Hamilton is a magnificent tapestry where all the elements of theatre are called upon to be their very best. The choreography by Andy Blankenbuehler is nothing short of mesmerizing. His work makes the entire piece pulse. Alex Lacamoire's musical direction and orchestration lifts us into the stratosphere. The scenic design by David Korins, costumes by Paul Tazewell, and lights by Howard Binkley are seamlessly integrated and a visual feast. Finally, Thomas Kail's direction is impeccable. Under his guidance this show has been pieced together into a living, breathing entity. *Hamilton* is not just a show, it is an experience - which is always the goal of art. This is not a show that you sit and watch. It is a show that takes you by the hand and pulls you into its embrace.

The end result is something much more than the story of one man. It is the story of how we each create our destiny and our mark on the world. You leave the theater thinking about what you would like to do that you have not done. You leave the theatre filled with possibility.

(Photo by Joan Marcus)&nbsp;<hr />"'Hamilton' makes us feel the unstoppable, urgent rhythm of a nation being born." Ben Brantley for New York Times"With 'Hamilton,' Broadway is officially the coolest place on the planet. And the smartest. And most exhilarating." Joe Dziemianowicz for New York Daily News"Lin-Manuel Miranda's 'In the Heights' may have been a hit — but his 'Hamilton' is a phenomenon." Elisabeth Vincentelli for New York Post"The greatest American musical in decades." David Cote for Time Out New York"It was phenomenal off-Broadway. It's even better now. 'Hamilton' is that rare musical that fires on all cylinders, even ones we never knew existed." Roma Torre for NY1"This is a musical often stunning in its audaciousness." Mark Kennedy for Associated Press"This enormously ambitious and entertaining musical history lesson is even more impressive on a second viewing." Frank Scheck for The Hollywood Reporter"This innovative show is shaping up to be just as much of a phenomenon uptown, playing in a Broadway house with four times the seating capacity, and to a more traditional but no less enthusiastic audience. That universal appeal to crossover audiences is one unmistakable sign of a groundbreaking show." Marilyn Stasio for VarietyExternal links to full reviews from popular press...<a href="http://www.nytimes.com/2015/08/07/theater/review-hamilton-young-rebels-changing-history-and-theater.html?_r=0" target="Top">New York Times</a> - <a href="http://www.nydailynews.com/entertainment/theater-arts/hamilton-musical-mint-condition-broadway-article-1.2316761" target="Top">New York Daily News</a> - <a href="http://nypost.com/2015/08/06/hamilton-isnt-quite-revolutionary/" target="Top">New York Post</a> - <a href="http://www.timeout.com/newyork/theater/hamilton-1" target="Top">Time Out</a> - <a href="http://www.ny1.com/nyc/all-boroughs/lifestyles/2015/08/6/ny1-theater-review---hamilton-.html" target="Top">NY1</a> - <a href="http://www.hollywoodreporter.com/review/lin-manuel-mirandas-hamilton-theater-813145" target="Top">Hollywood Reporter</a> - <a href="http://variety.com/2015/legit/reviews/hamilton-review-broadway-1201557679/" target="Top">Variety</a>

'Hamilton' review

Read our five-star review of *Hamilton* on Broadway at the Richard Rodgers Theatre.

The Richard Rodgers Theatre, named after one of the most influential composers in American history, is a Broadway theatre located in New York City. It was originally opened in 1925 as 'Chanin's 46th Street Theatre' and was later renamed in honor of prolific composer Richard Rodgers in 1990. At over 14,000 square feet, it is the highest grossing venue on Broadway, with a seating capacity for an audience of over 1,300 people. Offering a variety of shows, it is best known for the ongoing run of the critically acclaimed musical, 'Hamilton'. Not only does this theatre provide top-notch entertainment, but it also offers an array of amenities for its guests, including wheelchair accessible seating, assistive listening devices, and more. 

*How to get there*: The Richard Rodgers Theatre is conveniently located at 226 W 46th Street, near Times Square. Access to the theatre is easy and convenient with several modes of public transportation available. The nearest subway stations are 49th Street (N, R, and W lines) and 42nd Street - Times Square (A, C, E, N, R, W, 1, 2, 3, 7, and S lines). Alternatively, visitors can take a bus to West 46th Street and 8th Avenue, which is just a short walk to the theatre.

Richard Rodgers Theatre - NY

Richard Rodgers Theatre

Richard Rodgers Theatre is a historic Broadway venue in New York, notable for Hamilton performances. Easy access via subway or bus.

Aladdin

Aladdin on Broadway - NYC [105]

Aladdin on Broadway

Aladdin cave

Aladdin on Broadway [105] Product Media 

In the UK, there is a Christmas tradition in British theatre called Pantomime. This phenomenon is foreign to American audiences, and is perhaps difficult to sell convincingly, but here goes: A pantomime takes the form of a tongue-in-cheek staging of a popular fairy tale, which encourages as much audience participation as possible. There is always a man dressed up as a ludicrous-looking woman known as the Dame (in the case of 'Aladdin' it's Widow Twanky), often a girl will play the lead male role (such as Peter Pan... Yes, it's all very gender-confusing) and a 'Dr. Evil-style' villain (who is constantly booed out of the building by the children in the audience, whenever he creeps onto the stage). There are also a few filthy jokes thrown into the mix, which fly straight over the childrens' heads and cheekily reward their accompanying parents. In short, the pantomime is a theatrical tradition that is belittled by theatre snobs, but wholeheartedly loved by families and secret 'guilty pleasure-seeking' theatregoers.Although pantomime is relatively unknown in the States, having recently attended a performance of Disney's latest mega-hit 'Aladdin,' I feel it is the closest thing to it in the good ole U S of A. Particularly the performance of Jonathan Freeman as treacherous Jafar (a role he reprises from voicing the character in the original 1992 animated film) reminded me of the old-school pantomime villain. Alas, there was no sign of boisterous booing from the audience...The musical, whilst perhaps not as creatively imaginative as Disney's standard barer 'The Lion King,' it certainly gets more laughs and the book's wise-cracking one-liners, often Arabian-themed, lend some refreshing, adult satisfaction. Most of these come from the show-stealing performance of James Monroe Iglehart as Genie, whose Tony Award-winning turn is truly a delight to behold. Stepping into the shoes of the late great Robin Williams (surely one of the main reasons, the animated classic was so popular) must be daunting at the least, but Iglehart gives a new and unique life to the character, whilst maintaining Mr Williams' high levels of energy and pace. His tour-de-force number 'Friend Like Me,' simply put, is musical theatre heaven! He is also quite the accomplished dancer and as light on his feet as the rest of the ensemble.Other comic relief comes in the form of Iago (a conniving parrot sidekick in the movie, now embodied as a short and stout human by Don Darryl Rivera), whose hilarious portrayal is a masterclass of comic timing. Three new additions to the cast are Aladdin's three, loyal buddies - Babkak, Omar and Kassim (Brian Gonzales, Jonathan Schwartz and Steel Burkhardt respectively) - who replace cheeky and loveable animated monkey Abu (although he does makes a cameo appearance on a poster in Act II!). These three amigos each have rounded characters and perform their comic sequences with vigour.The costumes and sets are wonderfully bright and make the production the most vibrantly colourful of all Disney Theatrical's offerings to date. Hats off to the ensemble members who undergo several quick (and magnificent) costume changes during the procession within the single musical number of 'Prince Ali'!Finally, the performances of Adam Jacobs as Aladdin and Courtney Reed as Princess Jasmine, although overshadowed by Iglehart, shine especially during their musical numbers. Particular favourites are the duet 'A Million Miles Away' and Aladdin's recurring solo 'Proud of Your Boy,' which both add some much needed character depth and showcase each actors' beautiful vocals. And of course, who can resist being swept along by the extremely impressive magic carpet scene during 'A Whole New World'?As I left the stunning New Amsterdam Theatre, I heard a child asking her mother: "How do they make that carpet fly, Mummy?" Her simple reply: "That's Disney magic!" I couldn't have said it better myself.(Photo by Cylla von Tiedemann)<hr />"The production's relentless razzle-dazzle and its anything-for-a-laugh spirit also infuse the show with a winking suggestion: If you can't be yourself, just be fabulous." Charles Isherwood for New York Times"The production's best special effect isn't the carpet, but the rollicking and endearingly over-the-top turn by James Monroe Iglehart ('Memphis'), who handles Robin Williams' role as the genie. With nonstop joking, fist bumps, declarations of 'Oh snap!' and nimble dance moves and smooth vocals, Iglehart shines with enough charisma to light a thousand and one nights." Joe Dziemianowicz for New York Daily News"Disney's new 'Aladdin' doesn't quite catch lightning in a bottle — but it lets a pretty nifty genie out of a lamp." Elisabeth Vincentelli for New York Post"For a child who's never seen a show before, the bright colors and broad silliness might be fun, but their adults will likely find it a teeth-grinding experience (although many dads will be diverted by Princess Jasmine's plunging necklines)." Robert Feldberg for The Record"This is a wonderful adaptation filled with color, charm and loads of theatrical magic." Roma Torre for NY1"The magic carpet flies smoothly and so does the rest of 'Aladdin', a buoyant musical comedy fashioned from the 1992 Disney animated feature." Michael Sommers for Newsroom Jersey"While it doesn't rival the imagination or innovation of 'The Lion King', the show's ebullient comic spirit should make it a popular hit." David Rooney for The Hollywood Reporter"Casey Nicholaw... stylistically turns the film's romantic fairy-tale adventure into shtick comedy." Marilyn Stasio for VarietyExternal links to full reviews from popular press...<a href="http://www.nytimes.com/2014/03/21/theater/aladdin-tweaks-the-disney-formula-with-breezy-insouciance.html?rref=theater&amp;module=Ribbon&amp;version=context&amp;region=Header&amp;action=click&amp;contentCollection=Theater&amp;pgtype=article" target="Top">New York Times</a> - <a href="http://www.nydailynews.com/entertainment/music-arts/aladdin-theater-review-article-1.1727136" target="Top">New York Daily News</a> - <a href="http://nypost.com/2014/03/20/aladdin-musical-doesnt-quite-seem-like-a-disney-hit/" target="Top">New York Post</a> - <a href="http://www.northjersey.com/arts-and-entertainment/theater/aladdin-loses-its-magic-1.747278" target="Top">The Record</a> - <a href="http://www.newjerseynewsroom.com/movies/aladdin-broadway-review-a-smooth-ride-for-the-family-crowd" target="Top">Newsroom Jersey</a> - <a href="http://www.hollywoodreporter.com/review/aladdin-theater-review-690038" target="Top">Hollywood Reporter</a> - <a href="http://variety.com/2014/legit/reviews/broadway-review-disney-aladdin-1201140780/" target="Top">Variety</a>

'Aladdin' review

Read our four-star review of *Aladdin* on Broadway at the New Amsterdam Theatre.

The New Amsterdam Theatre is a centerpiece of visual opulence in New York City known for its Broadway productions. Built in 1903 by prolific theatre architects Herts & Tallant, it has become a hallmark of Beaux-Arts and Art Nouveau styles. The intimate yet grand theatre is renowned for its exceptional acoustics and elaborate interior designs, reminiscent of an era gone by. The theatre has seen over a century's worth of performances, notably the Ziegfeld Follies from 1913 to 1927, and more recently the Disney Theatrical production of Aladdin. 

# Getting to New Amsterdam Theatre
The New Amsterdam Theatre is conveniently located at 214 West 42nd Street, just a short walk from Times Square. The venue is easily accessible via public transport. Subways N, Q, R, W, 1, 2, 3, and 7 trains stop at the 42nd Street-Times Square Station, which is just a few steps away from the theatre. If you prefer buses, take M104, M42, or M7 services to reach Times Square. There are numerous parking garages in the vicinity for those who prefer driving.

New Amsterdam Theatre - NY

New Amsterdam Theatre

The New Amsterdam Theatre, built in 1903, is a notable New York City venue known for Broadway productions; it's easily accessible via public transport.

Ages 9+. Children under 4 years old will not be admitted.

Spamalot on Broadway - NYC [33129]

Spamalot on Broadway

Spamalot on Broadway - NYC Product Media

*The Phantom of the Opera* is not dead yet! The show may have closed at the [Majestic Theatre](https://www.newyorktheatreguide.com/theatres/majestic-theatre) earlier this year, but for five hilarious minutes across the street at [*Spamalot*](https://www.newyorktheatreguide.com/show/33129-spamalot-tickets), during "The Song That Goes Like This," its vestiges float in on a gondola shrouded in smoke, under the light of a video-projected chandelier. And that's far from the only other musical that makes a cameo.

*Spamalot* being a tasting flight of Broadway's past and present hits is one of the best reasons to recommend it. On a budget or a time crunch? For one price of admission, you'll get bits of the can-can dancing of [*Moulin Rouge!*](https://www.newyorktheatreguide.com/show/15911-moulin-rouge-the-musical-on-broadway-tickets), the jazzy scatting of [*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets), the iconic French flag wave from *Les Mis*, the slinky Fosse-esque moves of [*Chicago*](https://www.newyorktheatreguide.com/show/22-chicago-tickets) (and a direct nod to his iconic ["Mein Herr" chair-ography](https://youtu.be/lxmz3RcNNBE?feature=shared) from [*Cabaret*](https://www.newyorktheatreguide.com/show/32847-cabaret-tickets)), and more.

Not to mention the rest of *Spamalot*, adapted by Monty Python founding member Eric Idle and John Du Prez from [*Monty Python and the Holy Grail*](https://www.newyorktheatreguide.com/theatre-news/news/watch-for-these-monty-python-and-the-holy-grail-moments-in-spamalot). The irrevent account of King Arthur and the Knights of the Round Table cemented itself as a modern classic upon clinching the holy grail of theatre honors — the Best Musical Tony Award — in 2005.

This Broadway revival, *Spamalot*'s first, feels like a proclamation that the musical's heyday is not dead yet, either. Director/choreographer Josh Rhodes's production, in particular Paul Tate dePoo III's set and Jen Caprio's costumes, are plainly inspired by the original's, and Monty Python's trademark, silly sketch comedy is all but entirely intact. That is for better or for worse: Brief bits of man-in-dress humor from 2005 haven't aged well, but the few script updates are similarly hit and miss. New references to the NYC subway and Lea Michele feel fresher than a now-passé nod to the viral ["Angela Bassett did the thing"](https://www.youtube.com/shorts/QFztBrUZIrU) video.

The most iconic bits — fisch schlapping, coconuts as horseshoes — are timeless, though your laughter will simply be proportional to how much you enjoy Monty Python's silly sketch-comedy style in general. My personal favorites are the "so bad they're good" puns, like when Arthur ([James Monroe Iglehart](https://www.newyorktheatreguide.com/stars-on-stage/james-monroe-iglehart)) describes the Holy Grail as a "symbol," cueing the cymbalist.

The other strength of *Spamalot* is that it gives every one of its principal cast members a chance to shine. And shine they do. [Ethan Slater](https://www.newyorktheatreguide.com/stars-on-stage/ethan-slater) proves himself one of the best physical comedians on Broadway right now in a variety of bit parts, making each one feel larger than life. [Michael Urie](https://www.newyorktheatreguide.com/stars-on-stage/michael-urie) makes a meal of the showstopping "You Won't Succeed on Broadway" as Sir Robin, and [Christopher Fitzgerald](https://www.newyorktheatreguide.com/stars-on-stage/christopher-fitzgerald) does the same with "Always Look on the Bright Side of Life" as Patsy, though his best moment is his silent comedic acting in the background of Arthur's "I'm All Alone."

And [Leslie Rodriguez Kritzer](https://www.newyorktheatreguide.com/stars-on-stage/leslie-rodriguez-kritzer) channels no less than half a dozen pop and Broadway divas — Cher, Mariah Carey, and [Idina Menzel](https://www.newyorktheatreguide.com/stars-on-stage/idina-menzel) among them — in her glittering turn as the Lady of the Lake. Nevermind the Act 2 sequence in which the gang actually completes their quest (with some audience help, in one of *Spamalot*'s best scenes) — the high note Kritzer finds at the end of "Diva's Lament" is the true holy grail.

[*Spamalot* is at the St. James Theatre. Get *Spamalot* tickets on New York Theatre Guide.](https://www.newyorktheatreguide.com/show/33129-spamalot-tickets)

*Photo credit: Michael Urie, Nik Walker, James Monroe Iglehart, Christopher Fitzgerald, Jimmy Smagula, and Taran Killam in Spamalot. (Photo by Matthew Murphy and Evan Zimmerman)*

'Spamalot' review — Monty Python musical succeeds on Broadway, again

Read our four-star review of the first revival of *Spamalot* on Broadway, the musical adaptation of *Monty Python and the Holy Grail*, at the St. James Theatre.

Located in the heart of New York City, the iconic St. James Theatre is a testament to the magical allure of Broadway. Since its inception in 1927, the St. James Theatre has hosted many unforgettable Broadway hits, featuring stars from Ethel Merman to Hugh Jackman. The interior is a marvel in itself, punctuated by a royal color scheme, gold-leaf accents, and stunning chandeliers that encapsulate the golden age of Broadway. The theatre has a seating capacity of 1,710, allowing for a wide audience range without compromising the intimate, immersive theatrical experience. In its near-century history, the St. James Theatre has seen the debut of many Broadway classics, including Oklahoma!, The King and I, and The Producers, thereby solidifying its milestone status in Broadway history.

**How to Get to the Venue**
St. James Theatre is located at 246 W. 44th Street. It's easily accessible via public transport. If you're traveling by subway, you can take the 1, 2, 3, 7, N, Q, R, W, or S trains to Times Square. Alternatively, buses M7, M20, M42, and M104 also stop nearby. For those who prefer driving, numerous paid parking lots are available in the vicinity.

St. James Theatre - NY

St. James Theatre

The historic St. James Theatre, located in New York City, has hosted iconic Broadway shows since 1927 and is easily accessible via various modes of transport.

A Wonderful World: The Louis Armstrong Musical on Broadway - NYC [39810]

A Wonderful World: The Louis Armstrong Musical on Broadway

A Wonderful World: The Louis Armstrong Musical- NYC [39810] Product Media

The **Studio 54 theatre** in New York is legendary in its status as America's most famous nightclub from history. In the '70s, the venue was a beacon for A-list celebrities, artists, and musicians to gather under its mesmerising disco ball. Today, as part of the Roundabout Theatre Company, **Studio 54** is a home to captivating theatrical performances. The theatre, located on 254 W 54th Street, maintains its historical charm with the restored auditorium that evokes an intense feel for the remarkable history it's borne witness to. The theatre has a seating capacity of 1006 and has been the stage for numerous notable productions such as 'Cabaret', 'Sunday in the Park with George', and 'Kiss Me, Kate'. The elegance from its original 1927 construction blends seamlessly with its more modern renovations, helping keep Studio 54 an iconic and desired destination in the Big Apple. 

 **How to get to the venue** 

 Getting to Studio 54 is quite straightforward. Located in Manhattan, it's easily accessible by subway. The closest station is 7 Avenue, which is just a short two-minute walk from the theatre. For those preferring a taxi ride or self-drive, there are several parking garages nearby like the 'Icon Parking' on 851 8th Ave or the 'SP+' on 1700 Broadway.

Studio 54 - NY

Studio 54

Studio 54 theatre in New York, known for its past as a celebrity club, is now a popular venue for theatrical performances.

James Monroe Iglehart to join '& Juliet' Broadway cast

Subscribe to our newsletter to unlock exclusive New York theatre updates!