Who she plays: I play Lizzie, who the audience meets initially. [She] is trying to understand her mother a little bit better, who she experienced as a traditional, stay-at-home, devoted mom who, in her youth, was a radical feminist and started a consciousness-raising group with other women in her community in Ohio. I play both the narrator and her mother.

Line that defines her character: "I don't know." This history that the play is exploring came from people who were doing their best under circumstances they weren't in control of and were just trying to do what they could to help their community, to help themselves, to advocate for what they believed in, and none of us really know how to do that. We can embrace an imperfect, improvisatory way of doing that.

Name for the cast: For a while, our text thread was called "The Biddies." Now it's called "Liberation Cast For Real" because there's one cast member who was accidentally left off for a very long time. So I guess I'd call us The Real Biddies.

Theatre artist who inspires her: My best friends are both actresses: Miriam Silverman and Crystal Finn. These are people I've known a really long time.

If I was to reach into the vault and pick a diva, I'd pick Laurette Taylor because she was just a badass, and because generations of people after her remember her and talk about her in the original performance of The Glass Menagerie.

Who she plays: [Margie is] the oldest member of the group and the least likely to join a group. I am not a joiner as a person, so playing this part has made me realize what happens when you allow yourself to take in other people's stories and listen, and try to examine what they're up against and what that might ask of you.

Line that defines her character: "You want a revolution, but you want it on your own terms, and you don't want to have to give anything up to get it."

Name for the cast: Watch Out, We're Comin'

Theatre artist who inspires her: I started acting 50 years ago, so the people who have played my moms [and] people I've done plays with who are legends to me. Rosemary Prince, Mary Beth Peil, getting to see Lois Smith all these years.

There are so many mentors, and even my peers: [Deirdre] O'Connell, J. Smith Cameron, Linda Emond.

Who she plays: I play Dora, and I love her very, very much. She's maybe the most naive of the group and comes in unsuspecting, and that is why her transformation is such a joy to get to play. And also so relatable, because you don't know what you don't know until you know it.

Line that defines her character: "They saved my life."

Name for the cast: [I can't] distill it down into one word!

Theatre artist who inspires her: Marin Ireland. She's just so dedicated to the work and so real, and whenever I've seen her, I felt like I've walked out of a human experience.

Who she plays: My character is Joanne. She's a mother of four boys, and in the show, she don't play no games. She is very real about the way she feels. She's the comedy of the group, and you get to see her journey through being an activist and being a housewife.

Line that defines her character: "See, this is the thing about you radical women. You get so serious about everything."

Name for the cast: Revolutionaries

Theatre artist who inspires her: NaTasha Yvette Williams, she inspires me so much. She's so strong in herself. She believes in herself, and she's so kind to others. Honestly, she's helped me through my entire Broadway journey.

Who she plays: I play Celeste, and she is an intellectual that shows up to the group. She's from Ohio originally but has been living in New York. She moved out of Ohio for a reason and [came] back to it to take care of her mother. And then, to be seen and felt heard, she decided to join this CR group, and it happens to be a group of mostly white women.

Line that defines her character: One of the [characters] who's from another country goes, "We're the same, you and I." My character's like, "No, we're not the same. You don't know what I actually think."

Name for the cast: Warriors

Theatre artist who inspires her: Kecia Lewis has been a staple in my theatre repertoire since I was a child. I grew up listening to her sing [the part of] Asaka in Once on This Island. When I first came to New York, I don't even remember how I met her, but she started taking me to lunch, and ever since then, she's been a great mentor.

Who she plays: I play Isidora, who is a Sicilian woman. She represents the immigrant [point of view] in the movement and very American play. She's really focused on the actionable steps the movement can take. There's a lot of great rhetoric, but what can we actually do? She, in many ways, is the fuel to the fire of this group. She's full of contradictions, and she's so funny.

Line that defines her character: "Sure, it's nice words. It's nice words. It's not practical is all."

Name for the cast: The Badass Little Engine That Could

Theatre artist who inspires her: I'm from Puerto Rico, so for me, Rita Moreno is the [ultimate]. Chita Rivera. And honestly, I love working with Whitney White and hope I continue to work with Whitney White.

Who they play: I play Susie Hurricane, who is a pretty radical feminist and pushes the boundaries of what feminism could be, and is a little kooky and delightful.

Line that defines their character: "Really? You did that?" She's a little judgmental.

Name for the cast: The Witches

Theatre artist who inspires them: Sara Ramirez. I love them; I've loved the trajectory of their career along with the trajectory of themselves. Cristin Milioti; huge fan. [They're both] people so dedicated to their craft, and you can sense the love of what they do and the love of self-discovery.

Who he plays: I play Bill. The challenge with Bill is he's a walking spoiler, so I can't reveal too much. But it's set on a basketball court at a gym in Ohio, and Bill shows up just wanting to play basketball, and then he gets roped into this world. His very presence makes various characters have to recalibrate.

Line that defines his character: "I just like to shoot around a little after work, blow off steam."

Name for the cast: The Hardest-Working Ladies in Showbiz. I'll just exclude myself [...] it's all about the ladies, and they are an incredible group of actors.

Theatre artist who inspires him: Qween Jean, our costume designer, is an amazing human being and incredibly talented artist — and one of the most powerful activists I've ever been in the orbit of.

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Interview excerpts have been condensed and edited for length and clarity.