Best Leading Actor in a Musical

For his heart-wrenching, roof-shaking turn as Coalhouse Walker Jr. in Ragtime, the Tony was Joshua Henry's to lose even when the production was still off Broadway. After three previous nominations, it's finally his year.

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Best Leading Actress in a Musical

Among a category entirely composed of first-time nominees, longtime Broadway favorite Caissie Levy took home the prize for her poignant performance as Mother, a wealthy housewife finding independence as she finds herself, in Ragtime.

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Best Featured Actor in a Play

In his Broadway debut, Alden Ehrenreich was the standout surprise of the dark comedy Becky Shaw as the poison-tongued yet utterly captivating Max. Hopefully his Tony is just the start of a long Broadway career.

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Best Featured Actor in a Musical

We're sure this Tony Award win makes Ali Louis Bourzgui feel immortal. For playing the glam-rock vampire David in The Lost Boys, Bourzgui — this year's youngest Tony-nominated performer — is now a winner. Rock on.

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Best Featured Actress in a Musical

It's Shoshana's turn. After nine Broadway shows and two previous nominations, longtime Broadway favorite Shoshana Bean finally got her flowers for playing single mom Lucy Emerson in The Lost Boys.

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Best Leading Actress in a Play

She's already a two-time Olivier Award winner for her London stage work, and now, Lesley Manville can add a Tony to her trophy case for playing Jocasta, a mother of all tragic roles, in Robert Icke's modernized Oedipus. Not bad for a Broadway debut.

Best Play

Only three other women — Wendy Wasserstein, Yasmina Reza, and Frances Goodrich — have ever won the Tony Award for Best Play, and the last time it happened was in 2009. With her first win for her Pulitzer Prize-winning Liberation, Bess Wohl cemented her place in that historic lineup.

Best Direction of a Musical

It's 10s across the board for Zhailon Levingston and Bill Rauch, the directors who shepherded Cats: The Jellicle Ball from the Perelman Performing Arts Center downtown to Broadway without losing any of its feline fierceness.

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Best Choreography

Omari Wiles and Arturo Lyons not only honored Cats's status as an iconic dance musical, but reinvented it with vogue and ballroom choreography. In bringing together these two storied histories, they created some of the freshest moves on Broadway right now.

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Best Book of a Musical, Best Original Score

First, Cinco Paul won an Emmy for writing the song "Corn Puddin'" for his TV show Schmigadoon!, a spoof on classic musicals. Now, he has Tony Awards for writing the Broadway adaptation's entire script and score. In his Broadway debut, it's a schweep for Paul.

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Best Orchestrations

Together with previous Tony winner Doug Besterman, Mike Morris captured the lush sounds of Broadway's Golden Age and reinvented them for a new generation in Schmigadoon!

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Best Scenic Design of a Play

Having designed sets for the Met Opera, Cirque du Soleil, Broadway, and more, Chloe Lamford has shown she can do it all. Her Tony for her spare, yet evocative, industrial set for Death of a Salesman further proves that.

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Alongside co-lighting designer Michael Arden, already with two prior Tonys for directing under his belt, Jen Schriever is a first-time winner for creating the moody, mysterious atmosphere of The Lost Boys.

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Best Costume Design of a Play

Raise a glass to Jeff Mahshie, a first-time Tony winner for his Fallen Angels period costumes, including sumptuous evening gowns for nominees Rose Byrne and Kelli O’Hara.

Best Costume Design of a Musical

For creating 500 meow-velous, glamorous, and utterly distinct looks for Cats: The Jellicle Ball, this Tony was Qween Jean's to lose. It's only her Broadway-debut season, and we're sure she's got plenty more looks — and awards — ahead of her.

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Best Sound Design of a Play

In tandem with Caroline Shaw's Tony-nominated score, Mikaal Sulaiman's sound design was essential to making this Salesman feel unique from any production of the play before it.

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