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It's still growing! A new block of tickets to *Redwood* on Broadway, starring [Idina Menzel](https://www.newyorktheatreguide.com/stars-on-stage/idina-menzel), has been released, with seats on sale through August 17, 2025. Get [*Redwood* tickets](https://www.newyorktheatreguide.com/show/41270-redwood-on-broadway) on New York Theatre Guide.

Menzel stars in this musical drama as Jesse, a woman who experiences an earth-shattering loss and leaves her life in New York behind in search of a fresh...

'Redwood' tickets now on sale through August

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Tony Award winner Idina Menzel stars in this new Broadway musical drama, which she also co-created with director Tina Landau and songwriter Kate Diaz.

Feel — and see — the rhythm! Check out photos of [*Buena Vista Social Club*](https://www.newyorktheatreguide.com/show/31351-buena-vista-social-club) on Broadway, now playing at the [Gerald Schoenfeld Theatre](https://www.newyorktheatreguide.com/venues/gerald-schoenfeld-theatre) after a critically acclaimed world premiere off Broadway with Atlantic Theater Company.

Named for the band that revived the Golden Age of Cuban music, *Buena Vista Social Club* blends fact and fiction to tell the story...

See photos of 'Buena Vista Social Club' on Broadway

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The musical features the songs of and is inspired by the band of the same name, who formed in the late '90s to revive the Golden Age of Cuban music.

Welcome to the Jasper household! Take a look inside [*Purpose*](https://www.newyorktheatreguide.com/show/38461-purpose) on Broadway, the latest family drama from Branden Jacobs-Jenkins, the 2024 Tony Award-winning playwright of *Appropriate*.

When an unexpected guest arrives at a family gathering of the Jaspers, a politically prominent family of Black luminaries, tensions explode and the family must reckon with their legacy.

The cast includes 2024 Tony Award winner [Kara...

See new photos of 'Purpose' on Broadway

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The latest family drama from 2024 Tony Award-winning playwright Branden Jacobs-Jenkins centers on exploding tensions among a politically prominent Black family.

LaTanya Richardson Jackson - NY

To Kill a Mockingbird on Broadway [10991]

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To Kill a Mockingbird on Broadway

To Kill a Mockingbird on Broadway [10991] Product Media

A regrettably sour note has hung over this new Broadway adaptation of <a href="/show/to-kill-a-mockingbird">To Kill a Mockingbird</a>&nbsp;at the <a href="/theatres/shubert-theatre">Shubert Theatre</a>, when the theatrical rights for an adaptation of Harper Lee's historic novel were assigned to it by Lee and subsequently her estate (who then challenged the version produced by playwright and television writer Aaron Sorkin that led to litigation that was settled in court).But the producer Scott Rudin in turn threatened other planned productions of a previous long-established version with litigation to stop them. These included a UK national tour based on its last London production at the Open Air Theatre in Regent's Park in 2013 that had been announced months earlier, and was summarily cancelled on the eve of its opening; and American regional stock and amateur productions that were similarly affected (but offered the rights by Rudin to re-rehearse and present his new version).Of course a producer wants to both protect and maximise his own investment in a property he's acquired, but it all got very messy as the other companies had all secured the rights in the previous version in good faith, and were innocent parties to a dispute between a David-and-Goliath battle of now rival versions.Given that the Pulitzer Prize-winning novel it is based on is about ensuring justice is done, there was a certain dramatic irony in the perceived injustices that resulted (heartbroken child actors were reported to have written to Rudin when the production they'd rehearsed was cancelled).Lee's Pulitzer prize-winning story revolves around an intensely moral lawyer Atticus Finch who takes on the defence of a black man falsely accused of raping a young white woman in rural 1930s racially divided Alabama. Sorkin -- who famously scripted "The West Wing" -- is certainly good at illuminating the behind-the-scenes machinations of the legal process here, both official and unofficial, including a quiet home visit from the presiding judge and a less quiet attempt by the woman's father to attack Finch (and also to take part in an attempted lynching of his client).Sorkin and his director Bartlett Sher stage it primarily as a scorching courtroom drama, folding it seamlessly with scenes from Finch's home life as his two worlds collide.Given the rise of white nationalism in Trump's America, a lot of this feels very current. But it also makes for gripping, seriously absorbing theatre. A top-flight Broadway cast, led by the grave but sympathetic <a href="/actor-profile/jeff-daniels">Jeff Daniels</a> as Atticus Finch, also features solid support from <a href="/actor-profile/celia-keenan-bolger">Celia Keenan-Bolger</a> and Will Pullen as his children, Gideon Glick as their best friend Dill, LaTanya Richardson Jackson as housemaid and confidant Calpurnia, Gbenga Akinnagbe as the defendant Tom Robertson and Frederick Weller as the victim's father.Two live musicians, seated on either side of designer Miriam Buether's atmospherically detailed stage, play Adam Guettel's alternately folksy and ominous score, to underscore and frame the action.Now carrying an advance ticket sale of over $20million, To Kill a Mockingbird is slaying Broadway -- and looks like it could be around for a long stay, not the usual 12-16 weeks that most plays get.(Photo by&nbsp;Julieta Cervantes)

Review of To Kill a Mockingbird, starring Jeff Daniels, on Broadway

The Shubert Theatre is a historic Broadway venue located in New York City's theater district. Originally opening its doors in 1913, it has solidly anchored its place in history, hosting major productions like A Chorus Line and Hello, Dolly! With a seating capacity of 1460, this gem of a theatre is designed in the style of the Italian Renaissance, featuring a blue-domed ceiling adorned with a galaxy of twinkling stars. The Shubert Theatre's architecture sets a magical environment for hosting ground-breaking musicals and dramatic performances. It maintains an intimate atmosphere despite its ample size, allowing every patron an immersive experience. 

## How to get to Shubert Theatre
Located at 225 West 44th Street, between 7th and 8th Avenue, the theatre is easily accessible. If commuting by subway, you can take the 1, 2, 3, 7, N, Q, R, W, S or shuttle to Times Square station, or the A, C, or E to Port Authority. Additionally, the M104, M42, M6, M7, and M10 buses stop near the Shubert Theatre. It's recommended to plan for potential delays as the area can get crowded during showtimes.

Shubert Theatre - NY

Shubert Theatre

The Shubert Theatre, a historic Broadway venue, features groundbreaking performances. It is easily accessible via Times Square and Port Authority subway stations.

Purpose on Broadway - NYC [38461]

Purpose on Broadway

Purpose on Broadway - NYC [38461] - Product Media

The Hayes Theater, established in 1912 and located in the heart of New York City, is a notable venue for Broadway productions. Known formerly as the Little Theatre, the Helen Hayes Theatre was renamed in 1983 in honor of the acclaimed actress. Since its renovation in 2017, the Hayes has become one of the most technologically advanced, intimate Broadway houses. Its seating capacity of 597 hasn't affected the quality and charm of performances held there. Known for presenting some of the most innovative works of contemporary playwrights, it continues to attract theatre buffs from around the world. 

 ## How to Get There 

The Hayes Theater is situated at 240 West 44th Street, between 7th and 8th avenue. For those taking the subway, the Times Square-42nd Street station served by N, Q, R, S, W, 1, 2, 3, and 7 trains is the closest stop. If you prefer a taxi or a ride-sharing service, simply set your destination to the theater's address. There are also numerous parking facilities within a few blocks where you can leave your car if you're driving.

Hayes Theater - Second Stage Theater - NY

Hayes Theater

Hayes Theater, an intimate Broadway venue in NYC, presents innovative contemporary plays. It's accessible via subway, taxi, and has nearby parking facilities.

latanya 200

Kara Young - NY

Syncing Ink - NYC [40868]

Syncing Ink

The Apollo Theater, located in the heart of Harlem, New York, is an iconic venue that has highlighted the talent of many legendary artists since its opening in 1914. Originally known as Hurtig & Seamon's New Burlesque Theater, it was later renamed the Apollo in 1934 when the venue decided to eliminate its whites-only policy and embrace African-American performers and patrons. Over the decades, the Apollo Theater has seen performances from artists like Duke Ellington, Dizzy Gillespie, Aretha Franklin, James Brown, and The Jackson 5. Its unique 'Amateur Night' was a launchpad for careers of many world-renowned artists. In 1983, the building was declared as a city landmark; years later, in 2016, it was declared as a state and national landmark.

**How To Get To the Venue**

The Apollo Theater is located at 253 W 125th St, New York, NY 10027. It's easily accessible via public transportation. The 2 and 3 trains stop at 125th street, only a stone's throw from the venue. Additionally, several buses such as M7, M60, M100, M101 and BX15 stop nearby. If you prefer to drive, there are parking garages available within walking distance.

Apollo Theater - NYC

Apollo Theater

The Apollo Theater, a city, state, and national landmark in Harlem, New York, has been a platform for legendary artists since 1914. It's accessible via public transportation and parking garages.

12+ is recommended. Children under 4 years old will not be admitted.

Purlie Victorious on Broadway - NYC [27642]

Purlie Victorious on Broadway

Purlie Victorious on Broadway - NYC Product Media

Flat-out hilarious and stacked with topflight performances led by [Leslie Odom, Jr.](https://www.newyorktheatreguide.com/theatre-news/news/leslie-odom-jr-theatre-roles-we-love) and Kara Young, [*Purlie Victorious*](https://www.newyorktheatreguide.com/show/27642-purlie-victorious-tickets) is also a triumph when it comes to timing. Suffice it to say the play speaks directly to today’s racial tumult.

Considering Ossie Davis’s satirical melodrama premiered on Broadway in 1961, that says something about the stubbornly enduring bigotry and prejudice this broad satire has squarely in its crosshairs. Without saying the actual contemporary phrase, Davis, a writer, actor, director, and civil rights activist, declared to audiences 62 years ago in this work that Black lives matter.

Subtitled *A Non-Confederate Romp Through the Cotton Patch*, the play unfolds in the late 1950s. Self-made traveling minister Purlie Victorious Judson (Odom) returns to segregated small-town Georgia with a plan to buy and rehab the broken-down local church, Big Bethel, and “preach freedom in the cotton patch.” But first, he must trick Ol Cap’n Cotchipee (Jay O. Sanders) – a whip-lashing Jim Crow tyrant who believes in “all that is white and holy” – into handing over $500 that was bequeathed to Purlie’s family. 

Key to Purlie’s plan is his besotted follower from Alabama, Lutiebelle Gussie Mae Jenkins (Young). She pretends to be his Cousin Bee, who’s in line for the inheritance. Reluctantly drawn into the ruse is Purlie’s brother, Gitlow (Billy Eugene Jones), whose adherence to the old plantation ways leads Cotchipee to cheer him as a “solid, hard-earned Uncle Tom.” Purlie’s sister-in-law Missy (an ace Heather Alicia Simms), who shares the dream of breathing life back into Big Bethel, lends her own source of support. 

Lutiebelle is game for anything to help, but she’s unprepared to pull off the high-stakes impersonation, so the Bee sting eventually – and riotously – goes pear-shaped at the plantation.

But Purlie persists. He finds an ally in Cotchipee’s liberal-minded son Charlie (Noah Robbins), who supports court decisions to void segregation. After his mother died in childbirth, Charlie was raised by Idella (Vanessa Bell Calloway), and he believes in the rights of African Americans. That comes in handy.

Zipping along in a fleet-footed 100 streaming minutes, the staging by Kenny Leon (*Topdog/Underdog, Ohio State Murders*) boasts terrific work across the board. Before the show begins, a rack of clothes on the otherwise bare stage is visible. In a rush, the actors slip into costumes by Emilio Sosa, as if to announce they’ll be playing parts. 

Derek McLane’s deceptively rustic-looking set nimbly moves the action from the Judson home to Cap’n Cotchipee’s place and back and, finally, undergoes a holy-mackerel, amen-worthy transformation. 

Odom, a Tony winner for [*Hamilton*](https://www.newyorktheatreguide.com/show/384-hamilton-tickets), is a blast to watch – and hear – as he dives deep to deliver what Davis is preaching. Following back-to-back Tony-nominated performances in the dramas *Cost of Living* and *Clyde’s*, Young shows off delightful comic chops and proves again that she makes every project burn brighter.

In a play filled with barbed grenades, one standout seems so simple, but it’s so complex. “Life is so good to us – sometimes,” says Lutiebelle. “Oh, child,” says Missy, “being colored can be a lotta fun when ain’t nobody looking.” Sixty-two years later, the line still zings and, sadly, stings. 

[*Purlie Victorious* is at the Music Box Theatre through January 7. Get *Purlie Victorious* tickets on New York Theatre Guide.](https://www.newyorktheatreguide.com/show/27642-purlie-victorious-tickets)

*Photo credit: Leslie Odom, Jr. and Kara Young in Purlie Victorious. (Photo by Marc J. Franklin)*

'Purlie Victorious' review — hilarious satire still zings after 60 years

Read our five-star review of *Purlie Victorious: A Non-Confederate Romp Through the Cotton Patch*, starring Leslie Odom, Jr., playing at the Music Box Theatre.

The **Music Box Theatre** is a beautifully arranged Broadway venue, poised for epic performances at the heart of New York City. Built in 1921 by playwright, producer, and composer Irving Berlin, the theatre possesses a fascinating history with a capacity of 1,022 seats. Decorated intrically with an azure blue ceiling painted with stars, the theatre's ambiance is known for its grace and elegance. The theatre is home to multiple Tony Award-winning shows. Current and past productions impress with their artistic directions, stunning sets, and outstanding performances. Whether it's an enchanting musical or a dramatic play, each exquisite performance magnetizes audiences from all over the world.

 _**How To Get to The Venue**_

The Music Box Theatre is conveniently located at 239 West 45th Street. By Subway, you can take N, Q, R, or W to 49th Street and walk down, A, C, or E to 42nd Street and walk up, or 1, 2, or 3 to Times Square 42nd Street. Multiple bus routes also stop nearby. If driving, there numerous parking garages in and around Times Square. It's a bustling area, so allow extra time for traffic.

Music Box Theatre - NY

Music Box Theatre

The Music Box Theatre, a historic Broadway venue in NYC, is known for its artistic productions and elegant ambiance.

Cost of Living on Broadway - NYC 

Cost of Living on Broadway

Cost of Living on Broadway - NYC  Product Media

Martyna Majok’s [*Cost of Living*](https://www.newyorktheatreguide.com/show/25892-cost-of-living-tickets) follows shifting relationships between two disabled adults and their caregivers. The play arrives on Broadway four years after being awarded a Pulitzer Prize, an honor that is both a badge (bragging rights to an exclusive club) and baggage (escalated expectations). That’s the cost of winning.

Over 110 unbroken minutes this lean, perceptive, and beautifully acted drama explores several provocative themes including connection and isolation as well as privilege and class. The main focus is people in need — and not just the two individuals who use wheelchairs, but the able-bodied attendants as well. All four face challenges and hurdles of every stripe. That’s the point — that’s the cost of living.

The action unspools over nine scenes, and Wilson Chin’s spare, revolving set provides a smooth and seamless showcase in this Manhattan Theatre Club production. The play starts in a bar a week before Christmas. “That’s gonna be hard,” Eddie (David Zayas), an out-of-work long-haul truck driver, tells an unseen character in a lengthy — a bit too windy, actually — monologue. Holiday cheer isn’t in Eddie’s wheelhouse. He’s alone, suffering, untethered. 

The plot rewinds to September and the sleek New Jersey apartment where John (Gregg Mozgala), a Princeton grad student, lives. He’s got a Harvard degree and wealth. He wraps himself up in the comfort they afford just like he does in his plush cashmere sweaters. John has cerebral palsy and requires help for daily hygiene tasks. 

Jess (Kara Young), meets with John to apply to be his caretaker. She’s working-class with a sick immigrant mother and a Princeton degree that’s led nowhere careerwise for her. She slings drinks in bars. John says her job would be “to wash me. My hair. Teeth… You’d keep me handsome.” She gets the gig. She’s desperate for money for reasons that emerge.

The story transitions to the rundown home of Ani (Katy Sullivan), Eddie’s estranged wife. A catastrophic accident shattered her spinal cord and left her a quadriplegic above-the-knee amputee. She’s bitter, and rightly so, with a salty tongue and no time for self-pity. Despite having a girlfriend, Eddie insists on caring for Ani. He’s motivated by financial and emotional reasons. 

As the months move forward, each pair grows closer. In back-to-back scenes, Jess washes John as he strips, and she helps him into his shower. It’s an intimate arrangement, but it plays out with a sense of equal mutual respect — or so it seems. At Ani’s place, Eddie bathes his ex. He talks about playing the piano as a kid. “Twenty-almost-one years,” she says. “You never told me that.” In a moment of acute tenderness that reveals Majok’s sensitive and creative mind, Eddie plays Ani’s arm like a keyboard. Moments later, things take a harrowing turn that jolts them — and the audience — back to reality.

It’s easy to root for these couples — not necessarily in a romantic sense but simply in terms of human connection. Guided by director Jo Bonney, the actors don’t strike a false note — even when the script gets spotty. Although the fate of Eddie and Ani’s relationship is all too believable, that’s less the case for John and Jess. While John’s lack of generosity is obvious, Jess getting sucker-punched by misreading her boss undercuts her character’s keen intelligence. 

How the couples’ story strands finally twine together requires a leap of faith. In the end, convenient plot turns can’t undo the play’s bracing originality. Majok wisely doesn’t sugarcoat realities in sentimentality, but she also leaves the door ajar for an optimistic glimmer. That feels right. After all, what’s the cost of hope?

[*Cost of Living* is at the Samuel J. Friedman Theatre until October 30. Get *Cost of Living* tickets at New York Theatre Guide.](https://www.newyorktheatreguide.com/show/25892-cost-of-living-tickets)

*Photo credit: David Zayas and Katy Sullivan in Cost of Living. (Photo by Jeremy Daniel)*

'Cost of Living' review — a beautifully acted drama about connection and class

The Samuel J. Friedman Theatre is a historic Broadway theatre located in New York City. Established in 1925, the theatre is managed by Manhattan Theatre Club (MTC), a leading professional theatre producer. Originally named the Biltmore Theatre, it was renamed Samuel J. Friedman in 2008 to honor the late American publicist. The theatre seats over 650 people and is renowned for its excellent acoustics and state-of-the-art light and sound systems. It has also been the host to several notable productions and has welcomed some of the finest actors and actresses in the industry.

**How to Get There**

In the heart of the city, the Samuel J. Friedman Theatre is easily accessible through multiple modes of transportation. If commuting by subway, take the 1, 2, 3, 7, S, A, C, E, N, R, Q, W, Fourth Street lines to 42nd Street. From the station, it's just a short walk to the theatre. For those driving, numerous parking garages are available nearby. The theatre is also well-served by numerous bus lines. However, due to the busy nature of the city, public transport is a recommended choice.

Samuel J. Friedman Theatre - Manhattan Theatre Club - NY

Samuel J. Friedman Theatre

The Samuel J. Friedman Theatre, a historic Broadway theatre managed by Manhattan Theatre Club, accommodates over 650, with excellent acoustics and light systems.

Clyde's on Broadway - NYC

Clyde's on Broadway

Clyde's on Broadway - NYC Product Media

Food for thought is on the menu, along with lots of laughs and a few tears in Lynn Nottage's <a href="https://www.newyorktheatreguide.com/show/clydes" target="_blank">Clyde's</a>, a richly entertaining and timely play set in a truck stop sandwich shop along a nowhere stretch of Berks County, Pennsylvania. It's roughly the same GPS of the author's Sweat, which focused on grim aftershocks of a factory lockout and won a Pulitzer Prize in 2017. Eight years earlier, she won the same award for Ruined, about women in the Congo scarred by war.Clyde's, commissioned by the Guthrie Theater where it premiered in 2019, is a lighter slice of life than those weightier works, but it still has the power to stay with you. The program&nbsp;for the <a href="https://www.newyorktheatreguide.com/theatres/hayes-theater" target="_blank">Second Stage Theater</a> production describes the roadside restaurant as a liminal space — in other words, an in-between locale. It's a fitting place for folks to seek second chances. It also provides wiggle room, perhaps, to merge reality with metaphor.&nbsp;It's where four ex-cons struggle to put their criminal pasts behind them as they work together as line cooks in the sandwich dive. One wrong move can land them back in the joint. World-battered single mom Letitia (Kara Young) did time because she robbed a pharmacy to help her special-needs daughter. Sweet-natured Rafael (Reza Salazar) held up a bank armed with a BB gun. Jason (Edmund Donovan, deeply affecting), a loner with a face covered in racist tattoos inked in prison, unleashed his violence and fury&nbsp;on a man with a baseball bat. His story summons a pivotal moment from Sweat.&nbsp;Montrellous (a quietly magnetic <a href="/actor-profile/ron-cephas-jones">Ron Cephas Jones</a>), who&nbsp;reveals he went to prison as an act of brotherly love, is the foursome's senior member. He's a kitchen philosopher who urges co-workers to step outside limitations and to devise the perfect sandwich. You can't turn back time. You can't undo a crime. You can aspire and escape drudgery through creativity. As characters share visions of dream eats —&nbsp;a tuna melt with chopped lemongrass on toasted black rye; a Cubano sandwich with jalapeno aioli and sweet onions; a grilled halloumi masterpiece —&nbsp;your mouth may water.&nbsp;Clyde (<a href="/actor-profile/uzo-aduba">Uzo Aduba</a>), the abusive and exploitative boss at the namesake joint, typically turns up her nose. "You're all losers, felons," she says. "Don't disappoint me by having aspirations... I'll make sure you go back to whatever hell you came from." One could argue that the script lays things on too thick at times — and this is one of them. On the other hand, Clyde may be intentionally drawn to be larger and more satanic than life and be a stand-in for society as a whole.&nbsp;Directed by Kate Whoriskey, the author's go-to collaborator, the production cooks on all burners. Orange Is the New Black Emmy winner Aduba slyly brings out Clyde's devilish streak. Young is thrilling as the take-no-b.s. Tish. The physical production is also deft thanks to Jennifer Moeller's character-defining costumes, Takeshi Kata's realistic working kitchen, and Christopher Akerlind's moody, shifting lighting.&nbsp;A final rebellious communal act of creativity turns out to be liberating for the kitchen crew. You can take the ending literally or poetically —&nbsp;either way it works, and it satisfies. Chalk that up to Nottage's theatrical 'wichcraft.&nbsp;<div><a href="https://www.newyorktheatreguide.com/show/clydes" target="_blank">Clyde's is at the Hayes Theater to January 16. Get Clyde's tickets on New York Theatre Guide.</a></div><div>&nbsp;</div><div>Photo credit: Clyde's (Photo by Joan Marcus)</div>

'Clyde's' review — Uzo Aduba is devilishly good in Lynn Nottage's dark comedy

Table 17 - NYC [41015]

Table 17

Table 17 - NYC [41015] 

The Robert W. Wilson MCC Theater Space is an iconic fine arts venue located at 511 W 52nd St, New York. Famed for its commitment to thought-provoking, innovative, and deeply collaborative new work, it is the perfect venue for theater-goers who are consistently keen on exposure to an array of genres and styles. The space features two stages: the 100-seat Newman Mills Theater and the 243-seat Susan & Ronald Frankel Theater, providing opportunities for intimate performances as well as larger-scale productions.

**How to Get to The Venue**

To reach the Robert W. Wilson MCC Theater Space, it's just a short walk west from the 50th Street Subway Station, which is served by the C and E lines. Alternatively, it's a few minutes north from the 49th Street Station, served by the N, R, and W lines. Those preferring to drive will find a handful of paid parking garages in the area, such as the MPG Parking and Imperial Parking Systems. Do check parking rates ahead of your visit.

The Newman Mills Theatre at the Robert W. Wilson MCC Theatre Space - NYC

The Newman Mills Theatre at the Robert W. Wilson MCC Theatre Space

The Robert W. Wilson MCC Theater Space is a premier New York venue famed for innovative performances, accessible by subway or car.

Kara Young (2)

It's gonna be Joey — again! After wrapping his nine-week run in [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) on Broadway on March 16, [Joey Fatone](https://www.newyorktheatreguide.com/stars-on-stage/joey-fatone) will rejoin the cast from April 22 to July 31 at the [Stephen Sondheim Theatre](https://www.newyorktheatreguide.com/theatres/stephen-sondheim-theatre).

Fatone is best known as a founding member of the hit boy band *NSYNC. He is also a stage veteran,...

Joey Fatone to play encore run in '& Juliet' on Broadway

joey fatone-1200x600-NYTG

The founding member of *NSYNC will return to Tony Award-nominated pop musical at the Stephen Sondheim Theatre for a second limited engagement from April.

Joey Fatone - NY

Ages 8+. Children under 4 will not be admitted into the theatre.

& Juliet on Broadway - NYC [25598]

& Juliet on Broadway

& Juliet on Broadway - NYC  Product Media

Anne Hathaway – the wife of William Shakespeare, not the Oscar-winning actress – has a message for her famous husband. In a nutshell: Your star-crossed-lovers tragedy stinks. 

That’s the start of [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets), a slim but cheeky and eager-to-entertain jukebox musical bursting with chart-toppers made famous by Britney Spears, Katy Perry, Bon Jovi, Celine Dion, Backstreet Boys, and other pop stars.

“What if Juliet didn’t kill herself?” muses Anne (Betsy Wolfe, goofy, gutsy, and serving gale-force vocals), who convinces Will (Stark Sands) to collaborate on a rebooted story. So long, Verona and stifling parents keen on locking her up in a nunnery. Freedom awaits! Juliet (the terrific Lorna Courtney), now 22 in the revised tale, considers life on her own terms.

She makes a beeline for Paris with her nurse (Melanie La Barrie, reprising her role from the show’s London premiere), a new non-binary BFF May (Justin David Sullivan), and another pal, April – who is actually Anne. She and Shakespeare write themselves into the revision; he’s a carriage driver. Along the way, some 30 hits from the Max Martin catalog, including “...Baby One More Time,” “Roar,” and “Since U Been Gone,” knit the narrative together.

This setup happens with surprising speed and economy. The early zippy energy is a big plus. Vibrant visuals are another. Director Luke Sheppard’s staging makes great use of projections, flying set pieces, and a levitating circular platform to showcase dramatic moments and athletic dance moves by choreographer Jennifer Weber. 

There's plenty of drama in France after Juliet and company meet Francois DuBois (Philippe Arroyo), who’s looking for love, and his stern father Lance (Tony winner Paulo Szot, game but frequently upstaged by his codpiece), who shares a secret history with Juliet’s nurse.

Thanks to Will’s desire to stir the plot, dim Romeo (Daniel Maldonado, in for Ben Jackson Walker at a recent performance) pops up. The newly undead guy descends in a superdope (to borrow his term) and glitzy entrance.

The action unfolds in Shakespeare’s era, but its heart and head are all about today. Costume designer Paloma Young pairs corsets, ruffs, and doublets with chunky boots and high-tops. There’s also a shoehorn lurking in the wings. As in any jukebox musical, some tunes are wedged in, but others fit surprisingly well.

“I Want It That Way” becomes a useful all-purpose expression of desire, while “Oops! … I Did It Again” neatly covers romantic missteps. “Stronger” lets Juliet’s defiance toll. Romeo and Juliet’s conflicted feelings churn into a raucous “Problem/Can’t Feel My Face.”

*Schitt’s Creek* writer David West Read penned the story, and it’s a mixed bag. *& Juliet*'s feminist attitude and celebration of gender fluidity make it topical. Mispronunciations of Francois’s surname makes way for (groan) DeBoy band jokes. And even with the youthful exuberance, the momentum sags whenever Anne and Will spar about the narrative — and they do it a lot. 

The script looks to history (or Wikipedia?) to connect the dots between Anne, who Shakespeare disregarded, and suicidal Juliet. Creative license abounds, of course, but the script breezes over the fact that if Romeo is alive, then Juliet is still married. That puts a kink in major plot developments. In the end, the show has no fewer than three separate conclusions.

To see or not to see any or all of that as just nitpicking? Theatregoers out for a silly good time likely won’t care as they hum along with *& Juliet*.

[*& Juliet* is at the Stephen Sondheim Theatre. Get tickets to *& Juliet* at New York Theatre Guide.](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets)

*Photo credit: Lorna Courtney (center) and the cast of & Juliet on Broadway. (Photo by Matthew Murphy)*

'& Juliet' review — the Bard meets 21st-century bops in energetic pop musical

The Stephen Sondheim Theatre is a treasured gem within the heart of New York City. Located in the bustling Times Square district, it stands proudly, retaining its historical charm midst contemporary edifices. The theatre, formerly known as Henry Miller's Theatre, is deeply rooted in theatrical history, having hosted numerous Broadway classics since its inception in 1918. It boasts art nouveau architecture bathed in gentle, welcoming lights, with intricate details that add to its grandeur. A walk inside reveals a relaxing ambiance with ornamented ceilings, beautiful chandeliers, red velvet seats, and a sizeable stage that brings performances to life. Dedicated to the legendary composer Stephen Sondheim, the theatre's rich legacy continues by staging some of the most critically acclaimed plays, musicals, and performances, all enjoyed from the comfort of its 1,055 seats. 

**How to Get There** 
Stephen Sondheim Theatre is conveniently located at 124 West 43rd Street, accessible via various modes of transportation. Visitors can reach the theatre by subway, taking the B, D, F, or M train to 42nd Street/Bryant Park or the 1, 2, 3, 7, N, Q, R, S, or W train to Times Square/42nd Street. Buses M5, M7, M20, M42, or M104 also offer routes to Times Square. For those who prefer driving, several paid parking garages are available nearby.

Stephen Sondheim Theatre - NY

Stephen Sondheim Theatre

The Stephen Sondheim Theatre is a cherished historical venue in Times Square, known for its Broadway classics and art nouveau architecture.

Joey Fatone - Photo Credit Amy and Gabe Mendoza at TwentyNine Northwest Studio (1)

The name on everybody's lips is gonna be Ashley! [Ashley Graham](https://www.newyorktheatreguide.com/stars-on-stage/ashley-graham) will make her Broadway debut in [*Chicago*](https://www.newyorktheatreguide.com/show/22-chicago-tickets) this spring, performing in the musical at the [Ambassador Theatre](https://www.newyorktheatreguide.com/venues/ambassador-theatre) from April 15 to May 25 only.

Graham is a supermodel, actress, author, and entrepreneur known as a trailblazer for curvy women in...

Ashley Graham to make Broadway debut in 'Chicago'

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The supermodel will perform the long-running musical revival's lead role of Roxie Hart at the Ambassador Theatre for six weeks only beginning in April.

Ashley Graham - NY

Ages 13+. Children under 4 are not permitted.

Chicago on Broadway - NYC [22]

Chicago on Broadway

NYC Chicago on Broadway [22]  Product Media 

20 years old and she’s still got it, folks!

With the 20th anniversary of [*Chicago*](https://www.newyorktheatreguide.com/show/22-chicago-tickets) speedily approaching, I took a trip to Broadway’s [Ambassador Theatre](https://www.newyorktheatreguide.com/theatres/ambassador-theatre) to witness that timeless story of murder, greed, corruption, violence, exploitation, adultery and treachery… and rest assured, I still hold it near and dear to my heart!

*Chicago* is the second longest-running show in Broadway history, behind Andrew Lloyd Webber’s infamous [*Phantom*](https://www.newyorktheatreguide.com/show/38-the-phantom-of-the-opera-tickets), and still holds the record of being the longest-running musical revival and longest-running American musical on the Great White Way. So how has this iconic musical managed to outlast its competitors in the increasingly crowded and competitive market place that is Broadway?

One word can sum it all up, really… “Class”… which just so happens to be the title of one of the more reflective numbers in the show. As Velma and Mama Morton were serenading us, asking whatever happened to class, I couldn’t help but think that this production has it in abundance. *Chicago* proves that you don’t need to bombard your audience with a number of lavish sets or elaborate costume changes to put together a winning musical. All you need is a live band on stage, intoxicating the auditorium with that jazz-infused score from the genius that is John Kander and Fred Ebb and sprinkle it with that Bob Fosse-style choreography, and before you know it, you’ve razzle dazzled ‘em! Those tight-fitting, all-black (and often transparent) costumes by William Ivey Long enhance the show’s sensuality with equal measures of male and female exposure and have themselves become as recognisable as the show’s glittering red logo.

You forget how ground-breaking this revival must have been, when it officially opened on Broadway on 14th November 1996. Moments of breaking the fourth wall to introduce the musical numbers and having the conductor of the band interact with the actors on stage, still set *Chicago* apart from its predecessors, and who wouldn’t want to call for their “Exit Music” each time they left the room?

*Chicago* is equally as famous for its revolving casting door, which has seen both Broadway veterans and celebrities from the world of music, TV and film take to the stage and sink their teeth into those coveted principal roles for special limited engagements. Some of the company’s principals have been with the show for quite some time and continue to delight with every performance. NaTasha Yvette Williams’ brassy and sultry Mama Morton, Raymond Bokhour’s ever-loveable Amos and R. Lowe’s skilled, gender-bending performance as Mary Sunshine are always crowd-pleasing and essential parts of the production, offering the degree of stability that takes it smoothly through its many cast changes. Although some would argue that Chicago has been reduced to a star vehicle for celebrities wishing to dip their toes into the world of Broadway, I see it as a living, breathing piece of musical theatre history, which rightfully remains at the Ambassador Theatre and reminds us that all you need is class and, of course, all that jazz!

*(Photo by Jeremy Daniel)*

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"As much tribute as revival, the spirit of Fosse's genius never leaves the stage, and Chicago, under Walter Bobbie's sharp direction, will dazzle newcomers to the trademark Fosse dance style and provide a thrilling reminder to those who've seen it before just how smart, sexy and exciting this brand of choreography was, or rather, is."
*Greg Evans for Variety*

"Chicago is a triumph! It doesn't just give us the old razzle-dazzle; it glows."
*Richard Zoglin for Time Magazine*

"Chicago still glitters hypnotically! It remains the best adult entertainment in town and still bubbles with the joy of performing!"
*Ben Brantley for New York Times (2007)*

"The show seems to have discovered the fountain of youth. As entertaining as ever. Brash, buoyant and utterly irresistible!"
*Michael Kuchwara for The Associated Press (2003)*

'Chicago' review

Read our 20th anniversary review of *Chicago* on Broadway at the Ambassador Theatre.

The Ambassador Theatre is a quintessential landmark venue situated in the heart of Times Square in New York City. The theatre, built in a unique diagonal orientation to fit within a corner property, opened in 1921 and has since been a stoić stalwart in the midst of the bustling city life. The beautifully ornated structure with its grand interiors and elegant façade captures the essence of old New York charm. With a seating capacity of 1125, the theatre provides an intimate and immersive theatrical experience. Ambassador Theatre has been the venue for numerous historically and culturally significant productions, including 'Chicago,' not only gaining it popularity but also cementing its position as a paragon in the New York theatre scene.

## How to get to the Venue
The Ambassador Theatre is easily accessible by public transport. The closest subway stations are 49th Street (N, R, and W lines), and 50th Street (1 and 2 lines). An alternate option is to take the C or E line to 50th Street. The theatre is also reachable by several bus lines such as M7, M20, M50, or M104. For attendees driving, numerous public parking spaces are available in and around Times Square.

Ambassador Theatre - NY

Ambassador Theatre

The Ambassador Theatre, an iconic venue in Times Square, New York, is known for its unique architecture and historic productions.

ashley 200

Happy Mother's Day! Getting your mom a Mother's Day gift is always a good idea, but an even better idea is getting her an experience — something you and your mom — or your grandma, or your aunt, or all the mother figures in your life! — can enjoy together and make a lifelong memory. A Broadway show is a great way to do that.

There are Broadway shows to suit all kinds of tastes in entertainment: Get your mom tickets to a fun musical featuring songs she grow up with, or laugh and cry together at...

The best Broadway shows to see for Mother's Day

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Get tickets

Alicia Keys's musical *Hell's Kitchen* is a mother/daughter story above all else. It's about a 17-year-old named Ali and her overprotective single mother, Jersey, loosely inspired by Keys and her own mother. Throughout the show, the headstrong Ali learns to accept her mother's tough love, and Jersey learns not to hurt others in the name of protecting Ali.

[New York Theatre Guide's critic wrote](https://www.newyorktheatreguide.com/reviews/hells-kitchen-broadway-review-alicia-keys), "*Hell's Kitchen* depicts mother/daughter relationships in all its love and messiness alike. (My mother, with whom I attended the show, teared up three separate times.)"

Get [*Hell's Kitchen* tickets](https://www.newyorktheatreguide.com/show/37579-hells-kitchen-broadway) now.

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Ages 12+. Children under 4 are not permitted.

Hell's Kitchen on Broadway - NYC [37579]

Genre: Musical (US and AUS)

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Hell's Kitchen on Broadway

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Poster image of Hell's Kitchen in New York.

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*Hell’s Kitchen*, the powerful musical from Grammy Award-winning musician Alicia Keys, is the most Tony Award-nominated musical of 2024 with 13 nods, starring 2024 Tony winners Maleah Joi Moon and Kecia Lewis. Get *Hell’s Kitchen* tickets on TodayTix.

Inspired by Alicia Keys' experiences in the city and named for the Manhattan neighborhood where she grew up, *Hell’s Kitchen* takes audiences into the concrete jungle where the 16-time Grammy Award-winning singer/songwriter's own dreams were made. Meet 17-year-old Ali, living with a single mother in a small apartment where music fills the streets and the windows open up to a kaleidoscopic, artistic world.

As Ali falls for a bright young drummer, befriends a wise piano teacher, and clashes with her protective single mother, she learns hard truths about life, love, and freedom — but she also learns what great dreams her future can hold.

Keys’ greatest hits and new songs make up the soundscape of the city in *Hell’s Kitchen.* Hailed as “a sparkling story with iconic music and absolute powerhouse vocals” by Variety, *Hell’s Kitchen* is a show as vibrant as New York itself.

Keys earned five Grammy Awards for her 2001 debut album (which featured the hit single “Fallin’”), racked up another four with her second album (which featured “If I Ain’t Got You”), and earned her latest in 2024. She is a classically trained pianist, but Keys' music incorporates a variety of influences, including soul, R&B, pop, and hip-hop. With more than 90 million records sold worldwide, she is one of the bestselling music artists in the world.

Her collaborators on the *Hell’s Kitchen* musical are just as notable. Bookwriter Kristoffer Diaz is a Pulitzer Prize finalist for his play *The Elaborate Entrance of Chad Deity*, and choreographer Camille A. Brown is a three-time Tony Award nominee, including for the 2022 revival of Ntozake Shange’s *for colored girls who have considered suicide / when the rainbow is enuf*. Director Michael Greif is a five-time Tony nominee for directing musicals, including the Lower East Side-set *Rent*.

*Hell’s Kitchen* in New York will inspire you. Get in an “Empire State of Mind” with *Hell’s Kitchen* on Broadway.

## What to watch for

- *Hell’s Kitchen* isn’t Keys’ first Broadway credit. She composed music for the 2011 Broadway play Stick Fly, and Keys’s musical style inspired a song in the musical Six.
- *Hell’s Kitchen* includes three never-before-heard songs: “Seventeen,” which Keys wrote specifically for the show, and the previously unreleased “Kaleidoscope” and “The River.” Listen for them on stage!
- Keys got the theatre bug in early childhood. She sang in a school production of *Cats* and played Dorothy in *The Wizard of Oz*.
- Fittingly, the whole lead creative team of *Hell’s Kitchen* are New York natives. Alongside Keys, Diaz hails from Yonkers, Greif from Brooklyn, and Brown from Queens.
- The *Hell’s Kitchen* neighborhood got its name in the late 1800s. There are many different origin stories, but they all refer to the fact that the area was run down back then. Nowadays, *Hell’s Kitchen* is a lively entertainment and restaurant district — so the “kitchen” part is still accurate!
- Lin-Manuel Miranda, another NYC native, premiered his blockbuster musical *Hamilton* at The Public Theater before it became a Broadway phenomenon. Now Keys is following in his footsteps!

__Please note__

The use of cameras, cell phones, and other recording devices during the show is strictly prohibited by law, except when used for accessibility services. No weapons permitted on the premises. No outside food or beverages, electric scooters, e-bikes, or battery-powered transportation devices, except when medically necessary. All items are subject to inspection & must fit on your lap or completely under your seat without blocking any aisles.

Hell's Kitchen on Broadway - NY - TT

Get into an Empire state of mind at this new musical featuring the songs of Alicia Keys. Inspired in part by her real-life upbringing in Manhattan, the show follows 17-year-old Ali as she finds music, her voice, and herself as she comes of age and chases big dreams.

Now she's in New York! Alicia Keys's musical *Hell's Kitchen*, inspired by the Grammy-winning musician's New York upbringing, is a two-time Tony Award-winning musical starring winners Maleah Joi Moon and Kecia Lewis. Get *Hell's Kitchen* tickets on New York Theatre Guide, and experience the show just blocks away from the title neighborhood.

The *Hell's Kitchen* musical is set in a tiny apartment in the title neighborhood, where 17-year-old Ali has big dreams and a wary mother who tries to keep Ali from repeating her past mistakes. As Ali falls for a young drummer and befriends a piano teacher in her building, she and her mother learn all the possibilities Ali's future can hold — and the racial and coming-of-age obstacles she'll have to overcome to make her dreams come true.

This new show marks Keys' second foray into Broadway theatre following the 2011 play *Stick Fly*, for which she composed original music. She's best known for her acclaimed music career, which has earned her 16 Grammy Awards. Keys is known for her unique sound that blends R&B, soul, hip-hop, and pop, and some of her biggest hits include "Fallin'," "If I Ain't Got You," and "Empire State of Mind." All these existing hits and more appear in *Hell's Kitchen* alongside previously unheard songs.

*Hell's Kitchen* on Broadway is at the Shubert Theatre in the Theatre District, adjacent to Hell's Kitchen. The musical premiered a little further away from the title neighborhood, though: at The Public Theater in Manhattan's NoHo neighborhood. Multiple musicals, including Manhattan native Lin-Manuel Miranda's *Hamilton*, made the move uptown after premiering at the Public. 

Speaking of New York natives, the entire lead creative team of *Hell's Kitchen*, alongside Keys, was also born and raised in the area. Director Michael Greif, a five-time Tony nominee for directing the NYC-set *Rent* and other shows, is from Brooklyn. Choreographer Camille A. Brown (two-time Tony nominee for the 2022 revival of *for colored girls*) hails from Queens, and bookwriter Kristoffer Diaz (Pulitzer Prize finalist for *The Elaborate Entrance of Chad Deity*) is from Yonkers, just outside the city.

Get tickets to *Hell's Kitchen* in New York now.

Hell's Kitchen - NYC - NYTG

Alicia Keys's soulful music scores this new coming-of-age musical about growing up with city-sized dreams. Inspired by Keys's own upbringing in the title NYC neighborhood, the show follows young Ali as she finds love, music, and all the possibilities — and hardships — the future holds.

Hell's Kitchen

*Conversations With Mother* ends its Off-Broadway run on Mother's Day, but it's a great option if you want to get her an early gift! *The Marvelous Mrs. Maisel* star [Caroline Aaron](https://www.newyorktheatreguide.com/stars-on-stage/caroline-aaron) and *Company* Tony Award winner [Matt Doyle](https://www.newyorktheatreguide.com/stars-on-stage/matt-doyle) play a larger-than-life mother and her wayward son, whose relationship grows and changes over the course of a lifetime. It's the kind of play that will make you want to call your mom — or hug her as she sits beside you.

Get [*Conversations With Mother* tickets](https://www.newyorktheatreguide.com/show/43071-conversations-with-mother) now.

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Conversations With Mother - NYC [43071]

Conversations With Mother

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Poster of Conversations With Mother in New York.

Conversations With Mother  - Product Media - Poster Image (Square)

Playwright Matthew Lombardo is known for his works that celebrate strong female characters, but he's also not afraid to show their thorns, flaws, and biting humor. That was the case in two of his Broadway works, *High* starring Kathleen Turner and *Looped,* which featured Valerie Harper in a Tony-nominated performance, and it's certaintly what he is offering here. However, unlike in those other fictional pieces created or based on others' lives, here he infuses *Conversations with Mother* with a more personal, intimate bent: the play is semi-autobiographical and takes a page from his own upbringing as a gay son in an Italian household.

Matt Doyle has already played a gay, neurotic character to great acclaim as seen in *Company*, where he stole the show singing "Not Getting Married Today." Caroline Allen is another actor tailor-made for this role given the powerful people she's played in *Sleepless in Seattle* and *The Marvelous Mrs. Maisel*.

## What to watch for

- Matt Doyle is a Broadway alum known for his roles in *Bye Bye Birdie, Spring Awakening, War Horse,* and more.
- Caroline Allen has a storied film career, having appeared in multiple Mike Nichols, Nora Ephron, and Woody Allen films.
- Noah Himmelstein directs this new comedy and has had his work seen regionally and off Broadway.
- Off Broadway, Matthew Lombardo penned *Who's Holiday*, the irreverent comedy with Lesli Margherita as an adult Cindy Lou Who at the Westside Theatre (Lucille Award Nomination for Outstanding Solo Show).

Conversations With Mother - NYC - Todaytix

*Conversations with Friends* follows a mother-son duo as they explore the complexities of their relationship. There's the domineering mother (SAG winner Caroline Allen), the aimless gay son (Tony winner Matt Doyle), and plenty of laughs between the two.

Get *Conversations with Mother* tickets and see this new comedy starring Caroline Aaron (*The Marvelous Mrs. Maisel*) and Matt Doyle (*Company*). Conversations with Mother plays for a strictly limited engagement this winter and spring at Theatre 555 on 42nd Street. A hilarious look at a mother-son relationship, this two hander will be relatable to anyone who’s ever struggled with while eternally loving their parent or child.

Experience *Conversations with Mother* off Broadway and see the newest play from Matthew Lombardo (*Looped, Tea at Five*). Lombardo’s Broadway credits include *High* starring Kathleen Turner and *Looped* which featured Valerie Harper in a Tony-nominated performance. Known for writing vehicles for strong female characters, he now pens *Conversations with Mother*: a semi-autobiographical play and an ode to his own relationship with his mother…which if not always easy was certainly always hysterical.

Heartwarming and witty, *Conversations with Mother* traces the relationship between Italian matriarch Maria Collavechio (Aaron) and her gay son (Doyle). Spanning five decades, the play explores both characters as they test their lifelong bond. Showcasing a domineering Italian mamma and an aimless gay son, as Lombardo knows, can lead to some big laughs.

Noah Himmelstein directs this new comedy, which unites two stars of stage and screen. Aaron has appeared in multiple Mike Nichols, Nora Ephron, and Woody Allen films, and she is also known for her role in *The Marvelous Mrs. Maisel* in which she plays a similar role, Joel’s overbearing mother. 

Doyle is Broadway royalty and most recently was on the Great White Way winning a Tony and Drama Desk award for playing Jamie in *Company*. He’s also been seen on Broadway in *Bye Bye Birdie, Spring Awakening, War Horse*, and more.

Now, the two stars come together to play a mother and son duo for the ages. Tickets to *Conversations with Mother* in New York are available now.

Conversations With Mother - NYC - NYTG

*Conversations with Mother* is a hilarious and heartwarming semi-autobiographical play tracing the decades-long and dynamic relationship between an over-the-top Italian mother (SAG winner Caroline Aaron) and her aimless gay son (Tony winner Matt Doyle).

Theater 555 is without a doubt one of New York City's premier performing arts venues, renowned for its remarkable presentations and unique artistry. Nestled in the heart of the city, the theater holds a special place in the heart of the artistic community. Over the years, it has played a key role in nurturing the talents of countless artists and presenting a variety of performances, from traditional to contemporary, to an always enthusiastic crowd. Its intimate setting and warm ambience add to the incredible experience, making each performance a joy to behold. With a meticulously designed auditorium boasting magnificent acoustics and comfortable seating, along with a host of state-of-the-art facilities, the theater provides a truly unmatched theatrical experience. 

**How To Get To Theater 555:**
Whether you are traveling by car, subway, or bus, reaching Theatre 555 is easy. Here’s how: If traveling by car, free street parking can be found on nearby streets. Alternatively, several paid garages are available within a short walk. If you are using public transportation, you can take the subway to the Theater District stop, and Theatre 555 is just a few blocks away. For bus goers, multiple bus lines pass through the theater district as well. Always plan your visit ahead of time to allow for any potential delays or traffic, ensuring you arrive in plenty of time to enjoy the show.

Theater 555

Theatre 555 is a prominent venue in NYC, known for diverse performances and excellent facilities. It's easily accessible by car, subway, or bus.

Momma Rose is not just one of the most iconic mothers, but one of the most iconic characters, in Broadway theatre. Granted, she's not a perfect mom: She goes to extreme — sometimes obsessive and even cruel — lengths to make her two daughters famous. But the story of how all three women search for themselves, with and without each other, is one of the greatest mother-daughter tales of all time.

Get [*Gypsy* tickets](https://www.newyorktheatreguide.com/show/41161-gypsy-on-broadway) now.

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Ages 10+. Children under 4 years old will not be admitted.

Gypsy on Broadway - NYC [41161]

Genre: Musical

Gypsy on Broadway

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A classic musical, *Gypsy* takes place just as the once-popular vaudeville industry is declining in the early 20th century. Nonetheless, the constant dreamer and unbearable stage mom Momma Rose looks to push her daughter June into the spotlight at any cost — traveling the country, sweet-talking an agent (and her love interest), and neglecting June's less talented sister, Louise, who against all odds ends up as one of the burlesque scene’s most famous strippers. But as Rose remains in the shadows as Louise’s career ascends, she must come to terms with her own lack of self-love.

## What to watch for

- Audra McDonald is so accomplished, she was honored with the National Medal of Arts in 2016 from President Barack Obama and was inducted into the American Theater Hall of Fame in 2017.
- *Gypsy* first premiered on Broadway in 1959; since then, it has enjoyed multiple revivals, including ones directed by Oscar winner Sam Mendes and the librettist himself, Arthur Laurents. 
- Many famous actresses have played Rose, including Ethel Merman, Bernadette Peters, Angela Lansbury, and Patti LuPone.
- George C. Wolfe has worked with McDonald before, previously in *Shuffle Along, or, the Making of the Musical Sensation of 1921 and All That Followed* on Broadway.

## Important information

- Flashing lights: Strobe or flashing lights are used in this production.
- Children under 4 years old will not be admitted.
- No weapons permitted on the premises. No outside food or beverages, electric scooters, e-bikes, or battery-powered transportation devices, except when medically necessary.
- All items are subject to inspection. Anything brought into the theatre must fit on your lap or completely under your seat without blocking any aisles. Avoid bringing packages, luggage, and backpacks. Some items must be checked.
- The use of cameras, cell phones, and other recording devices during the show is strictly prohibited by law, except when used for accessibility services.

Gypsy on Broadway - NYC - TT

Get *Gypsy* tickets and see six-time Tony Award winner Audra McDonald step into the mother of all Broadway roles: the ambitious Momma Rose, who goes to great lengths to achieve fame for her daughters in pursuit of the American dream. Tony winner Danny Burstein also stars alongside rising Broadway stars Joy Woods and Jordan Tyson in this revelatory new production of the classic American musical, directed by six-time Tony Award winner George C. Wolfe and choreographed by four-time nominee Camille A. Brown (*Hell’s Kitchen*).

Get *Gypsy* tickets and see the incomparable Audra McDonald star as Momma Rose in what is widely celebrated one of the greatest musicals ever written. Tony Award winner George C. Wolfe directs this new production that features an infectious score by Jule Styne and Stephen Sondheim and sharp book by Arthur Laurents. 

Here she is, boys; here she is, world: Experience McDonald in *Gypsy* on Broadway. Musical theatre royalty, McDonald is a six-time Tony Award winner famed for her versatile performances in dramas and musicals alike, including *Ragtime, A Raisin in the Sun*, and *Master Class*. Also a Grammy and Emmy award winner, McDonald now takes a star turn for the ages: as Momma Rose, McDonald embodies the stage mother to end all stage mothers in this based-on-a-true story of the life of burlesque icon Gypsy Rose Lee. 

Bringing together a trifecta of musical theatre writers — Laurents, Sondheim, and Styne — *Gypsy* is a timeless story of ambition, family, and the irresistible nature of show business. A visionary director, Wolfe made a name for himself directing the original Broadway production of *Angels in America*. He now returns to Broadway with another great American tale. The production features choreography by Tony Award nominee Camille A. Brown (*[Hell’s Kitchen](https://www.newyorktheatreguide.com/show/37579-hells-kitchen-broadway)*, *for colored girls who have considered suicide when the rainbow is enuf*). 

Spanning the childhood and career of a famed stripper, *Gypsy* follows Rose and her unstoppable hunger for fame for her daughters — and love for herself. A beloved classic featuring songs such as “Rose’s Turn,” “If Momma Was Married,” and “Some People,” *Gypsy* is a Broadway staple that has enjoyed multiple legendary revivals. Now, it’s McDonald’s turn. 

## Important information

- Flashing lights: Strobe or flashing lights are used in this production.
- Children under 4 years old will not be admitted.
- No weapons permitted on the premises. No outside food or beverages, electric scooters, e-bikes, or battery-powered transportation devices, except when medically necessary.
- All items are subject to inspection. Anything brought into the theatre must fit on your lap or completely under your seat without blocking any aisles. Avoid bringing packages, luggage, and backpacks. Some items must be checked.
- The use of cameras, cell phones, and other recording devices during the show is strictly prohibited by law, except when used for accessibility services.

Gypsy on Broadway - NYC - NYTG

See Broadway icon Audra McDonald star in the musical *Gypsy* on Broadway. Starting this fall, *Gypsy* in New York will be one of the city’s hottest tickets thanks to an all-star production.

The Majestic Theatre, located on Broadway in New York City, is a truly historical masterpiece. Originally opened on March 28, 1927, it was designed by renowned architect Herbert J. Krapp. The grandeur of the building's architecture and interior decor is evident from the moment you step through the doors. With a seating capacity of 1,681, the Majestic is one of the largest Broadway venues, making it the ideal location for prominent productions.

The theatre has been most notably associated with Andrew Lloyd Webber’s *The Phantom of the Opera*, which played there from 1988 to 2023. Every little detail of the Majestic Theatre adds up to an unforgettable overall experience. From the ornate moldings of the proscenium arch to the majestic mezzanine and balcony, the venue, renovated in 2024, inspires awe in visitors.

__How to get there:__ The Majestic Theatre is located at 245 West 44th Street, Manhattan. It’s easy to get to either by car, subway, or bus. The closest subway station is Times Square - 42nd Street/Port Authority Bus Terminal, serving Lines 1, 2, 3, 7, N, Q, R, W, and S. If you're driving, there are numerous parking lots nearby. Be warned that NYC traffic can be tricky, so give yourself extra time to arrive.

Majestic Theatre - NY

Majestic Theatre 

The Majestic Theatre is a historical landmark on Broadway, located in the heart of the Theatre District in New York City.

Gypsy

Among the many showstopping moments in *MJ The Musical*, about the life and artistry of Michael Jackson, is the number "I'll Be There." In the show, Jackson's mother sings it to remind him she'll always support him, even as the pressures of stardom and growing up increase. The rest of the time, your mom can rock out to all the other Michael Jackson hits she may have listened to in her own youth.

Get [*MJ The Musical* tickets](https://www.newyorktheatreguide.com/show/23379-mj-the-musical-tickets) now.

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Ages 8+. Children under 4 are not permitted. 

MJ The Musical on Broadway - NYC [23379]

MJ The Musical on Broadway

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MJ The Musical

Treat your mom to a show that tells a mother/daughter or mother/son story, an emotional family drama about moms, or a fun musical with songs your mom will love.

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