Broadway

Inside the 10th anniversary performance of 'Hamilton' on Broadway

A man in a blue suit sings into a microphone on stage, surrounded by a group of cheering performers in theatrical costumes.

lin 10th hamilton-1200x600-NYTG

On August 6, 2025, the multi-award-winning hip-hop history musical celebrated a decade at the Richard Rodgers Theatre, with Lin-Manuel Miranda in attendance.

Guide to ‘Art’ on Broadway starring Bobby Cannavale, James Corden, and Neil Patrick Harris

Three men in formal attire face the camera against plain backgrounds; each image is presented side by side in a vertical split format.

art cast-1200x600-NYTG

The bonds between three close friends are tested and reframed in the starry first revival of Yasmina Reza’s Tony Award-winning comedy at the Music Box Theatre.

All the times tennis and theatre came together on Broadway and beyond

A tennis racket and a yellow tennis ball rest on a green court near intersecting white boundary lines.

tennis-1200x600-NYTG

Ahead of the US Open, which attracts more than just sports aficionados each year, discover why tennis is ripe for onstage drama alongside on-court excitement.

Brandon J. Dirden joins Keanu Reeves, Alex Winter-led 'Waiting for Godot' on Broadway

Four men are shown in a composite image, each facing forward with neutral expressions, against plain or softly textured backgrounds.

godot cast-1200x600-NYTG

Casting has been completed for the revival of Samuel Beckett's drama, reuniting the stars of *Bill & Ted* franchise under the direction of Tony nominee Jamie Lloyd.

See photos of Jinkx Monsoon, Kumail Nanjiani, Michael Urie, Jenn Harris in 'Oh, Mary!'

A woman in a black dress sits on the floor in front of an ornate desk, while a man sits behind the desk looking at her. The room has patterned wallpaper and formal decor.

2 oh mary jinkx-1200x600-NYTG

The new cast of Cole Escola's Tony Award-winning play, a spoof on the life of Mary Todd Lincoln, performs at the Lyceum Theatre through September 28 only.

Casting announced for Manhattan Theatre Club's 'Punch,' 'The Monsters'

A group of six people, of varying ages and ethnic backgrounds, are shown in individual portrait photos arranged side by side.

mtc casts 2025-1200x600-NYTG

James Graham's *Punch* will play on Broadway in fall 2025, and Ngozi Anyanwu's *The Monsters* will play off Broadway in winter 2026 as part of the institution's season.

‘Liberation’ to transfer to Broadway this fall

liberation 1200 nytg 2

The critically acclaimed play by Bess Wohl made its world premiere off Broadway with Roundabout Theatre Company earlier this year, directed by Whitney White.

See photos of 'Mamma Mia!' on Broadway

Three women in silver and white disco costumes sing into microphones on stage in front of a blue door under spotlights.

6 mamma mia bway-1200x600-NYTG

The feel-good musical comedy, featuring the hit songs of ABBA, is back in New York for a limited time only at its original venue, the Winter Garden Theatre.

Initial casting set for 'The Balusters' on Broadway

A composite image showing five adults of varying ages and diverse backgrounds, each facing forward and smiling or with a neutral expression.

balusters cast-1200x600-NYTG

Five stars of stage and screen have been announced to lead David Lindsay-Abaire's new comedy play at the Samuel J. Friedman Theatre this spring.

Guide to 'The Queen of Versailles' on Broadway starring Kristin Chenoweth

A woman in a sparkly pink dress with feathered sleeves stands center stage with arms raised, surrounded by crew members and stage equipment under bright lighting.

1 versailles boston-1200x600-NYTG

Oscar winner F. Murray Abraham also stars in the musical inspired by the true story of Jackie and David Siegel, who build a lavish life that soon starts crumbling.

Oscar winner [Ariana DeBose](https://www.newyorktheatreguide.com/stars-on-stage/ariana-debose) will star this fall in [*The Baker's Wife*](https://www.newyorktheatreguide.com/show/44546-the-bakers-wife) off Broadway, the first production in [Classic Stage Company](https://www.newyorktheatreguide.com/venues/classic-stage-company)'s 2025-26 season. Performances run at CSC from will run from October 23 to December 14, with opening night on November 11.

DeBose is known for her performances in films including Steven Spielberg's *West Side Story* film (Academy, BAFTA, Critics Choice, SAG Awards), *The Prom*, and *Love Hurts*, in the TV show *Schmigadoon!*, and in [*Hamilton*](https://www.newyorktheatreguide.com/show/384-hamilton-tickets) and *Summer: The Donna Summer Musical* on Broadway.

In *The Baker's Wife*, she plays the title role of Genevieve, a woman who, alongside her husband, arrive in a quiet French village with fresh bread — and fresh gossip that turns the town upside down with mischief, temptation, romance, and comedy.

Based on the film La Femme du Boulanger by Marcel Pagnol and Jean Giono, *The Baker's Wife* has a book by Tony Award winner Joseph Stein (*Fiddler on the Roof*) and music and lyrics by Oscar, Grammy, and Tony Award winner Stephen Schwartz ([*Wicked*](https://www.newyorktheatreguide.com/show/1-wicked-musical-tickets), [*The Queen of Versailles*](https://www.newyorktheatreguide.com/show/41950-the-queen-of-versailles-on-broadway)). Directed by Gordon Greenberg, CSC's is the first full-scale production of the musical in New York since its 1976 premiere, as the show's planned Broadway run at the time never materialized.

Complete casting and creative team for *The Baker's Wife* have yet to be announced.

Check back for information on *The Baker's Wife* tickets on New York Theatre Guide.

*Photo credit: Ariana DeBose and Stephen Schwartz. (Photo by Valerie Terranova)*

Ariana DeBose to star in 'The Baker's Wife' off Broadway

Two people stand in front of empty theater seats, posing for a photo; one is dressed in a white jacket and skirt, the other in a black shirt and pants.

ariana stephen-1200x600-NYTG

Off-Broadway

The Baker's Wife - NYC [44546]

NY - Broadway

Broadway shows

New York All Shows

Get last-minute theatre tickets for New York Shows at the best prices, and get exclusive access to our Lottery and Rush tickets.

Last-Minute Broadway Tickets & Theatre in NYC | New York Shows | TodayTix

New York Shows

Get tickets to the best shows at the best prices on Broadway and beyond

Discover New York City 

New York Header Image

Latest New York City Insider Posts 

Explore Broadway and Off-Broadway news and reviews, and book the best NYC events.

New York Theatre Guide Home Page (New York Theatre Guide)

New York Theatre Guide – Official site for theatre tickets & news

See what's on sale on Broadway, from classics to new hits. Get tickets today. Find tickets at New York Theatre Guide, a reliable source for Broadway.

New York Theatre Guide - New York Musicals & Plays

New York

New York Search Results

Search Results

New York Tile Image

NYC App Home

Venues in New York City

New York Home Page (TT Home)

Get the best prices on theatre tickets today and this week in New York, London and more. Read reviews. Win exclusive lottery or rush tickets. Download our app.

TodayTix | Theater Tickets to Musicals, Plays, Broadway, More 

New York Nav Links [NEW]

More shows

New York Home Page (WL)

WL Newsletter

WL NYC Nav

The Baker's Wife

The Baker's Wife - Product Media - App Hero Image

The Baker's Wife - Product Media - Header Image

The Baker's Wife  - Product Media - Poster Image

The Baker's Wife  - Product Media - Poster Image (square)

The musical premiered in the West End in 1989 for a short run but, although establishing a dedicated cult following, has never been on Broadway. Now, it comes to New York off Broadway. Based on the 1938 French film of the same name by Marcel Pagnol and Jean Giono, *The Baker's Wife* is set in the rustic Provence region of France, where everyone knows everything about everybody.

Such is the case in the small town where this musical is set: a baker, Aimable, arrives with his new wife, Genevieve, who quickly catches the eyes of the men in town. A beautiful young woman, Genevieve just wants a fresh start in a new town full of people who are suspicious of her, and she soon falls for the local lothario, Dominique. What follows is a comedic and honest look at how couples navigate disagreement, and how a tight-knit town confronts change.

## What to watch for
- Patti LuPone played Genevieve in the out-of-town tryout that never made it to Broadway.
- Gordon Greenberg, an Artistic Associate at The New Group, directs this production.
- Classic Stage Company is known for its riveting revivals that breathe new life into enduring classics, as was the case with *Assassins* and *Bus Stop*.
- In London, *The Baker's Wife* received a Laurence Olivier Award nomination for Musical of the Year.

The Baker's Wife - NYC - Todaytix

*The Baker's Wife* is a heartwarming musical about an idyllic French village — and the arrival of a baker, with his new wife, that throws it into chaos.


Get *The Baker's Wife* tickets when they go on sale on New York Theatre Guide to see this charming musical about bread, love, and a famous meadowlark. With a gorgeous score by theatre legend Stephen Schwartz (*[Wicked](https://www.newyorktheatreguide.com/show/1-wicked-musical-tickets), Pippin, Godspell*) and a heartwarming and hilarious book by Joseph Stein (*Fiddler on the Roof, Zorba*), *The Baker's Wife* musical is a storied show that has never come to Broadway but now returns to New York City.

*The Baker's Wife* off Broadway features beloved songs including "Meadowlark," "Proud Lady," "Where Is the Warmth?" and "Chanson" in this show about a small town with big drama. A new baker, and his much younger wife, arrive in a provincial French village, turning it upside down. 

Genevieve is a beautiful young woman looking for a fresh start in her new village, but when she arrives with the much older Aimable, she quickly catches everyone's eye and curiosity, especially Dominique's. That local heartthrob whisks her off her feet, and after she flees town with him, the village unravels: its talented baker has lost his will to cook, and neighbors will do anything to bring his legendary bread back.

A rumination on love, forgiveness, and how a couple, and community, navigate change, *The Baker's Wife* is a fan-favorite musical but one that has rarely performed in New York City. After a failed out-of-town tryout decades ago that starred Patti LuPone as the baker's wife, the musical gained a cult following. Based on the French film of the same name, the musical went on to earn an Olivier Award nomination for Best New Musical in London.

New Yorkers can now see this new production, coming to Classic Stage Company for its 2025/26 season and directed by Gordon Greenberg. Tickets to *The Baker's Wife* in New York will be available here soon.

The Baker's Wife - NYC - NYTG

In *The Baker's Wife*, everyone knows everything about everybody, so when a new baker and his much yougner wife come to town, the community slowly unravels.

Ariana DeBose stars as Genevieve in [*The Baker's Wife*](https://www.newyorktheatreguide.com/show/44546-the-bakers-wife) off Broadway at [Classic Stage Company](https://www.newyorktheatreguide.com/venues/classic-stage-company) from October 23 to December 14, 2025.

DeBose is best known for her Academy Award, BAFTA, Critics Choice, and SAG Award-winning performance as Anita in Steven Spielberg's *West Side Story* movie musical. She got her start, however, on Broadway, performing in the ensemble of [*Hamilton*](https://www.newyorktheatreguide.com/show/384-hamilton-tickets) and starring as Disco Donna in *Summer: The Donna Summer Musical*, earning a Tony Award nomination. Additional Broadway credits include the musicals *Pippin, Motown, A Bronx Tale*, and *Bring It On*.

DeBose has also appeared in the musical TV show *Schmigadoon!*, the movie musical *The Prom*, and other films including *Love Hurts* with Ke Huy Quan. She hosted the Tony Awards in 2022, 2023, and 2024, earning Emmy nominations for Outstanding Variety Special for the latter two years.

Ariana DeBose - NY

ariana debose

The Classic Stage Company (CSC) is a significant staple in the New York theater scene, situated in the heart of Manhattan's East Village. Any theater enthusiast will relish the ambiance and charm of this cozy yet distinguished venue. CSC is known for its renditions of classic plays, many of which have been honored with prestigious awards like the Lucille Lortel Award for Outstanding Revival. The interior design blends modernity with a nostalgic homage to traditional theater, maximizing both comfort and the unique viewing experience that evolves with each performance. A notable feature is the seating arrangement, which is thoughtfully done in an arena style, providing an intimate connection between the stage and the audience. Apart from performances, CSC also offers numerous educational programs aimed at fostering an appreciation for arts and theater in younger generations. Offering a rich blend of classic plays and modern interpretations, CSC is a must-visit for theater aficionados who appreciate the magical experience of live performances. 

#### How to Get There
 The CSC theatre is situated at 136 East 13th Street, between 3rd and 4th Avenues. It is very accessible by public transport, and the nearest subway stations, 14th Street-Union Square (N,Q,R,4,5,6,L) or 3rd Ave (L), are just a short walk away.

Classic Stage Company - NY

Classic Stage Company

Classic Stage Company - TodayTix

Founded in 1967, Classic Stage Company (also known as CSC) is located in the heart of Manhattan’s East Village close to Union Square. CSC produces revivals and reimaginings of classical plays and musicals for contemporary audiences, which often relate to current issues.

The company's first venue was a 100-seat theatre within Rutgers Presbyterian Church, and it moved to its current venue, a former carriage house, in 1973. The 199-seat theatre has a thrust stage with audiences seated on three sides of the performance space.

In January 2019, the Off-Broadway home of Classic Stage Company was renamed the Lynn F. Angelson Theater in honor of Lynn F. Angelson, a longstanding board chair.

## How to get to Classic Stage Company off Broadway

Classic Stage Company's Lynn F. Angelson Theater is closest to the 3 Av. subway stop on the L line and 14th Street - Union Square on the N, Q, R, W, L, 4, 5, and 6 lines.

The nearest bus stops are 3 Av/E 14th St. and 3 Av/E 11th St. on the M101, M102, and M103 lines; and 4 Av/E 12 St on the M1, M2, and M3 lines.

## Restaurants near Classic Stage Company

Popular restaurants near Classic Stage Company include The Ugly Duckling (American), Jackdaw (American), The Smith (American), Ruby's Cafe (Australian), and Yellow Rose (Mexican).

Classic Stage Company - New York Theatre Guide

Founded in 1967, Classic Stage Company produces revivals of classical plays and musicals in Manhattan’s East Village. Its theater is renamed as Lynn F. Angelson Theater.

Classic Stage Company Seating Plan - NYC - 644x956px

The Classic Stage Company, an award-winning theatre venue in New York's East Village, offers a blend of classic plays and modern theatre.

The Academy Award-winning actress will lead the first full-scale New York production of Stephen Schwartz's musical at Classic Stage Company this fall.

Ages 10+. Infants are not permitted in the theater.

Hamilton on Broadway - NYC [384]

Hamilton on Broadway

Hamilton on Broadway [384] Product Media

I saw *Hamilton* Wednesday last at the Richard Rogers Theatre. Last night I went to bed with *Hamilton*. I had Lin-Manuel Miranda's script all to myself and devoured it. There is so much information, not to mention plain old smarts, that is packed into this show that reading the text is an exercise in pure pleasure. And once again I came away with the same conclusion. This is a story ABOUT Alexander Hamilton while at the same time it is the story OF Aaron Burr.

Burr (Leslie Odom, Jr.) welcomes us to the evening almost purring:

How does a b*st*rd, orphan, son of a wh*re And a Scotsman dropped in the middle of a forgotten spot In the Caribbean, by Providence impoverished, to squalor Grow up to be a hero and a scholar?

Who did this immigrant Hamilton (Lin-Manuel Miranda) think he was? Burr was the son of money. Hamilton was the son of chance and fortune. Burr was willing to wait for his just rewards; Hamilton preferred the direct route.

... I'm just like my country I'm young, scrappy and hungry And I'm not throwing away my shot

Hamilton arrives from Nevis in the Bahamas just as the country is splintering into a new incarnation. He lands in New York, the center of everything, and works his way up the revolutionary ladder. He sits at the right hand of God in the person of George Washington (Christopher Jackson) and pines for a command that is denied him until there is no other option.

Hamilton did not live in a vacuum, however. Events and people were moving around him like a hurricane. The women in his life were a match in every way to the men. "The Schuyler Sisters," Angelica (Renée Elise Goldsberry), Eliza (Phillipa Soo), and Peggy (Alysha Deslorieux on the night I was there), are the center of New York's solar system. While Washington in planning battle, there is a social life to be created. Angelica is looking for a mind at work, and when both she and her sister, Eliza, are smitten by Hamilton, she steps aside in a scene that is tragic and gallant.

As each element is added to the story, the tapestry becomes richer and more dense. Family brings new responsibility but does not alter Hamilton's trajectory. As the new country is formed, he stays in the inner circle, annoying Thomas Jefferson (Daveed Diggs) who was in France for most of the war, and drives Burr just a little mad. Burr's thirst for the power that Hamilton has is palpable, and as his frustration explodes in the second act with "The Room Where It Happens," the experience is visceral for us all and becomes a showstopper.

Over and over again we see the tragedy that is coming. The rules of dueling are spelled out more than one time. The future is seen as a place where these folks may not walk but in which they will be remembered. The tension and terror of the time fill the theatre. This is balanced by Miranda's eye for the absurd, the ridiculous and the insidious which evoke belly laughs, winces and mental high-fives. He gives a generous nod to King George (Jonathan Groff, who is the only white person playing a main character) who smiles and winks through three pop numbers that remind us in the nicest possible way that the little people are just that:

Cus when push comes to shove I will kill your friends and family to remind you of my love

Hamilton was smart and driven - and he was a writer. It was his pen that got him out of his home, and it would be his pen that brought him to the side of Washington. Today he would have been tweeting (as is Miranda) several times a day. If the telegraph had been around he would have been tapping until the machine melted in his hands. But these were the days of longhand, quills, ink, and parchment. And delivery was by foot or, if you were lucky, horseback. Still, what Hamilton managed to crank out was not only impressive, it was world-altering. His accomplishments are listed like it was an awards banquet. He crafted a financial system. Created the national debt to save the country. Wrote *The Federalist Papers*. He wrote as if he were running out of time. And he was.

The last moments of Hamilton's life are perhaps the most delicately crafted. "I imagine death so much it seems like a memory," Hamilton sings as the bullet travels through time and relationships to reach him. And when it does, we hear the lament of Aaron Burr, still at the center of the tale, who didn't realize the world was wide enough for them both, and the chorus that delivers us back into our seats singing and asking us, "Who lives? Who dies? Who tells your story?"

Hamilton is a magnificent tapestry where all the elements of theatre are called upon to be their very best. The choreography by Andy Blankenbuehler is nothing short of mesmerizing. His work makes the entire piece pulse. Alex Lacamoire's musical direction and orchestration lifts us into the stratosphere. The scenic design by David Korins, costumes by Paul Tazewell, and lights by Howard Binkley are seamlessly integrated and a visual feast. Finally, Thomas Kail's direction is impeccable. Under his guidance this show has been pieced together into a living, breathing entity. *Hamilton* is not just a show, it is an experience - which is always the goal of art. This is not a show that you sit and watch. It is a show that takes you by the hand and pulls you into its embrace.

The end result is something much more than the story of one man. It is the story of how we each create our destiny and our mark on the world. You leave the theater thinking about what you would like to do that you have not done. You leave the theatre filled with possibility.

(Photo by Joan Marcus)&nbsp;<hr />"'Hamilton' makes us feel the unstoppable, urgent rhythm of a nation being born." Ben Brantley for New York Times"With 'Hamilton,' Broadway is officially the coolest place on the planet. And the smartest. And most exhilarating." Joe Dziemianowicz for New York Daily News"Lin-Manuel Miranda's 'In the Heights' may have been a hit — but his 'Hamilton' is a phenomenon." Elisabeth Vincentelli for New York Post"The greatest American musical in decades." David Cote for Time Out New York"It was phenomenal off-Broadway. It's even better now. 'Hamilton' is that rare musical that fires on all cylinders, even ones we never knew existed." Roma Torre for NY1"This is a musical often stunning in its audaciousness." Mark Kennedy for Associated Press"This enormously ambitious and entertaining musical history lesson is even more impressive on a second viewing." Frank Scheck for The Hollywood Reporter"This innovative show is shaping up to be just as much of a phenomenon uptown, playing in a Broadway house with four times the seating capacity, and to a more traditional but no less enthusiastic audience. That universal appeal to crossover audiences is one unmistakable sign of a groundbreaking show." Marilyn Stasio for VarietyExternal links to full reviews from popular press...<a href="http://www.nytimes.com/2015/08/07/theater/review-hamilton-young-rebels-changing-history-and-theater.html?_r=0" target="Top">New York Times</a> - <a href="http://www.nydailynews.com/entertainment/theater-arts/hamilton-musical-mint-condition-broadway-article-1.2316761" target="Top">New York Daily News</a> - <a href="http://nypost.com/2015/08/06/hamilton-isnt-quite-revolutionary/" target="Top">New York Post</a> - <a href="http://www.timeout.com/newyork/theater/hamilton-1" target="Top">Time Out</a> - <a href="http://www.ny1.com/nyc/all-boroughs/lifestyles/2015/08/6/ny1-theater-review---hamilton-.html" target="Top">NY1</a> - <a href="http://www.hollywoodreporter.com/review/lin-manuel-mirandas-hamilton-theater-813145" target="Top">Hollywood Reporter</a> - <a href="http://variety.com/2015/legit/reviews/hamilton-review-broadway-1201557679/" target="Top">Variety</a>

'Hamilton' review

Read our five-star review of *Hamilton* on Broadway at the Richard Rodgers Theatre.

The Richard Rodgers Theatre, named after one of the most influential composers in American history, is a Broadway theatre located in New York City. It was originally opened in 1925 as 'Chanin's 46th Street Theatre' and was later renamed in honor of prolific composer Richard Rodgers in 1990. At over 14,000 square feet, it is the highest grossing venue on Broadway, with a seating capacity for an audience of over 1,300 people. Offering a variety of shows, it is best known for the ongoing run of the critically acclaimed musical, 'Hamilton'. Not only does this theatre provide top-notch entertainment, but it also offers an array of amenities for its guests, including wheelchair accessible seating, assistive listening devices, and more. 

*How to get there*: The Richard Rodgers Theatre is conveniently located at 226 W 46th Street, near Times Square. Access to the theatre is easy and convenient with several modes of public transportation available. The nearest subway stations are 49th Street (N, R, and W lines) and 42nd Street - Times Square (A, C, E, N, R, W, 1, 2, 3, 7, and S lines). Alternatively, visitors can take a bus to West 46th Street and 8th Avenue, which is just a short walk to the theatre.

Richard Rodgers Theatre - NY

Richard Rodgers Theatre

Richard Rodgers Theatre is a historic Broadway venue in New York, notable for Hamilton performances. Easy access via subway or bus.

Summer: The Donna Summer Musical on Broadway [8771]

Summer: The Donna Summer Musical on Broadway

Summer: The Donna Summer Musical on Broadway [8771] Product Media

Anyone who has been to a disco or a wedding in the last 35 or 40 years has heard and danced to Donna Summer.&nbsp;She was rightly known as the Queen of Disco and was the most successful recording artist of the period during her heyday.&nbsp;So, it was inevitable that we would eventually have <a href="/show/summer-the-donna-summer-musical">Summer: The Donna Summer Musical</a> on Broadway.Judging by the wry faces I got when I told friends I was going to be reviewing Summer: The Donna Summer Musical, as contrasted to the very enthusiastic and packed audience I saw it with, there's going to be a sharp difference of opinion about this one.&nbsp;I'm going on record - I thumb my nose at my friends. I thoroughly enjoyed myself and was very pleased to have seen it.&nbsp;What Summer: The Donna Summer Musical does brilliantly is remind us why LaDonna Adrian Gaines was the Disco Queen. And why, even today, when the DJ plays "Hot Stuff" or "Last Dance" or "She Works Hard for the Money," everyone gets on the dance floor.&nbsp;It may not have the most scintillating book, but that's not why anybody bought tickets.&nbsp;They're there to enjoy themselves. For many it's a sweet stroll down memory lane to possibly younger, more carefree days.&nbsp;For others it's a glimpse into a storied past they've only heard about but never experienced.&nbsp;And experience it you will.&nbsp;From the 23 iconic Donna Summer songs to the glittering disco ball that makes an appearance in the closing scene.&nbsp;Yes, there are hot pants and lamé.&nbsp;And yes, if you look carefully, you will recognize an occasional hustle step or bump in the choreography that will take you right back to your days on the dance floor.&nbsp;But nothing feels dated.&nbsp;The costumes are cheeky and fun and the choreography is fresh and exciting.Not only are the production values au courant, but the issues and themes are very relevant as well.&nbsp;After the opening song, Diva Donna (LaChanze) tells us "Now, I grew up when women's roles were changing, I mean really changing, so I figured we might as well take that to the next level." And she points to the chorus that was dancing behind her where all the men were actually women dressed as men.&nbsp;And in fact, several male roles including that of David Geffen (Mackenzie Bell) &amp; Giorgio Maroder (Kaleigh Cronin) were played by women in men's clothing.&nbsp;It was so effective, I forgot that the Maroder role was a woman after the first scene with that character.&nbsp;And I never noticed that the Geffen role was a female till I was looking at the Playbill afterwards. In this #MeToo moment I'm happy to report that there are only 6 male cast members in a company of 23 performers.&nbsp;It usually skews the other way.&nbsp;I think Donna would be proud.They've split the role of Donna Summer into three parts to show her at different stages in her life: Diva Donna (LaChanze), Disco Donna (Ariana DeBose) and Duckling Donna (Storm Lever). All three performers are terrific, but LaChanze is simply unmatched vocally.&nbsp;As I write this, it has been announced that she has been nominated for a Drama Desk Award for Outstanding Actress in a Musical for Summer: The Donna Summer Musical.&nbsp;Could a Tony nomination be far behind? It would make a nice pair to match her 2006 Tony for Best Performance by a Leading Actress in a Musical for The Color Purple.On the other hand, Ariana DeBose is a triple threat. She's an excellent singer, and an extraordinary dancer. She also proves herself as an actress in this role.&nbsp;Donna had a German boyfriend who she couldn't shake and who followed her to LA.&nbsp;In the musical, in the middle of singing "No More Tears (Enough is Enough)" with Diva Donna, DeBose as Disco Donna does a scene where Gunther comes to her house, slaps her around and pulls a gun on her. A S.W.A.T. team rescues her and Disco joins Diva and Duckling and finishes up the song without missing a beat.&nbsp;DeBose was superb.I think Donna Summer was never given the respect she deserved during her career for her professional accomplishments. At a time when not many women were in power positions in the music industry, Donna was writing her own songs and breaking chart records right and left.&nbsp;In 1979 she was the first woman to have two singles in the top three on Billboard's Hot 100 when "Bad Girls" hit #1 while "Hot Stuff" was at #3. I could go on but you can Google as well as I can.Donna Summer started out her career with roles in European productions of the musicals Hair and Porgy and Bess. At the time of her death in 2012 at age 63, she was working with director Des McAnuff on an autobiographical musical that she hoped to take to Broadway.&nbsp;I'm glad that he was able to see her dream come to fruition.(Photo by&nbsp;Joan Marcus)<hr /><h2>What the popular press says...</h2>"Despite the exciting vocalism of a cast led by the formidable LaChanze, it reduces the late Queen of Disco and pioneer of electronica to a few factoids and song samples that make her seem profoundly inconsequential." Jesse Green for New York Times"Enough is enough with Broadway jukebox musicals stitched together with threadbare and synthetic stories. And when it comes to Summer: The Donna Summer Musical&nbsp;that goes triple. It took three writers for the bummer of a script for this show at the Lunt-Fontanne Theatre. Fortunately, Summer's numerous dance-o-licious high-energy hits are still as contagious and irresistible as ever — "MacArthur Park," "Heaven Knows," "On the Radio," "Bad Girls," "No More Tears (Enough is Enough)" and "Dim All the Lights."" Joe Dziemianowicz for New York Daily News"At its most watchable, the show plays like a barely dramatized adaptation of Summer's Spotify and Wikipedia pages. But when it's bad, it's so, so bad." Adam Feldman for Time Out New York"Three people admit to writing the musical's rudimentary book: Colman Domingo, Robert Cary and director Des McAnuff, who brought respectability to the jukebox musical with his monster hit&nbsp;Jersey Boys. There's no reason to believe their involvement wasn't motivated by sincere admiration for the subject and her music; McAnuff reportedly had been in conversation with Summer about directing&nbsp;Ordinary Girl, a bio-musical she was developing in her final years, based on her memoir. But the shallowness with which the creative team treats her story is staggering, stringing together dialogue so trite — "Daddy was strict. Loving, but strict," "Turned out free love wasn't so free" — that it trivializes her personal and professional lives with equal efficiency." David Rooney for Hollywood Reporter"The song lyrics, not the spoken dialogue, are what matter in this show. The lyrics of disco are the language of the late 70s and early 80s — manic, druggy, desperate for a good time. Summer and her music gave voice to that desperate, fearful, wonderful time when no one knew what was coming next, when everyone was determined to dance their fears away before the sun comes up and the "Last Dance" is over." Marilyn Stasio for VarietyExternal links to full reviews from popular press...<a href="https://www.nytimes.com/2018/04/23/theater/review-summer-the-donna-summer-musical-broadway.html" target="_blank">New York Times</a>&nbsp;- <a href="http://beta.nydailynews.com/entertainment/theater-arts/summer-review-donna-summer-biomusical-drops-disco-ball-article-1.3949934" target="_blank">New York Daily News</a> -&nbsp;<a href="https://www.timeout.com/newyork/theater/summer-donna-summer-musical-review" target="_blank">Time Out</a>&nbsp;- <a href="https://www.hollywoodreporter.com/review/summer-donna-summer-musical-theater-review-1105049" target="_blank">Hollywood Reporter</a>&nbsp;- <a href="http://variety.com/2018/legit/reviews/summer-review-donna-summer-musical-broadway-1202782604/" target="_blank">Variety</a>

Review of Summer: The Donna Summer Musical on Broadway

**Lunt-Fontanne Theatre** is one of the most prestigious theatrical venues in New York. Located at 205 West 46th Street in the heart of Manhattan, it's a place where countless iconic performances took place. Opened originally as the Globe Theatre in 1910, it was renamed in honor of Alfred Lunt and Lynn Fontanne in 1958. The theatre, with its eye-catching architecture and rich history, has a seating capacity of nearly 1,500. Being a centenarian venue, it has been through several renovations, but each time it retained its look of classical elegance. Many notable Broadway productions have played at the theatre, predominantly musicals. Impressive frescoes, luxurious red seats, mesmerizing ambient lighting, coupled with state of the art audio-visual elements, create an unforgettable experience. With each performance, audiences are enveloped in an atmosphere of grandeur and majesty, a testament to the theatre's legendary status.

**Getting to Lunt-Fontanne Theatre**: Conveniently situated in Manhattan, the theatre is easily accessible by mass transit. One recommended way is by subway; guests can take the N, Q, R, W, J or Z trains to 42nd Street, Times Square. From that point, it's just a short walk to reach the venue.

Lunt-Fontanne Theatre - NY

Lunt-Fontanne Theatre

The Lunt-Fontanne Theatre, located at 205 West 46th Street in Manhattan, is a historic Broadway theatre venue with a seating capacity of nearly 1,500.

Ariana DeBose to star in 'The Baker's Wife' off Broadway

Subscribe to our newsletter to unlock exclusive New York theatre updates!