Tickets are on sale now for freestyle love supreme at the Booth Theatre on Broadway.
freestyle love supreme heads to the Great White Way, having played a sold-out limited engagement at Off-Broadway's Greenwich House Theater from January to March 2019.
FLS is a high-energy show that is a blend of hip-hop, improvisational theater, music, and vocal stylings, all backed by live music from keyboards and beats. The concept began its life at Weslayan University in Middletown, Connecticut, as a hip hop comedy troupe. It was originally conceived by Hamilton creator Lin-Manuel Miranda and director Thomas Kail, alongside Anthony Veneziale.
Veneziale (aka Two-Touch) is still a full-time member of the troupe, which is also currently comprised of Andrew Bancroft (aka Jelly Donut), Arthur Lewis (aka Arthur The Geniuses), Bill Sherman (aka King Sherman), Chris Sullivan (aka Shockwave), and Utkarsh Ambudkar (aka UTK), but a plethora of guest appearances have been promised sporadically throughout the Broadway run, including Hamilton favorites such as Tony Award nominee Christopher Jackson, Tony Award winner James Monroe Iglehart, Tony Award winner Daveed Diggs, and even Lin-Manuel Miranda himself.
freestyle love supreme might well be the most unique trip to the theatre during the 2019-2020 Broadway season, encouraging audience participation and boasting improvisational skills that are second to none. And after all, it's not often you get to hear beatboxing on the Great White Way, so why not drop everything and head down to the Booth Theatre as FLS drops the beat?!
(Photos by Joan Marcus)
13 images freestyle love supreme features six talented performers providing non-stop action throughout this fast-paced evening, spinning cues from the audience into humorous bits, instantaneous songs and riffs, and fully realized musical numbers. The electrifying vocals of the performers – from singing to rapping to beat-boxing with harmonies and freestyle flow – are backed by tight tunes from keyboards and human percussion.
From humble beginnings in Weslayan University in Middletown, Connecticut, to the bright lights of Broadway! The hip-hop improv group known as freestyle love supreme was co-created in 2003 by Hamilton mastermind Lin-Manuel Miranda and director Thomas Kail, alongside current member Anthony Veneziale.
Producers of the Broadway premiere of freestyle love supreme have added an additional four performances for the Broadway run, taking place at 7pm on the following Wednesday evenings: November 13, November 20, December 4, and December 18. Conceived by Lin-Manuel Miranda, Thomas Kail and Anthony Veneziale, freestyle love supreme began previews at the Booth Theatre on September 13, ahead of an official opening on October 2 (read our 4* review) and a 16-week limited engagement through January 5, 2020.
Have you had a chance to experience the most hip improvisational show in New York City yet? Co-created by the Hamilton mastermind Lin-Manuel Miranda and Hamilton director Thomas Kail, alongside current cast member Anthony Veneziale, freestyle love supreme continues to provide lovely (and supreme) freestyle flow at the Booth Theatre on Broadway through January 5, 2020.
Drop the mic... and enjoy these brand new production photos! Producers of the Broadway premiere of freestyle love supreme, which began previews at the Booth Theatre on September 13, have now released official photography for the production.
Conceived by Lin-Manuel Miranda, Thomas Kail and Anthony Veneziale, freestyle love supreme begins previews at the Booth Theatre tonight, ahead of an official opening on October 2 and a 16-week limited engagement through January 5, 2020.
Following its limited engagement at Greenwich House Theater earlier this year, Freestyle Love Supreme will receive its Broadway premiere at the Booth Theatre this fall. Conceived by Lin-Manuel Miranda, Thomas Kail and Anthony Veneziale, the musical production combines elements of improvisational theatre and hip-hop, accompanied by a live band. Created in homage to John Coltrane's "A Love Supreme," the show will feature live jazz, soul and blues music.
Improvisational theatre and comedy are long-standing New York traditions. I’ve always held in high esteem artists who create performance sequences, let alone entire shows, with little prepped content. The fiendish difficulty of coming up with material spontaneously is exacerbated by the need for a good show to have some semblance of pace and structure.
