Reasons to see ‘Kimberly Akimbo’ on Broadway

Find out why this critically acclaimed musical, adapted by David Lindsay-Abaire and Jeanine Tesori from Lindsay-Abaire's same-named play, is letter-perfect.

Joe Dziemianowicz
Joe Dziemianowicz

Kimberly Akimbo is unabashedly bittersweet. How could it not be? After all, the musical tells the story of a 16-year-old New Jersey girl with an age-accelerating disorder that’s forced her to face mortality before she’s had a chance to really live.

What makes this show — which won five Tonys, including Best Musical — so distinct and satisfying is the way its creators mined the plot's complexity for such riches and emotional payoffs. They nail the delicate balance between the extremes: what is, well, deadly serious and laugh-out-loud funny. When the stakes are life and death, and nothing less, the rewards can be just as high.

As New York Theatre Guide's critic noted in a five-star review, Kimberly Akimbo is "letter-perfect." Here's why.

The title heroine will have you cheering.

Book writer David Lindsay-Abaire, who won a Tony for this adaptation of his same-named 2001 play, has created a main character for the ages – and the annals of family dysfunction. High schooler Kimberly Levaco isn’t just up against a progeria-like condition that’s maxed out her life expectancy at 16 years, but her family. Dad drinks, Mom is a pregnant hypochondriac, and her aunt is a felony waiting to happen.

Kim is an outsider – and who can’t relate on some level? In that sense, Lindsay-Abaire taps into something universal. And he’s shrewd enough to throw Kimberly a lifeline: a boy who really likes her, exactly as she is.

Kimberly Akimbo’s songs are wall-to-wall delights.

A snippet of the Tony-winning Kimberly Akimbo score by Lindsay-Abaire (lyrics) and Jeanine Tesori (music) runs through my mind on a regular repeat. It’s from “Anagram,” a song about scrambling what’s there to reveal something new. “With a change of perspective,” Kim sings, “nothing’s defective.” In just seven words, there’s something deceptively deep as well as self- and life-affirming.

And that song isn't an outlier; Lindsay-Abaire and Tesori strike rich musical chords throughout the show. Bank on “How to Wash a Check,” an instructional ode to larceny, for a dose of straight-up silliness. “Father Time” delivers unexpected tenderness. “The Inevitable Turn” provides a clear-eyed take on people’s ability to change their spots.

Kimberly Akimbo boasts stellar performances across the board.

Everybody shines bright in director Jessica Stone’s staging. Victoria Clark won a Tony for playing a mother whose daughter has challenges in The Light in the Piazza. Deservedly, she earned one for playing a daughter whose troubles include her parents in Kimberly Akimbo. Clark’s ability to capture the cadence and carriage of a teen feels like theatrical magic – or maybe it’s another instance of Broadway time travel.

Fellow 2023 Tony winner Bonnie Milligan summons powerhouse pipes and a WTF attitude that works wonders as Kim’s con-woman Aunt Deb. Justin Cooley adds a joy jolt as the unlikely guy in Kim’s life, while Steven Boyer and Alli Mauzey are at their best when Kim’s parents are at their worst. All four actors in the ensemble step up — and I literally mean "step" as the in-sync members of Kim's high school's show choir.

Get tickets to Kimberly Akimbo on Broadway.

When all is said and sung, Kimberly Akimbo leaves you thinking about seizing the day. It’s a musical reminder that packs an emotional wallop you don’t see coming. Revel in it!

Photo credit: Kimberly Akimbo on Broadway. (Photo by Joan Marcus)

Frequently asked questions

What is Kimberly Akimbo on Broadway about?

Winner of every Off-Broadway Best Musical award, Kimberly Akimbo is about living every day like it's your last. Teenage Kim, who has a premature aging condition that numbers her days, tries to find happiness when her disease becomes the least of her problems. Find out more about tickets to see this powerful new musical.

Where is Kimberly Akimbo on Broadway playing?

Kimberly Akimbo on Broadway is playing at Booth Theatre. The theatre is located at 222 West 45th Street, New York, 10036.

How long is Kimberly Akimbo on Broadway?

The running time of Kimberly Akimbo on Broadway is 2hr 25min. Incl. 1 intermission.

What's the age requirement for Kimberly Akimbo on Broadway?

The recommended age for Kimberly Akimbo on Broadway is Ages 10+. Children under 4 are not permitted in the theatre..

How do you book tickets for Kimberly Akimbo on Broadway?

Book tickets for Kimberly Akimbo on Broadway on New York Theatre Guide.

Who wrote Kimberly Akimbo?

The Kimberly Akimbo musical is by David Lindsay-Abaire (book and lyrics) and Jeanine Tesori (music). The duo won the Best Book of a Musical and Best Original Score Tony Awards in 2023 for their work. Lindsay-Abaire also wrote the same-named 2000 play the Kimberly Akimbo musical is based on.

Which songs are in Kimberly Akimbo?

The songs in Kimberly Akimbo include "Better," "Make a Wish," "Anagram," "Father Time," and "Great Adventure." Jeanine Tesori wrote the music for the show, and David Lindsay-Abaire wrote the lyrics.

Is Kimberly Akimbo appropriate for kids?

Kimberly Akimbo is recommended for children 10 and older. The show contains brief strong language. Please note that children 4 and younger are not permitted in Broadway theatres.

What is Kimberly Akimbo based on?

Kimberly Akimbo is based on a play, also titled Kimberly Akimbo, by David Lindsay-Abaire. He wrote the play in 2000 and also wrote the book and lyrics for the musical adaptation.

Who directed Kimberly Akimbo?

Jessica Stone directed the Kimberly Akimbo musical both on and off Broadway. The show marked her Broadway directorial debut, and she earned a Tony Award nomination for her work.

Is Kimberly Akimbo good?

Kimberly Akimbo received five Tony Awards, including Best Musical, and near-universal praise from critics. The musical is among the best-reviewed shows on New York Theatre Guide, with the five-star review calling it "polished and endearing" and "letter-perfect."

Originally published on

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