Is Paddington too British for Broadway? That question has been on theatre fans’ lips since before the small bear and his namesake stage show were even confirmed to come from London to NYC. The seven-time Olivier Award-winning Paddington The Musical was all but guaranteed to make the transfer from the moment the title character first stepped on stage in all his adorably furry glory.
I feel qualified to answer this question because, on June 20, I saw the West End production approximately 8 hours after touching down in London for the first time. I’ve never read a Paddington book or seen the movies, and I couldn’t tell Chiswick from Clapham from Covent Garden. My threshold for “too British” is extremely low, so if I could get on board, anyone could.
And I did. It’s no more British than something like Roald Dahl's Matilda, another children’s classic that had a long and successful life as a Broadway musical (and a book, and a movie). The utterly winsome Paddington has every advantage to do the same when it arrives at the Al Hirschfeld Theatre on March 30, not least of all because it’s a new, true family musical, one of few on Broadway alongside the mainstays Wicked and Disney’s Aladdin and The Lion King. Paddington's story is one of adventure and found family, and those themes don't have national borders.
Still, if you want a Paddington primer before you go, we've got you covered. You can check out New York Theatre Guide's complete Paddington FAQ guide for basic info, but here are 8 fun facts and details from my firsthand experience of the show to give you an extra sneak peek. Cheerio!
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