Broadway

[*Prima Facie*](https://www.newyorktheatreguide.com/show/25983-prima-facie-tickets) will host a digital lottery for tickets to its Broadway run, which begins at the [Golden Theatre](https://www.newyorktheatreguide.com/theatres/golden-theatre) on April 11. The strictly limited engagement runs through June 18.

*Prima Facie* will offer 10 lottery tickets to every performance for $10 each, including fees. The lottery is open from midnight to 10 a.m. every Wednesday for the following week's performances. Each person can request up to two tickets.

Winners will be notified by email and/or text once the lottery closes, and they will have five hours to claim their tickets. Additional drawings may be added if availability allows, and the purchase period may vary for those.

*Prima Facie* stars Emmy Award winner [Jodie Comer](https://www.newyorktheatreguide.com/stars-on-stage/jodie-comer) (*Killing Eve*) as Tessa, a sharp young barrister. She has made her career by successfully defending clients accused of serious crimes, but she sees her profession in a new light after experiencing an assault and taking her case to court — during which time she finds it hard to be believed.

Comer originated the role in *Prima Facie*'s London premiere last year and won an Evening Standard Theatre Award for her work. The play is by Suzie Miller, and Justin Martin directs.

Check back for information on *Prima Facie* tickets on New York Theatre Guide.

*Photo credit: Jodie Comer in Prima Facie in London. (Photo by Helen Murray)*

'Prima Facie' to offer Broadway lottery tickets

prima facie-1200.jpg

Prima Facie on Broadway starring Jodie Comer - NYC

Prima Facie on Broadway starring Jodie Comer

Suzie Miller's new play, which stars Emmy Award winner Jodie Comer, will offer 10 tickets to every performance priced at $10 via a digital lottery each week.

No matter how you slice it, roles don’t come meatier or juicier than Sweeney Todd and Mrs. Lovett, the vengeful barber and daft pie baker Stephen Sondheim and Hugh Wheeler cooked up for [*Sweeney Todd: The Demon Barber of Fleet Street*](https://www.newyorktheatreguide.com/show/26216-sweeney-todd-on-broadway-tickets). 

Sweeney Todd and Mrs. Lovett are experts in homicide — and recycling the evidence into pastries for unsuspecting Londoners. With the gorgeous and gory 1979 musical now back on Broadway, [Josh Groban](https://www.newyorktheatreguide.com/stars-on-stage/josh-groban) and [Annaleigh Ashford](https://www.newyorktheatreguide.com/stars-on-stage/annaleigh-ashford) are the latest celebrated duo to join the Society of the Razor and Rolling Pin (our unofficial name).

It’s an association filled with Tony and Oscar winners, a Sir, a Dame, and (fittingly) a former Scissorhands. Look back on all the stars baked into the history of *Sweeney Todd*, including familiar faces in supporting parts alongside the leads.

Get *Sweeney Todd* tickets now.

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![lansbury sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/6HKxTJnCuIUKaBsfOhXzVS/e042703690902fc2456c166ce0c5481b/lansbury_sweeney-1200x600-NYTG.jpg)

## 1979: Len Cariou and Angela Lansbury

They’re the original deadly duo, and they each won a Tony for their peerless star turns. Before slicing and dicing as the demon barber, Cariou notched Tony nods for the musicals *Applause* and *A Little Night Music*. Lansbury had already won Tonys for *Mame*, *Dear World*, and *Gypsy* before wigging out as Mrs. Lovett. Doubtless the role informed her work on *Murder, She Wrote*.

![loudon sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/5kT5p2o2n1v9GN1njHvBRb/603568dc09e895d54a99b9e4c996bd0c/loudon_sweeney-1200x600-NYTG.jpg)

## 1980: George Hearn and Dorothy Loudon

Hearn, who stars in the filmed Broadway production of *Sweeney Todd* opposite Lansbury, and Loudon joined the cast in March 1980. He’d racked up five previous Broadway credits. Loudon, a comedian who could pour on the pathos, won a Tony as the horrible Miss Hannigan in *Annie* before replacing Lansbury as Lovett.

![quilley sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/D6Lwy8vDKYlN3c8pHuCM8/be612b671c6c807cc1e7aad7302fdad0/quilley_sweeney-1200x600-NYTG.jpg)

## 1980: Dennis Quilley and Sheila Hancock 

The London-set *Sweeney Todd* was bound to hit that city eventually, and it did so with this pair. A member of the Royal Shakespeare Company, Quilley was known for his varied work in plays, musicals, and TV shows. Dame Hancock, an Olivier Award winner for *Cabaret* in 2007, was nominated for the prize five other times, including for her turn as Mrs. Lovett.

![fowler sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/755O04S2NXHn1Bhe2aNa3N/1ce9fbcf1228b96b0d93e515a154c6bd/fowler_sweeney-1200x600-NYTG.jpg)

## 1989: Bob Gunton and Beth Fowler

When *Sweeney Todd* got its first Broadway revival in 1989, Bob Gunton and Beth Fowler had big oven mitts to fill. And they did so, both earning Tony nominations of their own. Known for playing authoritarian figures, Gunton earned a Tony nod as Juan Peron in *Evita* and later made an indelible movie mark as the corrupt warden in *The Shawshank Redemption*. Fowler is best known nowadays for her role in another criminal story: as Sister Jane Ingalls on the TV series *Orange Is the New Black*.

![lupone sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/1wBOBx6WUE6ozZytPnoz6q/6d2eb526b3b75778a5af01f32d1eb297/lupone_sweeney-1200x600-NYTG.jpg)

## 2005: Michael Cerveris and Patti LuPone 

English director John Doyle’s stripped-back Broadway revival began in London in 2004. Here, actors doubled as musicians — including its Tony-nominated leads. Cerveris, who won Tonys for *Assassins* and *Fun Home*, was a guitar-strumming Sweeney. [LuPone](https://www.newyorktheatreguide.com/stars-on-stage/patti-lupone), a theatre supernova with Tonys for *Evita*, *Gypsy*, and *Company*, tooted the tuba as Nellie Lovett. Manoel Felciano, now in the first Broadway revival of [*Parade*](https://www.newyorktheatreguide.com/show/26500-parade), also scored a Tony nod as the young apprentice Tobias. 

![depp sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/6xAfk3nKMEDh5kfF5pXRaF/b6b9326962074f34794edb97f99649d6/depp_sweeney-1200x600-NYTG.jpg)

## 2007: Johnny Depp and Helena Bonham Carter

How about a shave? Depp’s previous work as Edward Scissorhands may have prepared him for his cinematic role as the barber bent on vengeance for his lost wife and daughter. Carter’s off-kilter edge served her well as Lovett. Director Tim Burton’s movie also included Alan Rickman as the merciless Judge Turpin and Sacha Baron Cohen as the cartoony con man Pirelli. 

![staunton sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/44uGHtTyqfijwEA8ytP4fE/8e48ce4e0f13c85bb4897bb04b3eecf9/staunton_sweeney-1200x600-NYTG.jpg)

## 2012: Michael Ball and Imelda Staunton

Ball, a British stage star known for *Aspects of Love* and *The Woman in White* on Broadway, and *Vera Drake* Oscar nominee Staunton, played the demon barber and daft baker for six months in London's West End. The show first had a hit run at the Chichester Festival Theatre in the fall of 2011.

![thompson sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2KIMvtHUbTvhp70KVHUXkx/a047e84657f40f9e8a3093fe8feb2170/thompson_sweeney-1200x600-NYTG.jpg)

## 2014: Bryn Terfel and Emma Thompson

Clutching a rolling pin with a glint in her eye, Thompson proved in her New York stage debut that, yes, the *Sense and Sensibility* and *Howards End* Oscar winner sings! Ditto Sir Terfel, a Welsh opera star famous for wrapping his burly voice around Mozart, Strauss, and Wagner. They starred in a NY Philharmonic concert production of *Sweeney Todd* and reprised their roles a year later at the London Coliseum.

But they were far from the only stars in the New York staging. [Audra McDonald](https://www.newyorktheatreguide.com/stars-on-stage/audra-mcdonald) popped up as the Beggar Woman, [*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets)’s [Christian Borle](https://www.newyorktheatreguide.com/stars-on-stage/christian-borle) played Pirelli, and Jay Armstrong Johnson, now in *Parade*, was the lovestruck Anthony. 

![siobhan sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/6aDN0Bso2t2lNyye2GDXRj/78466c43dc74a1cd0c8b659230d22903/siobhan_sweeney-1200x600-NYTG.jpg)

## 2017: Jeremy Secomb and Siobhán McCarthy

In this site-specific Off-Broadway production, British stage stars Secomb and McCarthy reprised their lead roles from a London premiere. Audiences watched the musical at a working pie shop, where savory pastries (filled with veggies or chicken, not priest or poet) were served. Norm Lewis and [*Bad Cinderella*](https://www.newyorktheatreguide.com/show/26514-bad-cinderella-tickets)’s Carolee Carmello later took over the leads in the production

Fun fact: Australian actor Jamie Jackson played Judge Turpin in that production, and he now reprises the role in the 2023 Broadway revival.

![chenoweth sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2mFHdF7Hkj5cEKTEhAPJ9M/088dccc93e43a80efc7e5583b486bc92/chenoweth_sweeney-1200x600-NYTG.png)

## 2023: Alan Cumming and Kristin Chenoweth

The first season of the Apple TV+ series *Schmigadoon!* spoofed a bunch of Golden Age Broadway musicals, and its second season focuses on the darker fare of the '70s. Think *Cabaret*, [*Chicago*](https://www.newyorktheatreguide.com/show/22-chicago-tickets) — and, of course, *Sweeney Todd*. Alan Cumming and Kristin Chenoweth's respective characters might be named Dooley Flint and Miss Codwell, but they're clear stand-ins for the barber and baker. Chenoweth even sports a Lansbury-esque hairdo to prove it.

Cumming and Chenoweth are both stage and screen vets, and Tony-winning ones at that. Cumming won for playing the Emcee in *Cabaret*, and Chenoweth won for playing Sally in *You're a Good Man, Charlie Brown*, though she remains best known for originating the role of Glinda in [*Wicked*](https://www.newyorktheatreguide.com/show/1-wicked-musical-tickets).

![sweeney review-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/3rVANXw8DFw6wLUXEZCyYt/46bf4b5acc3c9ac6949ce42654c9b5a8/sweeney_review-1200x600-NYTG.jpg)

## 2023: Josh Groban and Annaleigh Ashford 

[Groban](https://www.newyorktheatreguide.com/stars-on-stage/josh-groban) is a singing sensation behind hits like “You Raise Me Up,” but he's proven his versatility: His Broadway debut in *Natasha, Pierre & the Great Comet of 1812*, earned him a Tony nomination.

[Ashford](https://www.newyorktheatreguide.com/stars-on-stage/annaleigh-ashford), a comedic whiz, won a Tony for *You Can’t Take It With You* and headlined the CBS sitcom *B Positive*. They “deliver exactly what they’re best at,” reads New York Theatre Guide’s four-star review.

This revival also features *Stranger Things* star Gaten Matarazzo as Tobias and *The King and I* Tony winner Ruthie Ann Miles as the mysterious Beggar Woman. This starry cast's deliciously dark singing and acting will leave you saying, "God, that's good!"

Get *Sweeney Todd* tickets now.

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Celebrities who have starred in 'Sweeney Todd' on Broadway and beyond

celebs sweeney-1200x600-NYTG

Sweeney Todd on Broadway - NYC

Sweeney Todd on Broadway

Stars of stage and screen have lined up to play the deliciously dastardly barber and baker in Stephen Sondheim's musical, now in its third Broadway revival.

If you can make theatre there, you can make it anywhere. There’s a story on every corner in New York, so it’s hardly a surprise that this multifaceted, multicultural metropolis is the setting for so many plays and musicals. That’s always been the case. Tales of New York as diverse as the city itself and can be found in everything from *Wonderful Town* to *Hair* to *In the Heights*.

And the New York City shows keep on coming. Kander and Ebb’s [*New York, New York*](https://www.newyorktheatreguide.com/show/26043-new-york-new-york-tickets) is the latest Broadway show that unfolds on the streets of NYC. The musical announces its location right there in the title: a town so nice (and flowing with creative juice), they named it twice.

*New York, New York* joins a host of other current and upcoming shows with the same address. Together, they paint a diverse portrait of New York past and present. Read on to discover all the New York-set shows you can see now, and then come on, come through to see them in the city where they belong.

Get tickets to a Broadway show on New York Theatre Guide.

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## *New York, New York*

NYC was abuzz with optimism and opportunities after World War II – a fitting setting for a story about young people looking to make their mark. Loosely based on the 1977 Martin Scorsese film about a pair of aspiring performers, the show features a new story by David Thompson and Sharon Washington that expands the field of characters.

The show does, however, preserve John Kander and Fred Ebb hits from the film, including the famous title tune and “And the World Goes Round.” New songs by Kander and Lin-Manuel Miranda also appear in the show. 

Get *New York, New York* tickets now.

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## *Hamilton*

Lin-Manuel Miranda’s Tony- and Pulitzer Prize-winning musical covers the life and times of Alexander Hamilton, the nation’s Founding Father who gazes at you from $10 bills. Early on, the show celebrates NYC as Hamilton’s future wife, Eliza Schuyler, steps on stage with her sisters. They sing, “History is happening in Manhattan, and we just happen to be in the greatest city in the world.”

Get *Hamilton* tickets now.

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## *Funny Girl*

NYC is the center of the showbiz galaxy, which sets the scene for this rags-to-riches-to-reach-for-tissues story of vaudeville star Fanny Brice, a role originated by Barbra Streisand in 1964 and now played by [Lea Michele](https://www.newyorktheatreguide.com/stars-on-stage/lea-michele). 

The show by Jule Styne (music), Bob Merrill (lyrics), and Isobel Lennart, whose book has been revised by Harvey Fierstein, unfolds in and around New York before and after World War I. We follow Fanny from humble roots to her rise as a queen of the Ziegfeld Follies to brief marital bliss. Like Brice’s life, her city bursts with wall-to-wall drama. 

Get *Funny Girl* tickets now.

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## *Bob Fosse’s Dancin'*

New York City is drenched in history, and not all of it is postcard-pretty. In this dance revue revival celebrating legendary choreographer Bob Fosse, one vignette, "Big City Mime," summons the seedier 1970-80s era of NYC. The action is situated in Times Square near Port Authority, where arriving and departing passengers, tourists, sex workers, and passersby take in the colorful vibe. “The big city offers you… pleasure, gaiety, art, new experiences, adventure,” voices say. “Nowhere else can this be found except in the big city.”

The rest of the dance numbers in this show aren't set in the city, but in a way, the whole show celebrates [Fosse's mark on Broadway](https://www.newyorktheatreguide.com/theatre-news/news/what-to-know-about-the-legendary-namesake-of-bob-fosses-dancin-on-broadway), which lives on in musicals like [*Chicago*](https://www.newyorktheatreguide.com/show/22-chicago-tickets).

Get *Bob Fosse’s Dancin’* tickets now.

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## *A Beautiful Noise, The Neil Diamond Musical*

This bio-musical about pop superstar Neil Diamond weaves in more than 25 tunes from his catalog – and New York City is all over them. “Well, I’m New York City born and raised,” an older Diamond, played by Mark Jacoby, sings while performing “I Am... I Said.”

We see a young Diamond, played by Will Swenson, recall writing songs as a 15-year-old kid in Flatbush, Brooklyn. Later, he breaks through at the Bitter End music club in the West Village.

Get *A Beautiful Noise* tickets now.

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## *Good Night, Oscar*

The television industry has deep roots in NYC, and that figures significantly in this play by Doug Wright starring Sean Hayes. The action takes place in 1958, when pianist and author Oscar Levant first appeared on *Tonight Starring Jack Paar*. Levant’s sharp wit and unfiltered take on his personal issues made him magnetic to audiences.

Levant had his own strong connection to Broadway: He conducted orchestras,  wrote music for various shows, and was a close friend of iconic Broadway composer George Gershwin.

[Check back for information on *Good Night, Oscar* tickets on New York Theatre Guide.](https://www.newyorktheatreguide.com/show/26390-good-night-oscar-tickets)

## *Merrily We Roll Along*

Big city, big dreamers. Three New York artists with grand plans for the future form the core of Stephen Sondheim and George Furth’s 1981 bittersweet musical, returning to Broadway for the first time beginning September 19. Told in reverse order, the show begins in mid-1970s Los Angeles and rewinds two decades, when Frank (Jonathan Groff), Charley ([Daniel Radcliffe](https://www.newyorktheatreguide.com/stars-on-stage/daniel-radcliffe)), and Mary (Lindsay Mendez) meet. They envision the future while on an NYC apartment building rooftop — before their ambitions and friendship fall apart.

Get *Merrily We Roll Along* tickets now. 

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## Anthony Rapp's *Without You*

Jonathan Larson’s groundbreaking Tony and Pulitzer Prize winner *Rent* is a New York musical through and through. That show tells the story of bohemian East Village artists living through the AIDS crisis, and it began at [New York Theatre Workshop](https://www.newyorktheatreguide.com/theatres/new-york-theatre-workshop) in the same neighborhood before going to Broadway and across the globe.

Anthony Rapp, who originated *Rent*'s role of aspiring filmmaker Mark Cohen, went from slinging coffee to starring on Broadway. He recalls the life-changing experience, the tragic death of Larson, and his own mom’s death in this one-man theatrical memoir featuring *Rent* music and his own tunes. 

Get *Without You* tickets now.

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## *Days of Wine and Roses*

The creators and a star of *The Light in the Piazza* reunite for a story streaked with darkness. A hard-drinking couple played by [Kelli O’Hara](https://www.newyorktheatreguide.com/stars-on-stage/kelli-ohara) and Brian d’Arcy James battle for sobriety in 1950s New York. Composer-lyricist Adam Guettel and writer Craig Lucas adapted the show from JP Miller’s 1962 film, which was set in San Francisco, and original 1958 teleplay. Michael Greif directs the [Atlantic Theater Company](https://www.newyorktheatreguide.com/theatres/linda-gross-theater) world premiere beginning May 5. 

[Check back for information on *Days of Wine and Roses* tickets on New York Theatre Guide.](https://www.newyorktheatreguide.com/show/27504-days-of-wine-and-roses-tickets)

## *I Can Get It For You Wholesale*

New York neighborhoods are their own little worlds. The Garment District in 1937 is the backdrop for this musical comedy about an ambitious shipping clerk clawing his way to the top of the industry. Jerome Weidman wrote the show’s book, based on his novel, and the songs are by Harold Rome. Trip Cullman directs this [Classic Stage Company](https://www.newyorktheatreguide.com/theatres/classic-stage-company) production starring Santino Fontana and Judy Kuhn that begins this fall.

Check back for information on *I Can Get It For You Wholesale* tickets on New York Theatre Guide.

Tour the city with these Broadway shows set in New York

new york, new york-1200x600-NYTG

From *Hamilton* to *Funny Girl* to *New York, New York*, these shows aren't just performed here — they tell real and fictional stories of NYC past and present.

Spring has officially sprung, and theatre openings have officially sprung into high gear with it. With the Tony Awards just a few months away, tons of new plays, new musicals, and revivals are opening in the hopes of soon getting honored as the year's best theatre. There couldn't be a better month for the height of the theatre season: Children go on spring break, meaning it's the perfect time for a family theatre outing, even if you're traveling to New York. And with the weather getting warmer, you can take yourself or your friends to the theatre without having to brave the cold.

But even though there are plenty of people flocking to Broadway in the spring, there are still plenty of Broadway tickets available this spring. With so many shows going on, there's something for everyone, from classic musicals and plays to adventurous stand-up comedy to burlesque.

Read on to learn about the Broadway and Off-Broadway theatre opening in April. Many shows that started up last month have their official opening nights in April and continue performances through the month, so check out our list of New York theatre in March for even more shows to see this spring.

## Broadway shows in April

April is one of the busiest months of the Broadway season. It almost seems like there's a new Broadway show opening every day. That's not quite true, but there are enough new shows — including [shows from March](https://www.newyorktheatreguide.com/theatre-news/news/new-york-theatre-to-see-in-march) that officially open in April — that you can go to the theatre twice a week and not see the same premiere twice. Check out the Broadway shows gearing up in April.

Get tickets to a Broadway show on New York Theatre Guide.

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### *Fat Ham*

Revenge is a dish best served with barbecue sauce in this Pulitzer Prize-winning comedy. Playwright James Ijames flips the story of *Hamlet* on its head, setting the action at a lively cookout where Black, queer college kid Juicy hesitates to avenge his father with murder — but what's the alternative?

Get *Fat Ham* tickets now.

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### *Summer, 1976*

[Laura Linney](https://www.newyorktheatreguide.com/stars-on-stage/laura-linney) and Jessica Hecht make a perfect pair in this new play by Pulitzer Prize winner David Auburn. As the U.S. celebrates its Bicentennial, two women in Ohio form an unlikely bond and help each other navigate motherhood, ambition, and intimacy.

Get *Summer, 1976* tickets now.

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### *New York, New York*

Feel like you're king of the hill and top of the heap at this new mega-musical featuring music by Kander and Ebb, along with Lin-Manuel Miranda. *New York, New York* expands the story of Martin Scorsese's same-named film, spotlighting a group of young artists trying to make it big in a thriving city.

Get *New York, New York* tickets now.

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### *Good Night, Oscar*

Sean Hayes transforms into witty pianist Oscar Levant in this new dark comedy. On his first appearance on *Tonight Starring Jack Paar* in 1958, Levant changed the rules of live television forever by turning his personal struggles into sharp, shocking humor. Now, Broadway audiences get to relive that singular night at *Good Night, Oscar*. 

[Check back for information on *Good Night, Oscar* tickets on New York Theatre Guide.](https://www.newyorktheatreguide.com/show/26390-good-night-oscar-tickets)

### *Prima Facie*

Emmy Award winner Jodie Comer made an explosive London stage debut with this new solo play, and she's bringing her tour-de-force performance stateside for her Broadway debut. Witness Comer as Tessa, a brilliant defense lawyer who sees her career in a newly eye-opening light after bringing an assault case of her own to court.

[Check back for information on *Prima Facie* tickets on New York Theatre Guide.](https://www.newyorktheatreguide.com/show/25983-prima-facie-tickets)

## Off-Broadway shows in April

Don't forget about Off-Broadway shows amid all the April Broadway openings! This month's Off-Broadway theatre includes a lively new musical, stand-up comedy, a sinfully spectacular variety show, and so much more. If you're looking for a different experience than seeing a traditional play or musical on a Broadway stage, check out these Off-Broadway shows in April.

Get tickets to an Off-Broadway show on New York Theatre Guide.

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### *White Girl in Danger*

Soap operas meet satire in this new musical from *A Strange Loop* award winner Michael R. Jackson. In the soap opera town of Allwhite, white characters are the stars while everyone else remains in the "Blackground" — until Keesha decides to change that. But hijacking someone else's story doesn't go smoothly, inviting plenty of chaos and pointed questions about representation.

Get *White Girl in Danger* tickets now.

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### *Regretfully, So the Birds Are*

Three adopted siblings want to find their parents, stability, and themselves — which is a lot harder than normal when their current family is plagued by incest, murder, and arson counts. This tragicomic farce explores the dark side of self-discovery with an all-Asian cast, writer, and director.

Get *Regretfully, So the Birds Are* tickets now.

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### *Plays for the Plague Year*

Suzan-Lori Parks's theatrical concert born of the pandemic got shuttered last fall, but it returns for a limited spring engagement at The Public Theater. Parks returns to perform as the Writer, who wrote a play every day when Covid-19 first hit. Through these plays, combined into one story and told with music and speech through the lens of one family, she offers insight into the collective grief, hardship, change, and healing humanity experienced.

Get *Plays for the Plague Year* tickets now.

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### *shadow/land*

Erika Dickerson-Despenza premiered this show as an audio play in 2021, and it gets its live premiere at the Public this spring. On the eve of Hurricane Katrina's arrival in New Orleans, a mother struggles to let go of her family business, even though it's almost certain to be destroyed. This generational drama sees her and her daughter grapple with how to preserve one's culture and history.

Get *Seven Sins* tickets now.

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### *Sorry for Your Loss*

Ten years after suffering the unspeakable loss of his daughter, Michael Cruz Kayne tweeted about it — and received over 140,000 messages of support. They inspired him to write *Sorry for Your Loss*, a comedy show about the silliness of everyday life in the face of grief, and a platitude-free show of outreach to anyone who's experienced loss.

Get *Sorry for Your Loss* tickets now.

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### *Seven Sins*

Company XIV's sinfully spectacular show is back at Théâtre XIV after a hit run last year. Burlesque dance, circus performance, and music bring to life a lush paradise inspired by the Garden of Eden, as well as humanity's fall from grace as they give in to the seven deadly sins. Cocktails and treats are also on offer during the show, letting audiences indulge their own guilty pleasures.

Get *Seven Sins* tickets now.

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Top theatre to see in New York in April

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Discover our top picks for Broadway shows and Off-Broadway shows to see this month, including new shows premiering and last-chance shows closing this month.

Top theatre to see in New York in April | New York Theatre Guide

Here are our top picks of theatre to check out in April 2023.

We've been expecting them. The new play [*Grey House*](https://www.newyorktheatreguide.com/show/27836-grey-house-tickets) has set its complete cast and creative team ahead of its Broadway premiere, which begins April 29 at the [Lyceum Theatre](https://www.newyorktheatreguide.com/theatres/lyceum-theatre-ny).

Levi Holloway's horror play made its world premiere in Chicago to acclaim in 2019. The show follows a couple stranded in the mountains who shelter at a cabin, but their surroundings — and hosts — get creepier as days go by and they realize they're trapped.

## Who is in the *Grey House* Broadway cast?

Newly announced *Grey House* cast members include Cyndi Coyne as The Ancient, Colby Kipnes as Squirrel, Alyssa Emily Marvin as A1656, and Eamon Patrick O’Connell as The Boy.

They join [previously announced cast members](https://www.newyorktheatreguide.com/theatre-news/news/laurie-metcalf-to-star-in-new-play-grey-house-on-broadway) Laurie Metcalf as Raleigh, Tatiana Maslany as Max, Paul Sparks as Henry, Sophia Anne Caruso as Marlow, and Millicent Simmonds as Bernie.

Additionally, Andrew Morrill joins the creative team as director of artistic sign language. The production is headed by two-time Tony Award-winning director Joe Mantello.

Check back for information on *Grey House* tickets on New York Theatre Guide.

'Grey House' sets complete Broadway cast, joining Laurie Metcalf

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Grey House starring Laurie Metcalf on Broadway - NYC

Grey House starring Laurie Metcalf on Broadway

Find out who is joining the company of this new horror play by Levi Holloway, which begins New York performances at the Lyceum Theatre on April 29.

It's a hit! [*Merrily We Roll Along*](https://www.newyorktheatreguide.com/show/27417-merrily-we-roll-along-tickets)'s first Broadway revival will begin performances at the [Hudson Theatre](https://www.newyorktheatreguide.com/theatres/hudson-theatre) on September 19, and tickets are available now. Get *Merrily We Roll Along* tickets on New York Theatre Guide.

Jonathan Groff, [Daniel Radcliffe](https://www.newyorktheatreguide.com/stars-on-stage/daniel-radcliffe), and Lindsay Mendez star in *Merrily We Roll Along* as Frank, Charley, and Mary, a trio of friends whose bond fractures over the course of 20 years. The story of how fame and money break them apart is told in reverse chronological order.

The starry trio reprise their roles from a critically acclaimed 2022 Off-Broadway revival of the musical at New York Theatre Workshop, directed by Maria Friedman. [New York Theatre Guide's four-star review](https://www.newyorktheatreguide.com/reviews/merrily-we-roll-along-off-broadway-review-jonathan-groff-daniel-radcliffe-lindsay-mendez) calls the production "stirring" and reads, "The story’s consideration of the fragility of friendships stands out."

Stephen Sondheim and George Furth's musical hasn't appeared on Broadway since 1981. A flop at the time, the show has since [underwent numerous revisions](https://www.newyorktheatreguide.com/theatre-news/news/everything-you-need-to-know-about-merrily-we-roll-along-on-broadway) and become a celebrated classic featuring some of Sondheim's most famous songs, including "Not a Day Goes By" and "Good Thing Going."

*Merrily We Roll Along* Broadway tickets are available for the musical's limited 18-week engagement.

Get *Merrily We Roll Along* tickets now.

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'Merrily We Roll Along' Broadway tickets on sale now

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Merrily We Roll Along on Broadway - NYC

Merrily We Roll Along on Broadway

The first Broadway revival of Stephen Sondheim's classic musical will star Jonathan Groff, Daniel Radcliffe, and Lindsay Mendez for a limited time only.

They're the best pics in London! New photos have been released of the latest Broadway revival of [*Sweeney Todd*](https://www.newyorktheatreguide.com/show/26216-sweeney-todd-on-broadway-tickets), which officially opens March 26 at the [Lunt-Fontanne Theatre](https://www.newyorktheatreguide.com/theatres/lunt-fontanne-theatre).

Tony and Grammy Award nominee [Josh Groban](https://www.newyorktheatreguide.com/stars-on-stage/josh-groban) stars in the title role of Stephen Sondheim and Hugh Wheeler's Tony Award-winning musical classic. Sweeney is a barber bent on revenge against a corrupt judge who destroyed his family — and then some. Aiding him in his bloody quest is Mrs. Lovett (Tony winner [Annaleigh Ashford](https://www.newyorktheatreguide.com/stars-on-stage/annaleigh-ashford)), who minces Sweeney's victims into the tastiest meat pies in the city.

The star-studded cast also features *Stranger Things*'s Gaten Matarazzo as the naive assistant Tobias, Jordan Fisher (*Hamilton*, *Dear Evan Hansen*) as the lovestruck Anthony, and Ruthie Ann Miles (Tony winner for *The King and I*) as the mysterious Beggar Woman. See photos of Groban, Ashford, Matarazzo, Fisher, Miles, and more below, and then get tickets to see their delicious talents live.

Get *Sweeney Todd* tickets now.

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![7 sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/7gzSXonAWlHmzrQwwduBA/552327f1ea1cae3882fcea9649ba1ee8/7_sweeney-1200x600-NYTG.jpg)

![3 sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/5CrPDwrBgYjO8rLuR9YVZU/43973751683e2e1f738a4d2be7dd3acb/3_sweeney-1200x600-NYTG.jpg)

![1 sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/7DwIKQVqkxdzEOWCb0BJiP/f9b42439fb925068ef6e8c8b730038cd/1_sweeney-1200x600-NYTG.jpg)

![9 sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/6fbcrecuYqSxWKaObcLK3x/cf396a687405053cca600347f87399ff/9_sweeney-1200x600-NYTG.jpg)

![5 sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2hBz8HfKK7NBdkO1CfElnR/ef4276f5e924aa84b7ae1b232d28fe8e/5_sweeney-1200x600-NYTG.jpg)

![2 sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/3ZPiIQTLWN0NCommQ1RQff/a184091c5c4c200ce200e4a139f6aaff/2_sweeney-1200x600-NYTG.jpg)

![4 sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/3yg3iI9P4wFinonb5OMceP/86b762bebe08a33e7bf593833cc58727/4_sweeney-1200x600-NYTG.jpg)

![10 sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/5ObLAmnwjYvYyQbR4Xum1w/6253a154ebd043245b1aaa45afe54c1f/10_sweeney-1200x600-NYTG.jpg)

![6 sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/5LT417tbAzw6GDZIk5VVwL/eb3a289381d1e3cff2a40a366531661f/6_sweeney-1200x600-NYTG.jpg)

![8 sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/5d6m9eAI4F4cba33znc9mk/90fae9ace6c029c58d525e5a2f124ca4/8_sweeney-1200x600-NYTG.jpg)

Get *Sweeney Todd* tickets now.

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*Photo credit: Sweeney Todd on Broadway. (Photos by Matthew Murphy and Evan Zimmerman)*

See photos of Josh Groban, Annaleigh Ashford in 'Sweeney Todd' on Broadway

sweeney review-1200x600-NYTG

Take a look at the cast of the latest revival of Stephen Sondheim's classic, bloody musical thriller, currently playing at the Lunt-Fontanne Theatre.

Even if you don't know [*Peter Pan Goes Wrong*](https://www.newyorktheatreguide.com/show/27336-peter-pan-goes-wrong-tickets), you're likely familiar with the first part of that title. The story of the boy from Neverland who wouldn't grow up [first took flight in 1904 as a play by J.M. Barrie](https://www.newyorktheatreguide.com/theatre-news/news/all-the-peter-pan-adaptations-in-broadway-theatre) and continues to shape countless childhoods worldwide. 

In 2013, Mischief Theatre Company — a comedy theatre group led by British writer/performers Jonathan Sayer, Jonathan Lewis, and Henry Shields — followed up the success of their smash hit [*The Play That Goes Wrong*](https://www.newyorktheatreguide.com/show/14790-the-play-that-goes-wrong-tickets) with their own take on that beloved tale. *Peter Pan Goes Wrong* is less of an adaptation and more of a play-within-a-play, as the fictional Cornley University Drama Society is actually putting on *Peter Pan*.

But there’s a key difference: The show gets derailed almost constantly by mile-a-minute slapstick in the form of crumbling sets, forgotten lines, offstage fights, and fly rigs that don't actually lift up the actors.

This physical comedy, plus the globally familiar, family-friendly nature of *Peter Pan*, makes Mischief's show — now premiering on Broadway at the [Barrymore Theatre](https://www.newyorktheatreguide.com/theatres/barrymore-theatre) — a treat for anybody. As performer Fred Gray described the play, "It just feels like you've been hugged."

"The show is pretty much language-independent," added performer Stephen James Anthony. "Folks who may not speak English well or first could probably still enjoy the show."

Hear more from *Peter Pan Goes Wrong*'s cast and creators about even more reasons to join them in Neverland through July 9.

Get *Peter Pan Goes Wrong* tickets now.

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## *Peter Pan Goes Wrong* uses *The Play That Goes Wrong* playbook.

The two shows have the same creator, after all. *Peter Pan Goes Wrong* isn't an official sequel to *The Play That Goes Wrong*, but both center on the same Cornley troupe. Their murder mystery play in *The Play That Goes Wrong* was a bust, but the group decides to give it another go with *Peter Pan*.

"It's rare that you get to go see a different show with the characters that you love from a previous show, even though it's about a totally different plot," said understudy Ryan Vincent Anderson. "You're going get the lovable characters you like [from *The Play That Goes Wrong*], but you're also going to get the absolutely amazing story of *Peter Pan*."

Sure, Cornley's staging still goes awry, in part due to the characters' offstage squabbles: "You get a little bit more of a peek into the relationships going on between the cast of Cornley," Greg Tannahill, who plays Jonathan, explained. "You see... things going wrong and them not dealing with it in the best way, but you also get a little peek at them not dealing with each other in the best way."

Nonetheless, keen fans will notice growth in the familiar characters, like sound board operator Trevor, diva Sandra, and stage manager-turned-actress Annie.

"We've learned some things about how to produce better theatre," said understudy Brenann Stacker, referring to the Cornley troupe. "They're better actors, they're better scenic designers. They're actually growing as human beings."

## The cast members are friends on stage and off.

Multiple *Peter Pan Goes Wrong* actors met at drama school together. Chris Leask and Matt Cavendish — who play Trevor and Max, respectively — were in the same year. Sayer, Shields, and Lewis created Mischief as a group project during their time at university.

Plus, most of the principal cast members worked together on the show's premiere 10 years ago, and others have worked with Mischief in at least one production of *Peter Pan Goes Wrong* or *The Play That Goes Wrong* worldwide.

"It's not just a working relationship. We're all best mates, and we have been for the last 13 years, which is why Mischief came together in the first place," said Leask. "Everyone just enjoyed working together and creating theatre. The charm of Mischief is that we all know each other so well. We all just want to get out [there] every night and have fun and entertain our audience. You can see that relationship on stage between the actors."

In other words, *Peter Pan Goes Wrong* lets the actors goof off with their friends. What could be more fun than that?

## *Peter Pan* is a globally beloved story.

"We've done [*Peter Pan Goes Wrong*] in several different countries, and we keep thinking, how are we going to adapt it for this particular country?" said director Adam Meggio. "And in the end, you don't actually have to do that much with it because it's *Peter Pan*, which is a fairly universal story.

"People tend to know it," he continued. "And even if you don't know it, it doesn't matter, because you get it when you watch it." The nostalgic familiarity of *Peter Pan* and its characters — Peter, Tinkerbell, Wendy, Captain Hook — is a major reason Mischief's version succeeded in multiple countries on both sides of the Atlantic.

## The play is rooted in a popular British theatre form.

"Back in the U.K., we have a big English tradition of the pantomime," Meggio explained. "The grand style of acting, the actor down in the footlights being a villain, puffs of smoke and people appear, old stage magic."

In short, pantomime is just a more exaggerated version of what comedic performing already is. The concept of pantomime may be uniquely British, but its old-fashioned, campy performance style is universal.

That said, the creators made some tweaks for American audiences, mainly vocabulary-wise. "Rather than white spirit, it's paint thinner," Sayer said. Added Shields: "We've changed the word interval to intermission... We also had to change the word polytechnic to university, which is fair because I don't think even British people really know what to call it."

## *Peter Pan Goes Wrong* takes flight — literally.

You can't follow the second star straight on 'till morning on foot. Peter Pan and Tinkerbell must fly, and that's only half the complex stage magic going on in this show. "There's loads of elaborate routines like flying and pirate ships and creating these incredible sets," described Shields. "That really is just fodder for us to tear everything apart."

In other words, expect lots of flying, but in the hands of the clueless Cornley company, expect lots of failed takeoffs and falling, too.

## We all have an inner Peter Pan.

Unlike Peter Pan, we're all growing up whether we like it or not. But at *Peter Pan Goes Wrong*, the actors and audience members can stop the clock for a few hours.

"There's something really universal about not growing up, right?" said Anthony. "Life gets serious and difficult, especially in these past few years, and who doesn't want to go back to a place of childlike wonder and simple pleasures?"

Added Anderson: "Our inner child just withers away sometimes. We kind of have to, to get through life, but then to come to a show like this and just experience childlike joy, it's amazing."

## Everyone loves when things go wrong.

No one likes embarrassing themselves, but when others do it, it's comedy. When asked why this phenomenon is so universal, the *Peter Pan Goes Wrong* cast had quick answers.

"Comedy is mostly about status and status transactions: people thinking that they're better than they are, and then getting their comeuppance and being knocked down a peg or two," Meggio said. "Those sorts of things tend to be very human."

Anthony had just the word: "Schadenfreude. There's something delicious about watching someone get defeated by a prop, or, despite their best efforts to be very respectable, they end up looking like an absolute fool." We might usually feel bad for laughing, but at *Peter Pan Goes Wrong*, it's not only okay, but encouraged.

## The play isn't just funny — it's heartfelt.

Despite facing setbacks at every turn, the actors are determined to make it through their play. *Peter Pan Goes Wrong* sincerely celebrates resilience and teamwork, which one might not expect from a show bursting with gags.

Harry Kershaw, who plays Francis, made this point by comparing *Peter Pan Goes Wrong* to *The Office*. "[In] the English *Office*... the most successful thing that's happened is that Ricky Gervais has told someone to fuck off," he said. "That's the win, whereas the American *Office* ends on a more upbeat note, with Michael Scott being a hero.

"In this show, there's more of a sense of everyone who's managed to finish the show is a hero," Kershaw continued. "There's a wonderful sense of achievement."

That warm feeling, plus all the joy from the comedy leading up to it, makes this trip to Neverland worthwhile.

Get *Peter Pan Goes Wrong* tickets now.

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*Responses have been condensed and edited for length and clarity.*

*Photo credit: Photo credit: The cast of Peter Pan Goes Wrong in London in 2015. (Photo by Alastair Muir)*

Why 'Peter Pan Goes Wrong' has universal comedic appeal

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Peter Pan Goes Wrong on Broadway - NYC

Peter Pan Goes Wrong on Broadway

The show's Broadway cast, many of whom have performed in it or *The Play That Goes Wrong* before, shares what makes this show that goes wrong so hilariously right.

Razzle dazzle us! For 40 years, composer John Kander and lyricist Fred Ebb worked side by side to create a brand of Broadway musicals packed with beauty and biting commentary. Their shows leave you singing and thinking – a case in point is [*Chicago*](https://www.newyorktheatreguide.com/show/22-chicago-tickets), one of the longest-running shows in theatre history. 

The prolific duo is known for collaborations with various writers, directors, and actors, and their Broadway premieres continued even after Ebb’s death at age 76 in 2004. The latest is [*New York, New York*](https://www.newyorktheatreguide.com/show/26043-new-york-new-york-tickets), based loosely on Martin Scorsese’s same-named film, now playing at the [St. James Theatre](https://www.newyorktheatreguide.com/theatres/st-james-theatre). It’s a perfect time to look back through the team’s illustrious career – which includes three Tony Award-winning scores – and all the Kander and Ebb musicals on Broadway.

Get *New York, New York* tickets now.

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Get *Chicago* tickets now.

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## 1965: *Flora, The Red Menace*

Kander and Ebb’s first Broadway collaboration is based on the novel *Love is Just Around the Corner*. Set in Depression-era New York, the romantically and politically charged musical lasted around three months. That was long enough for its star, Liza Minnelli, to win a Tony Award and begin a long collaboration with the pair.

## 1966: *Cabaret*

A ratty club in Germany amid the Third Reich’s rise to power seems an unlikely musical setting, but countless audiences came to the cabaret. Based on Christopher Isherwood’s stories and the play they inspired (John Van Druten’s *I Am A Camera*), the show is a masterwork that earned the duo their first Best Score Tony win.

The musical, directed by Harold Prince, opened in 1966 and ran for nearly three years, later Willkommen-ing audiences back to Broadway in 1987, 2004, and 2014 revivals. Plus, the *Cabaret* film starring Minnelli and Joel Grey, who reprised his Tony-winning role as the emcee, dropped in 1972 and has since become one of the most celebrated movie musicals in history. 

## 1968: *The Happy Time*

This bittersweet show starring Robert Goulet follows a globetrotting photographer who returns to his hometown in Canada to search for something missing in life. It earned Kander and Ebb a Tony nomination for Best Score, and the show’s happy time on Broadway ended after 286 performances. 

## 1968: *Zorba*

Two months after their previous show closed, this dark-streaked musical, adapted from the novel *Zorba the Greek*, launched its 305-performance run. The songwriting duo’s attraction to edgy material continues here, including in the song “Life Is.” It matter-of-factly states that "life is what you do while you’re waiting to die.” The show came back to life in a 1983 revival. 

## 1971: *70, Girls, 70* 

Ebb, who wrote the book and lyrics, and Kander were in a lighter mood for this work about senior citizens who steal and resell furs to finance the rescue of their retirement home. The show opened in April 1971 but made a quick getaway from Broadway, running for only 35 performances.

## 1975: *Chicago* 

Regarding celebrity criminals and the true crime craze, this story of merry man killers Roxie Hart and Velma Kelly – roles originated by Gwen Verdon and Chita Rivera – was way ahead of its time. *Chicago* was up for 11 Tonys, including Best Score and Best Book (co-written by Ebb), but the show went home empty-handed. Nowadays, the six-time Tony-winning 1996 revival is the second longest-running show in Broadway history. 

Get *Chicago* tickets now.

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## 1977: *The Act*

Michelle Craig, a movie-star-turned Las Vegas performer played by Minnelli (who won a Tony), recalls her rocky career moves and romances in this show that opened in October 1977 and ran for 233 performances.

Among the tunes in the Tony-nominated score is “The Money Tree,” in which Michelle wises up about the guy in her life: “The day will come; he’ll come running to me the day the sun turns black and there’s a money tree.”

## 1981: *Woman of the Year*

The duo found creative inspiration for this Lauren Bacall star vehicle in the 1942 Spencer Tracy and Katharine Hepburn comedy about rival reporters falling in and out of love. Bacall sings about that in the witty number “I Wrote the Book,” in which her character notes that she is up on everything – including how to lose a man.

Likewise, Kander and Ebb continued to show they wrote the book on songwriting, winning a Tony for their score. The show opened in March 1981 and closed after 770 performances in just under two years.  

## 1984: *The Rink*

The songwriting team notched another Tony nomination for this score. *The Rink* takes place at a decrepit roller rink, where a mom and daughter (played by Rivera and Minnelli) deal with various challenges, including each other. The show opened in August 1984 and rolled along for 204 performances before calling it a day. 

## 1992: *Kiss of the Spider Woman*

Based on the Manuel Puig novel about a prisoner in Latin America who escapes into a fantasy world, *Kiss of the Spider Woman* was adapted into an Oscar-winning movie before becoming a Tony-winning musical.

Kander and Ebb took home the Best Score Tony, one of seven prizes for the show, including Best Musical and Best Actress for Rivera in the title role. The show opened in May 1993 and had its last kiss in April 1995 after 904 performances.

## 1997: *Steel Pier*

Gritty settings and scenarios become Kander and Ebb. No wonder this show about lost souls in Depression-era Atlantic City appealed to them. Their score got a Tony nomination, but the show ran just 76 performances after its April 1997 premiere.

## 2006: *Curtains*

This backstage murder mystery musical comedy starring David Hyde Pierce opened in March 2007 – making it the duo’s first new show since Ebb’s death – and ran 511 performances. The Tony-nominated score featured “Show People,” an upbeat nod to theatre performers “who live in a world of their own” and who are “born every night at half-hour call.” Write what you know, they say – and Kander and Ebb knew actors.

## 2010: *The Scottsboro Boys* 

“How about a musical about racism, rape, and Jim Crow?” New York Theatre Guide noted in its [four-star review of *The Scottsboro Boys*](https://www.newyorktheatreguide.com/reviews/the-scottsboro-boys-0). It added that “if anyone is going to handle” those topics, it’s Kander and Ebb, who are both credited for music and lyrics in their Tony-nominated score. The story recounts true events from 1931 Alabama, where nine young Black men were accused of raping two white women. The show, directed by Susan Stroman, was framed as a minstrel show, which inspired protests. It ran 49 performances.

## 2015: *The Visit*

A star vehicle for Rivera, this show about a scorned woman who engineers the ultimate revenge on her ex-lover is based on Friedrich Duerrenmatt's 1956 play. The show took 15 years of development to reach Broadway. *The Visit* was up for five Tonys but won none, and the musical closed after 61 performances. 

## 2023: *New York, New York* 

Listen up for Kander and Ebb hits including the title blockbuster and “But the World Goes Round” from Martin Scorsese’s 1977 film. The duo’s songs and the setting — 1946 New York — are the only carryovers from the screen, though. This musical features a new plot about artists seeking success in the city.

*New York, New York* also includes new songs by Kander and Hamilton’s Lin-Manuel Miranda, bridging old and new songwriting talents. You’ll want to be a part of this Kander and Ebb collaboration.

Get *New York, New York* tickets now.

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## Other Kander and Ebb Broadway credits

The above are the musicals the duo created together, but Kander and Ebb songs are so popular that they pop up in plenty of other Broadway shows. These include *Prince of Broadway*, a 2017 tribute to Harold Prince; *Come Fly Away*, a 2010 dance show built around Frank Sinatra hits; and *Liza*, a 1974 concert by Minnelli.

*Photo credit: Chicago on Broadway. (Photo by Jeremy Daniel)*

A history of Kander and Ebb musicals on Broadway

Photo credit: Cast of Chicago (Photo by Jeremy Daniel)

New York, New York on Broadway - NYC

New York, New York on Broadway

John Kander and Fred Ebb are the songwriting duo behind one of Broadway's longest-running shows and many other theatrical classics that often get revived.

Be a part of it! [*New York, New York*](https://www.newyorktheatreguide.com/show/26043-new-york-new-york-tickets) will offer rush and lottery tickets for its Broadway run, which begins performances March 24 at the [St. James Theatre](https://www.newyorktheatreguide.com/theatres/st-james-theatre). Opening night is April 26.

*New York, New York* offers $35 tickets via a digital lottery. Lottery entries are accepted until 10:30 a.m. the day before the performance, and winners are notified by email and text shortly afterward at 11 a.m. Each person can request up to two tickets.

*New York, New York* also offers $30 rush tickets in person at the St. James box office. Rush tickets are available beginning when the box office opens at 10 a.m. each day except Sunday, when it opens at 11 a.m. Each person can purchase up to two tickets for that day's performance. Rush tickets are subject to availability.

Loosely based on the 1977 Martin Scorsese film of the same name, *New York, New York* follows a group of artists trying to make it big in the city in 1946. The show features songs from the film, including the iconic title theme, by John Kander and Fred Ebb. New songs composed for the musical are by Kander and Lin-Manuel Miranda.

Colton Ryan and Anna Uzele star, and five-time Tony Award winner Susan Stroman directs.

Get *New York, New York* tickets now.

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'New York, New York' to offer Broadway lottery and rush tickets

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We can't make this up! The improvisational musical comedy show&nbsp;<a href="https://www.newyorktheatreguide.com/show/freestyle-love-supreme">Freestyle Love Supreme</a>&nbsp;will host a digital lottery beginning with its first performance on October 7. The digital lottery will make a limited number of $25 tickets available for each performance.The show will play the <a href="https://www.newyorktheatreguide.com/theatres/booth-theatre">Booth Theatre</a> until January 2, 2022. This is its second run on Broadway, having played the Booth for the first time in 2019 for a limited run through January 2020.&nbsp;Freestyle Love Supreme&nbsp;earned a special 2020 Tony Award for the original run.In&nbsp;Freestyle Love Supreme, seven company members take the stage and create sketches, comedy bits, songs and riffs, and more from audience suggestions, providing a different show every night. Special guests including FLS co-creator Lin-Manuel Miranda, Christopher Jackson, Daveed Diggs, James Monroe Iglehart, Wayne Brady, and more also appear at select random performances. Thomas Kail, a co-creator of the improv troupe along with&nbsp;Miranda and Anthony Veneziale, directs the production.&nbsp;<a href="https://www.newyorktheatreguide.com/show/freestyle-love-supreme">Get&nbsp;Freestyle Love Supreme&nbsp;tickets now.</a>&nbsp;

'Freestyle Love Supreme' announces digital lottery

Freestyle Love Supreme

From the creators of "Hamilton" and "In the Heights", comes this improv hip-hop musical sensation where every moment is fueled by ingeniously improvised music, laughs, sick beats, and joyful surprises. (14+) 

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freestyle love supreme on Broadway - NYC

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freestyle love supreme on Broadway

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Lin-Manuel Miranda is back with his pre-*Hamilton* sensation. *freestyle love supreme*, the hit 85-minute improv piece created in part by the Tony Award- and Pulitzer Prize-winning writer, is back on Broadway — and Miranda is slated to make occasional surprise appearances. *freestyle love supreme* tickets are on sale now. Get *freestyle love supreme* Broadway tickets. 

For the hip-hop improvised piece, directed by Miranda’s longtime collaborator Thomas Kail, the performers take suggestions from the audience to craft an evening specific to the crowd. And each performance will feature new songs and surprise guests such as frequent *freestyle love supreme* members Christopher Jackson, Daveed Diggs, and James Monroe Iglehart as well as Wayne Brady, Ashley Pérez Flanagan, and more. Give yourself plenty of time to get to *freestyle love supreme* on Broadway at the Booth Theatre because the fun begins before the lights even come down — at “mic check!”

## What to Watch For

- *freestyle love supreme* premiered at the developmental Off-Broadway space Ars Nova in 2004. Miranda, Veneziale, and Kail began to develop the idea when all three were studying at Wesleyan University.
- Collaborators Lin-Manuel Miranda and Thomas Kail said that, back in 2004, it “seemed completely out of the realm of possibility” that the show would ever come to Broadway. 
- The title *freestyle love supreme* is inspired by the John Coltrane jazz suite “A Love Supreme.” 
- Miranda said that *freestyle love supreme* has shaped his writing “more than any other creative endeavor” he’s been a part of. 
- The documentary *We Are freestyle love supreme* charts the show’s genesis and is available to stream on Hulu.

freestyle love supreme on Broadway - NYC - TodayTix

After wowing Broadway audiences in 2019, freestyle love supreme&nbsp;is back.&nbsp;freestyle love supreme&nbsp;is at the <a href="/theatres/booth-theatre">Booth Theatre</a> from October 7 - Jan. 2, 2022. freestyle love supreme&nbsp;tickets are on sale now. Get&nbsp;freestyle love supreme Broadway tickets today.freestyle love supreme&nbsp;is&nbsp;a&nbsp;high-energy show that is a blend of hip-hop, improvisational theater, music, and vocal stylings, all backed by live music from keyboards and beats. The concept began its life at Wesleyan University in Middletown, Connecticut, as a hip hop comedy troupe. It was&nbsp;originally conceived by <a href="/show/hamilton">Hamilton</a>&nbsp;creator Lin-Manuel Miranda and director Thomas Kail, alongside Anthony Veneziale.Veneziale (aka Two-Touch)&nbsp;is still a full-time member of the troupe, joined for the 2021 run by Andrew Bancroft AKA "Jelly Donut;" Tarik Davis AKA "Tardis Hardaway;" Aneesa Folds AKA "Young Nees;" Arthur Lewis AKA "Arthur the Geniuses;" Kaila Mullady AKA "Kaiser Rözé" and&nbsp;Chris Sullivan AKA "Shockwave. A&nbsp;plethora of guest appearances have been promised sporadically throughout the Broadway run, including&nbsp;Hamilton&nbsp;favorites such as Tony Award nominee Christopher Jackson, Tony Award winner James Monroe Iglehart,&nbsp;Tony Award winner Daveed Diggs, and even Lin-Manuel Miranda himself.&nbsp;freestyle love supreme&nbsp;might well be the most unique trip to the theatre during the 2021-2022&nbsp;Broadway season, encouraging audience participation and boasting improvisational skills that are second to none. And after all, it's not often you get to hear beatboxing on the Great White Way, so why not drop everything and head down to the Booth Theatre as freestyle love supreme&nbsp;drops the beat?freestyle love supreme&nbsp;has won a special Tony Award, honoring outstanding performances. <a href="/news-features/american-utopia-freestyle-love-supreme-bac-special-tony-awards">Find out more here</a>.&nbsp;(Photos by Joan Marcus)

freestyle love supreme - NYC - New York Theatre Guide

Improvisational theatre and comedy are long-standing New York traditions. I've always held in high esteem artists who create performance sequences, let alone entire shows, with little prepped content. The fiendish difficulty of coming up with material spontaneously is exacerbated by the need for a good show to have some semblance of pace and structure.Now imagine adding not only a musical, but also a hip-hop element to it. That's <a href="/show/freestyle-love-supreme">freestyle love supreme</a>, taking the crown for the most ambitious "yes-and" in town, currently running a limited engagement at the <a href="/theatres/booth-theatre">Booth Theatre</a> following a sold-out downtown production raved by audience and critic alike.Co-conceived by the incomparable&nbsp;Lin-Manuel Miranda,&nbsp;<a href="/show/hamilton">Hamilton</a>&nbsp;director&nbsp;Thomas Kail and Anthony Veneziale,&nbsp;freestyle love supreme follows improvisational theatre custom by drawing material from its audience, which its animated troupe of performers immediately spin into fully-realized rapped and sung numbers. To this effect, all audience members have their phones locked in a Yondr pouch upon entering the theatre, for maximum engagement, and minimum LuPone.&nbsp;What follows is a seamlessly structured sequence of numbers with building complexity. From a few key words sourced for a quick freestyle to audience anecdotes being turned into mini-operas, freestyle love&nbsp;supreme pushes the boundaries of both improv and music.At the heart of this delightful vichyssoise is the troupe. On Mic 1 is ringmaster and co-creator&nbsp;Anthony Veneziale, charismatic and perpetually on the ball. Mic 2's Utkarsh Ambudkar deftly brandishes a bottomless arsenal of rhymes in perfect cadence. Guest performer&nbsp;Christopher Jackson's soulful vocals added a profound color to the rap's outlines., whilst&nbsp;Aneesa Folds's (of the prestigious "Freestyle Academy") impeccable sense of humor is rivaled by her thunderous intensity on a heavy beat. On instruments, Arthur Lewis and Ian Weinberger effortlessly undertake the daunting task of keeping up with the vocalists. And Chris Sullivan is an astonishing beatboxer whose vocal mechanics are capable of carrying a show on their own.The freestyle numbers, though comedic in nature, were often made topical. Words randomly drawn in the beginning like "eradicate" and "veto" inevitably spawned one or two raps about current political events. A sequence I can only call "Second Chance,"&nbsp;intended to give an audience anecdote a happier ending, ends up with a little harmless didacticism based on the audience member's decisions. More profoundly, a later sequence involved the rappers sharing heartfelt personal anecdotes, touching on themes of self-reflection and institutional racism, which were drawn (and digressed), quite amusingly, from the word "Russia".However, though the audience engagement is a key feature of freestyle love supreme, it can also be its liability. There's always the risk of the audience's base material being hopelessly mundane (especially when extensive accounts are required), despite the best efforts of the performers to spin something of it in the segment. Depending on the night, this can make for some less-than-memorable moments, to no fault of any in the cast, but of the genre's inherent quirks.Ultimately, though, freestyle love supreme is here to spread love and positivity&nbsp;and, packed into a healthy 80 minutes, they are a supremely entertaining avenue for it.<a href="/news-features/freestyle-love-supreme-to-return-to-booth-theatre-this-fall">Freestyle Love Supreme&nbsp;returns to the Booth Theatre in 2021. For more information, read here.</a>(Photo&nbsp;by Joan Marcus)<div class="block block-block contextual-links-region " id="block-block-9"><div class="block-inner clearfix"><div class="block-title"><h2>WHAT THE OTHER CRITICS SAID</h2></div></div></div>"And&nbsp;just as you were thinking that life has no rhyme nor reason these days, along comes&nbsp;Freestyle Love Supreme&nbsp;to pump you full of hope. This exultant&nbsp;master course&nbsp;in the fine art of hip-hop, which opened on Wednesday night at the&nbsp;Booth Theater, suggests that there's no feeling, thought or experience so anxious or so random that it can't be translated into infectious, neon-bright rhythms. Confusion, frustration, depression —&nbsp;such emotions are banished by the team assembled on the stage&nbsp;to&nbsp;find the great, sick beat in your past and present woes." Ben Brantley&nbsp;for <a href="https://www.nytimes.com/2019/10/02/theater/freestyle-love-supreme-review.html" target="_blank">New York Times</a>"Freestyle Love Supreme&nbsp;is a dream of a show: the scheme of a team of thespians from Wesleyan who went with their flow, 16 years ago, to improvise a hip-hop musical. Their act is virtuoso.&nbsp;FLS&nbsp;is a phenomenon, uncommon and on-the-fly—a high wire where performers get by without a guide for the words that pour out from their lips and their lungs (as they try not to trip on the tips of their tongues). Their abilities, their skill and ease, are always impressive, but it's less of a show-off than a love-in with a geek streak. There's a reason&nbsp;FLS&nbsp;is so buzzy: It's not just cool, it's also warm and fuzzy." Adam Feldman for <a href="https://www.timeout.com/newyork/theater/freestyle-love-supreme-review-broadway-lin-manuel-miranda" target="_blank">Time Out New York</a>"With In The Heights&nbsp;and Hamilton,&nbsp;Lin-Manuel Miranda has singlehandedly inspired a youth movement on Broadway. Incorporating rap and hip-hop in shows nowadays is what's poppin, as they say. But you ain't seen nothin' yet. Along comes Freestyle Love Supreme,&nbsp;and Lin-Man is breaking ground yet again." Roma Torre&nbsp;for&nbsp;<a href="https://www.ny1.com/nyc/all-boroughs/news/2019/10/02/freestyle-love-supreme-roma-torre-theater-review-broadway-lin-manuel-miranda-show" target="_blank">NY1</a>"Here's how talented the members of the improvisational hip-hop troupe Freestyle Love Supreme are. At a recent preview performance of their debut Broadway run, the special guest was Lin-Manuel Miranda. And he wasn't even the most impressive performer onstage. Miranda, who co-founded the troupe 15 years ago with director Thomas Kail (Hamilton, FX's&nbsp;Fosse/Verdon) and current member Anthony Veneziale, is but one of several "spontaneous guests" promised for select performances during the limited run, including such fellow&nbsp;Hamilton&nbsp;alumni as Christopher Jackson, Daveed Diggs, Wayne Brady and James Monroe Iglehart. But even if you don't get to see one of those well-known figures, don't worry. This inventive, fast-paced show doesn't need ringers to be wildly entertaining." Frank Scheck&nbsp;for <a href="https://www.hollywoodreporter.com/review/freestyle-love-supreme-theater-review-1244876" target="_blank">Hollywood Reporter</a>"The M.O. at Broadway's&nbsp;Freestyle Love Supreme&nbsp;may be the same as at any improv show — working from suggestions shouted out from the audience — but the members of this eponymous hip-hop ensemble up the ante by taking those audience cues and elevating them with rapid-fire raps, peppered with spoken-word riffs and wrapped in a musicality that would feel right at home at Hamilton." Frank Rizzo&nbsp;for <a href="https://variety.com/2019/legit/reviews/freestyle-love-supreme-review-lin-manuel-miranda-broadway-1203356352/" target="_blank">Variety</a>

Review of freestyle love supreme on Broadway

Chris Sullivan, Christopher Jackson, Anthony Veneziale, Utkarsh Ambudkar & James Monroe Iglehart in freestyle love supreme

Children under 4 are not permitted in the theatre.

Kimberly Akimbo on Broadway - NYC

Kimberly Akimbo on Broadway

The Booth Theatre opened on Oct. 16, 1913, as a back-to-back pairing with the [Shubert Theatre](https://www.newyorktheatreguide.com/theatres/shubert-theatre). It was designed by Henry B. Herts.  he first production at the venue was Arnold Bennett's play *The Great Adventure.*

Named after the actor Edwin Booth, brother to the infamous John Wilkes Booth, the venue was actually the second New York theatre to bear this name. The first was built in 1869 on 23rd Street and 6th Avenue.

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The improvisational show begins performances October 7.

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