Broadway

Happy Pride! Across the world, people celebrate Pride month throughout the month of June, honoring the history of the LGBTQ+ community and celebrating its continued survival. With states nationwide introducing anti-LGBTQ laws, this year's Pride Month is an especially important time to support LGBTQ stories and, in the theatre in particular, celebrate the work of queer artists.

The contributions of LGBTQ+ writers, directors, performers, choreographers, and so much more appear in so many shows on stage this month. All these stories are worth uplifting and celebrating, and most of them happen to be pure fun. Check out these plays and musicals this Pride month — everyone is welcome at these theatres.

![fat ham broadway-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/4ZhzLE1qhWKeFBZZ7t9Zqz/8f9e84ed08ca74fc9b67eb731d1738fd/fat_ham_broadway-1200x600-NYTG.jpg)

## *Fat Ham*

Everyone's invited to this cookout — but only through July 2, when *Fat Ham* ends its limited Broadway run. In his Pulitzer-winning and Tony-nominated play, James Ijames mashes up the classic plot of *Hamlet* with the sensibilities of a modern-day queer Black student, Juicy. Like Hamlet, he's tasked with killing his murderous uncle, but does Juicy really want to kill anyone? Is there another way that doesn't continue the cycle of violence? Is being sensitive and "soft" to such things really that bad?

Ijames, who also [grew up Black and queer in the South](https://www.newyorktheatreguide.com/theatre-news/interviews/james-ijames-shares-the-ingredients-from-his-life-that-make-up-fat-ham), explores these themes with humor, heart, and hot barbecue. Plus, Juicy's not the only character on stage exploring their identity and trying to access their truest self.

Get [*Fat Ham* tickets](https://www.newyorktheatreguide.com/show/27141-fat-ham-tickets) now.

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![3 some like it hot-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2jrcIPZ0ssP6aFpBOPB9U4/af86078c84c12ef262d7289716e3b6f1/3_some_like_it_hot-1200x600-NYTG.jpg)

## *Some Like It Hot*

If you're thirsty for a fresh update to a classic film that celebrates finding your most authentic self, *Some Like It Hot* delivers. Based on the 1959 Marilyn Monroe movie, this musical follows musicians Joe and Jerry as they escape the mob with an all-female traveling band, themselves disguised as women.

For Jerry, their identity as Daphne ends up being the part of themselves they didn't know they truly needed. Among *Some Like It Hot*'s 13 Tony nominations, including Best Musical, is one for [J. Harrison Ghee](https://www.newyorktheatreguide.com/theatre-news/interviews/j-harrison-ghee-contains-multitudes-in-some-like-it-hot-on-broadway). As one of the first non-binary actors to receive a Tony nomination, it means the most to them that "there's so many trans and queer and non-binary people at the stage door who are like, 'I've been struggling, and now I have more language; thank you for this visibility,’” said Ghee.

Get [*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets) tickets now.

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![4 shucked-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2A88TTJg0pds5UEOWzjQde/ef28d6d61e4aa6265901b3dfdae57a25/4_shucked-1200x600-NYTG.jpg)

## *Shucked*

Alongside Ghee in this year's ranks of Tony nominees is Alex Newell, also one of the first non-binary Tony nominees for acting. See them onstage as Lulu in *Shucked*, a "farm-to-fable" about a rural town that learns to embrace the outside world when their beloved corn crop starts dying, and they need to branch out to find help.

*Shucked* also features an all-queer lead creative team: book writer Robert Horn, songwriters Brandy Clark and Shane McAnally, and director Jack O'Brien. They're all 2023 Tony nominees, proving that *Shucked* is nothing short of golden.

Get [*Shucked*](https://www.newyorktheatreguide.com/show/26987-shucked-tickets) tickets now.

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![& juliet pride-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/5xtq29vxJl4jOY1JRY0HVS/52775bdbed16f61071a04978ec319bcd/__juliet_pride-1200x600-NYTG.jpg)

## *& Juliet*

It's gonna be you that sees *& Juliet* this June. In this nine-time Tony-nominated musical, Juliet — of *Romeo & Juliet* fame — decides not to die when Romeo does but instead ditches Verona for Paris in search of a new life and love.

*& Juliet* features characters old and new, and among the new characters is May, Juliet's non-binary pal who finds a star-crossed love of their own with the romance-challenged Francois. Not only is the show a celebration of all kinds of love, but it's simply a party. *& Juliet* is set to 30 chart-topping hits by songwriter/producer [Max Martin](https://www.newyorktheatreguide.com/theatre-news/news/how-max-martin-shaped-and-juliet-on-its-road-to-broadway) (the man behind "...Baby One More Time," "Since U Been Gone," "I Want It That Way," and much more) and electric dancing by queer, two-time Tony-nominated choreographer [Jennifer Weber](https://www.newyorktheatreguide.com/theatre-news/interviews/choreographer-jennifer-weber-proves-her-versatility-on-broadway). What more could you ask for in a larger-than-life Pride musical?

Get [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) tickets now.

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![marla titanique 2-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/CKK1sCrTf9ZWnX8DwRcSf/ccf70b44938c0668f011fffcf1881e87/marla_titanique_2-1200x600-NYTG.jpg)

## *Titanique*

Shall we go for it? This campy parody musical is a kooky retelling of James Cameron's film *Titanic* through the character of Celine Dion, set to Dion's catalog of timeless hits. Multiple queer actors have appeared in *Titanique*, including *RuPaul's Drag Race* star Rosé, and it's by an all-queer writing team of Tye Blue, Constantine Rousouli, and Marla Mindelle.

Jack and Rose may be a straight couple, but *Titanique* is a love letter to the LGBT+ community, with plenty of references to queer pop culture, updated regularly as new trends go viral. But everyone will find something to love in this joyful, energetic comedy.

New York Theatre Guide's [four-star review calls *Titanique*](https://www.newyorktheatreguide.com/reviews/titanique-off-broadway-review) "as much a love letter to the *Titanic* movie as it is to the people obsessed with that movie: pop culture-savvy, queer theatre kids, or so the creators presume from experience. [ ] Older and/or less theatre-obsessed audiences will find more of their enjoyment in the recreations of all the major *Titanic* movie moments and the Dion hits that score the show."

Get [*Titanique* tickets](https://www.newyorktheatreguide.com/show/25241-titanique-tickets) now.

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![seven sins pride-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/5aFRRFa53aZKdUcGXK0xeg/3bc7be76192e53733f63737bd79b37ea/seven_sins_pride-1200x600-NYTG.jpg)

## *Seven Sins*

*Seven Sins* is a burlesque variety show based on the biblical tale of Adam and Eve. People don't often associate biblical stories with LGBT themes, but as our critic pointed out in a [five-star review](https://www.newyorktheatreguide.com/reviews/seven-sins-off-broadway-review), "What makes *Seven Sins* stand out, in particular, is its deliberate and gleeful queering of its source material."

"The show may end on a somber note, in keeping with the ancient story," our critic continues, "but the real takeaway from *Seven Sins* is that sometimes, what's considered sinful outside the theatre's four walls is actually worth indulging in — and unapologetically celebrating. Pleasure. Self-expression. Confidence. Beauty."

Get [*Seven Sins* tickets](https://www.newyorktheatreguide.com/show/20950-seven-sins-tickets) now.

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![cocktail magique-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/XRKCaiw85wKF2UycjfwKl/b2ea44f7ab7eb4610edbe1593eaf7704/cocktail_magique-1200x600-NYTG.jpg)

## *Cocktail Magique*

For even more burlesque fun, go right across the street from *Seven Sins* to *Cocktail Magique*, a variety show that combines magic, mixology, and more. 
Performers of all genders serve up circus-like entertainment, intoxicating illusions, and plenty of libations. Yes, you get to drink along; every ticket type includes at least one cocktail distributed throughout the performance. Everyone gets a few snacks and access to plenty of water, too. 

Get [*Cocktail Magique* tickets](https://www.newyorktheatreguide.com/show/26141-cocktail-magique-tickets) now.

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![love science-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/6txNiE1twARoHv4nY2MKi6/f9a9c573422c3aecaf398709de806876/love_science-1200x600-NYTG.jpg)

## *Love + Science*

Bring the tissues for this drama. *Love + Science* occurs at the onset of the AIDS crisis, when two gay medical students fall in love in the lab — and watch their community quickly succumb to the disease. The play makes the widespread epidemic searingly intimate and human, showing the possibilities for love and hope amid crisis.

*Love + Science* also reminds audiences that the history of Pride has a somber side, and just as important as celebrating LGBT people's lives is honoring the lives lost.

Get [*Love + Science*](https://www.newyorktheatreguide.com/show/28528-love-science) tickets now.

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## *Moulin Rouge! The Musical*

"No matter your desire, you're welcome here, for this is more than a nightclub. The Moulin Rouge is a state of mind." These lines from this musical's opening number set the tone immediately: Everyone can escape the outside world when they enter the Al Hirschfeld Theatre, transformed into the iconic French hotspot, and be free to be their most authentic selves. Pleasure, glamour, and fabulosity are the name of the game at this 10-time Tony-winning Best Musical adapted from Baz Luhrmann's film.

See the timeless love story of the writer Christian and showgirl Satine in 1899 Paris, set to more than 40 pop hits by artists ranging from Elton John to Lady Gaga. There's no better time than Pride Month to see a story that celebrates true love persisting against all odds.

Get [*Moulin Rouge! The Musical*](https://www.newyorktheatreguide.com/show/15911-moulin-rouge-the-musical-on-broadway-tickets) tickets now.

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See these New York theatre shows for Pride month

& juliet pride-1200x600-NYTG

Many of these Broadway and Off-Broadway musicals and plays feature LGBTQ+ stories and artists, and others simply celebrate inclusivity, acceptance, and joy.

This season, several shows premiered on the West End before coming to Broadway, including [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets), the jukebox musical featuring hit songs from powerhouse music producer/songwriter [Max Martin](https://www.newyorktheatreguide.com/theatre-news/news/how-max-martin-shaped-and-juliet-on-its-road-to-broadway)’s catalog. . *& Juliet*, featuring a book by David West Read, flips the script on Shakespeare’s tragedy *Romeo & Juliet* and reimagines the classic tale for a modern audience. In this feminist version, Juliet drops the dagger and chooses to live. The eponymous heroine ventures from fair Verona to Paris with her girlfriends, confidently stepping into a new chapter post-Romeo. 

*& Juliet* opened at the Manchester Opera House in 2019 before transferring to the West End in 2020. Then, it went to Toronto and Broadway in 2022, receiving nine Tony Awards nominations, including for Best Musical. For the show’s transfer to Broadway, the creative team honed in on the narrative storytelling and the audience experience through design elements.

For Gareth Owen, the show’s Tony-nominated sound designer, the transfer across the pond allowed the sound team to fine-tune the design. “*& Juliet* Broadway is a more polished, refined version of the London production as far as sound is concerned,” said Owen. 

The team pushed boundaries in London and tried several techniques for sound design. The team scrapped the failures for the Broadway iteration and further improved the successes. “The result is a much more cohesive overall picture — a sonic landscape that threads through the show from one end to the other with a definite purpose, as opposed to London, where we were often trying to be clever simply for the sake of it,” conceded Owen.

![2 & juliet-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/4uRxS4JCAwq28qRsfLQYse/a3e7a49d37437ce5ce8b0c37b59d75ed/2___juliet-1200x600-NYTG.jpg)

Dominic Fallacaro and Bill Sherman, nominated for Best Orchestrations, tuned up the storytelling for the Broadway transfer. “There were some small musical tweaks and upgrades, from cutting a few bars here to changing a string line there,” said Fallacaro. “Ultimately, it's about serving the narrative the best and thinking about all the creative musical ways you can amp up the storytelling.”

The show features chart-toppers from the past few decades, including “...Baby One More Time,” “Since U Been Gone,” and “I Want It That Way,” which cleverly lend themselves to a new storyline of empowerment, self-acceptance, and love.

Sherman added, “The creative team definitely tightened some narrative screws before Broadway, including song cuts and character refinement. In addition, we continued to find new ways to bring Max Martin's music to life.”

One noticeable change was with the showstopping number “Can’t Stop the Feeling,” which closes the show. The entire creative team worked together to drive the show home. “Along with our choreographer, [Jennifer Weber](https://www.newyorktheatreguide.com/theatre-news/interviews/choreographer-jennifer-weber-proves-her-versatility-on-broadway), we workshopped hits and breaks into that number to maximize the explosive choreography and leave the show on an extra high note,” said Fallacaro. (Not just one, but two explosive confetti cannons extend that high note further.)

*& Juliet*’s lighting designer Howard Hudson also earned a Tony nomination. “Being able to work again on the show, having opened it in the West End, let us add another whole layer of detail,” said Hudson.

“Lighting-wise, when you leave a show, there’s always things with hindsight you think to yourself that you’d wish you’d done, and of course, we were able to make all those changes,” he said. “Broadway definitely feels more immersive as we tried to bring the piece into the auditorium more and really embrace the audience in the world of the show.” 

For the entire creative team, the experience of bringing some of the greatest pop songs to the stage, and bringing the audience into the fun, has been gratifying. “Working on this project has brought me to the West End in London, Abbey Road, Manchester, Toronto, and now to Broadway, with some of the most talented creatives and artists, and I've loved it,” effused Fallacaro.

Get [*& Juliet* tickets](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) now.

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How the ‘& Juliet’ creative team fine-tuned the Broadway design

& juliet review-1200x600-NYTG

Contains some strong language. Recommended for ages 6+. Children age 4 and under will not be admitted into the theatre. Everyone must have a ticket, regardless of age.

& Juliet on Broadway - NYC 

& Juliet on Broadway

The creative team behind Broadway's *& Juliet* shares how the show transformed from London's West End with amped-up choreography, sound, and lighting design.

The [American Airlines Theatre](https://www.newyorktheatreguide.com/theatres/american-airlines-theatre) will be renamed for Todd Haimes, the late former artistic director and CEO of Roundabout Theatre Company.

Haimes joined Roundabout in 1983, and he led the charge to restore and rename the venue, originally called the Selwyn Theatre, in the 1990s. The American Airlines theatre is now the flagship venue of Roundabout, which operates two other Broadway houses — [Studio 54](https://www.newyorktheatreguide.com/theatres/studio-54) and the [Stephen Sondheim Theatre](https://www.newyorktheatreguide.com/theatres/stephen-sondheim-theatre) — and the Off-Broadway [Harold and Miriam Steinberg Center for Theatre](https://www.newyorktheatreguide.com/theatres/harold-and-miriam-steinberg-center-for-theatre).

Plans to rename the American Airlines were actually in the works before Haimes's death at 66, as American Airlines's sponsorship of the theatre is set to end in 2024.

The renaming will take place during the 2023-24 Broadway season at a date to be confirmed.

Through July 2, the theatre is currently showing [*Fat Ham*](https://www.newyorktheatreguide.com/show/27141-fat-ham-tickets), James Ijames's Pulitzer-winning and Tony-nominated play.

Get [*Fat Ham* tickets](https://www.newyorktheatreguide.com/show/27141-fat-ham-tickets) now.

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*Photo credit: Todd Haimes. (Photo by Teddy Wolff)*

American Airlines Theatre to be renamed for Todd Haimes

haimes-1200x600-NYTG

Haimes, who died in April, was the longtime artistic director of Roundabout Theatre Company, the nonprofit organization that operates the Broadway venue.

It’s the summer of 76! 

Not [*Summer, 1976*](https://www.newyorktheatreguide.com/show/25993-summer-1976-tickets) — that’s the Tony-nominated David Auburn play — but the 76th annual Tony Awards on June 11. Tony host Ariana DeBose may not march on stage with 76 trombones in tow (*The Music Man* was last season, after all), but it does seem fitting that the 76th Tony Awards are taking place in the same season as Roundabout’s gender-flipped [*1776*](https://www.newyorktheatreguide.com/show/24270-1776-tickets) revival and Manhattan Theatre Club’s world premiere of *Summer, 1976*. 

Seventy-six isn’t the only notable number attached to this year’s ceremony, though. Read on to discover some of the exciting, historic firsts among the nominees and more fast facts on the 2023 Tony Awards by the numbers.

## 76 years of the Tonys

The very first Antoinette Perry Awards took place in 1947 in the Grand Ballroom at the Waldorf Astoria Hotel in New York City. (It took another two decades until the ceremony was broadcast on national television in 1967.) Awards were given in eight categories: 

- Actor in a Play
- Actress in a Play
- Best Performer in a Musical
- Outstanding Newcomer
- Director
- Choreographer
- Costume Designer
- Composer

The winners, including director Elia Kazan (*All My Sons*), composer Kurt Weill (*Street Scene*), actress Ingrid Bergman (*Joan of Lorraine*), and choreographer Agnes DeMille (*Brigadoon*), received gendered prizes by today’s standards. The women got engraved jewelry or compacts, while the men got engraved money clips or cigarette lighters. Two years later, the Tonys began awarding medallions to the recipients instead. 

![united palace-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/5fVs6gar9E47dbFcCw3mKX/e2cd678dea5fcb7dc10663a9a318f8e9/united_palace-1200x600-NYTG.jpg)

## 1 new venue

For the first time, the Tonys will take place at the United Palace theatre in Washington Heights. It is Manhattan’s fourth-largest theatre, with nearly 3,500 seats. In some ways, the Tony Awards are going back to their roots by happening there — Harold Rambusch, who designed the Waldorf Astoria, also designed the interior of the United Palace theatre.

Over the past 76 years, the Tonys have been held at 19 different venues, including other hotels like the Plaza, Broadway theatres like the [Winter Garden](https://www.newyorktheatreguide.com/theatres/winter-garden-theatre) and [Shubert](https://www.newyorktheatreguide.com/theatres/shubert-theatre), and iconic New York landmarks like the Rainbow Room and [Radio City Music Hall](https://www.newyorktheatreguide.com/theatres/radio-city-music-hall). Radio City has hosted the most Tony Award ceremonies of all time: 20.

## 3 modified ceremonies (in 3 years)

The pandemic shook up the past two Tony Awards ceremonies. The combined 2020 awards ceremony actually took place in 2021 after pandemic delays. And several of the 2022 Tony winning shows actually began performances just prior to the Broadway shutdown on March 12, 2020, and would have been considered among that year’s nominees had they not been shuttered as quickly as they opened.

The 2023 ceremony is also being modified, this time amid an ongoing strike by the Writers Guild of America, which writes material for televised broadcasts like the Tonys. While the ceremony will still be broadcast as planned on June 11, it won’t contain any original scripted material. The ceremony will consist almost entirely of awards presentations and performances from the nominated shows.

![ny ny 2-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/76uUS8WipVTT9QVHVh4amf/1bea349f9046dbe852c66037faa9e88d/ny_ny_2-1200x600-NYTG.jpg)

## 38 eligible shows

There were 38 total shows in the 2022-2023 Broadway season, and all were considered eligible for nominations. Of those, 27, or 71% of the eligible shows, received at least one nomination.

## 26 competitive award categories

Having come a long way since 1947, the Tony Awards now award performers, directors, writers, choreographers, and designers, with most categories split by play or musical. There are also multiple special Tony honors, a different number each year, awarded to educators, regional theatres, administrators, and artists celebrating lifetime achievement.

![3 some like it hot-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2jrcIPZ0ssP6aFpBOPB9U4/af86078c84c12ef262d7289716e3b6f1/3_some_like_it_hot-1200x600-NYTG.jpg)

## 13 *Some Like It Hot* nominations

[*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets) is this year’s most nominated show, receiving 13 nominations in 12 categories. [Christian Borle](https://www.newyorktheatreguide.com/stars-on-stage/christian-borle) and [J. Harrison Ghee](https://www.newyorktheatreguide.com/theatre-news/interviews/j-harrison-ghee-contains-multitudes-in-some-like-it-hot-on-broadway) were nominated for their work on the new musical in the same category: Best Performance by a Leading Actor in a Musical.

There is a three-way tie for second place: The musicals [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets), [*Shucked*](https://www.newyorktheatreguide.com/show/26987-shucked-tickets), and [*New York, New York*](https://www.newyorktheatreguide.com/show/26043-new-york-new-york-tickets) all received nine nods. [*Leopoldstadt*](https://www.newyorktheatreguide.com/show/26003-leopoldstadt-tickets), [*Ain’t No Mo’*](https://www.newyorktheatreguide.com/show/25907-aint-no-mo-tickets), and [*A Doll’s House*](https://www.newyorktheatreguide.com/show/26989-a-dolls-house-tickets) also tied three ways for the most play nominations with six each.

![jordan 1200 NYTG](//images.ctfassets.net/6pezt69ih962/2ZIzHupXCcEaU9Rq9HsgzB/f16227aa0fa3b54816165487442fccf6/jordan_1200_NYTG.jpg)

## 8 double nominees

8 nominees were either nominated in the same category for two different shows they worked on this season, or they were nominated in two different categories for their work on the same show. Here are all the double nominees this year:

- Playwright/performer Jordan E. Cooper ([*Ain’t No Mo’*](https://www.newyorktheatreguide.com/show/25907-aint-no-mo-tickets))
- Choreographer [Jennifer Weber](https://www.newyorktheatreguide.com/theatre-news/interviews/choreographer-jennifer-weber-proves-her-versatility-on-broadway) ([*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) and [*KPOP*](https://www.newyorktheatreguide.com/show/24236-kpop-tickets))
- Costume designer Emilio Sosa ([*Ain’t No Mo’*](https://www.newyorktheatreguide.com/show/25907-aint-no-mo-tickets) and [*Good Night, Oscar*](https://www.newyorktheatreguide.com/show/26390-good-night-oscar-tickets)) 
- Director/choreographer Casey Nicholaw ([*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets))
- Bookwriter/lyricist David Lindsay-Abaire ([*Kimberly Akimbo*](https://www.newyorktheatreguide.com/show/25458-kimberly-akimbo-tickets))
- Set designer Scott Pask ([*Shucked*](https://www.newyorktheatreguide.com/show/26987-shucked-tickets) and [*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets))
- Sound designers Ben and Max Ringham ([*Prima Facie*](https://www.newyorktheatreguide.com/show/25983-prima-facie-tickets) and [*A Doll’s House*](https://www.newyorktheatreguide.com/show/26989-a-dolls-house-tickets))
- Lighting designer Natasha Katz ([*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets) and [*Sweeney Todd*](https://www.newyorktheatreguide.com/show/26216-sweeney-todd-on-broadway-tickets))

[Read our feature spotlighting this year's double Tony nominees.](https://www.newyorktheatreguide.com/theatre-news/news/meet-the-broadway-artists-nominated-for-two-tonys-this-season)

## 60 first-time Tony nominees

Of note, Weber and Cooper, both among the double nominees above, made their Broadway debuts this season. Additionally, all the performers in the Best Featured Actress and Actor in a Musical categories, with the exception of Ruthie Ann Miles, are first-time nominees.

![4 shucked-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2A88TTJg0pds5UEOWzjQde/ef28d6d61e4aa6265901b3dfdae57a25/4_shucked-1200x600-NYTG.jpg)

## More historic firsts at the 2023 Tony Awards

The 76th Tony Awards already made history with this year’s nominees, and pivotal moments could happen when the winners are announced. 

[*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets)’s Ghee and [*Shucked*](https://www.newyorktheatreguide.com/show/26987-shucked-tickets)’s Alex Newell are the first openly non-binary performers to be nominated in their categories. Ghee plays a gender-expansive character, and Newell plays a cisgender woman, but both performers were able to choose whether they wanted to be considered eligible in the Actor or Actress category.

Katy Sullivan ([*Cost of Living*](https://www.newyorktheatreguide.com/show/25892-cost-of-living-tickets)) is the first female amputee to perform on Broadway and the first to be nominated for a Tony Award.

Although the current [*A Doll’s House*](https://www.newyorktheatreguide.com/show/26989-a-dolls-house-tickets) revival is the 14th Broadway production of the famous Ibsen play, 2023 Tony nominee [Amy Herzog](https://www.newyorktheatreguide.com/theatre-news/interviews/tony-nominee-amy-herzog-flips-the-script-with-a-dolls-house) is the first woman to adapt the work for Broadway. And since she newly adapted it, not just translated it, she’s eligible for the Best Revival of a Play award, which is usually reserved for producers.

Jordan E. Cooper became the youngest Black American playwright in Broadway history when his play [*Ain’t No Mo’*](https://www.newyorktheatreguide.com/show/25907-aint-no-mo-tickets) opened this past fall. And now, he’s the youngest Black American playwright ever nominated!

Helen Park is the first female Asian composer/lyricist on Broadway and the first to be nominated for a Tony. She is, in fact, the first female Asian writer to be nominated for a Tony in any of the writing categories. If Helen Park were to win Best Score for her work on [*KPOP*](https://www.newyorktheatreguide.com/show/24236-kpop-tickets), she would be the first woman of color to do so in her category. 

Similarly, if either Amber Ruffin (*Some Like It Hot*) or Sharon Washington ([*New York, New York*](https://www.newyorktheatreguide.com/show/26043-new-york-new-york-tickets)) wins Best Book of a Musical, they will be the first non-white woman to ever receive the award for writing or co-writing the book of a musical. In fact, no non-white woman has ever won a Tony Award in either writing category (Best Book or Best Score). The closest exception is Yasmina Reza, a playwright of half-Central Asian descent who has won two Tonys for Best Play.

![kimberly akimbo-1200x600-NYTG 4](//images.ctfassets.net/6pezt69ih962/O3Pvd2E5ymYHMwRNNCeBO/2b8326d3df40952dadec774a363299fe/kimberly_akimbo-1200x600-NYTG_4.jpg)

## 66-year age range of nominees

*Kimberly Akimbo*’s Justin Cooley is this year’s youngest nominee at 19 years old. He’s up for Best Featured Actor in a Musical for starring in Kimberly Akimbo. In a close second, the youngest nominated woman is 23-year-old Best Featured Actress in a Musical nominee Julia Lester, who made her Broadway debut with [*Into the Woods*](https://www.newyorktheatreguide.com/show/25770-into-the-woods-tickets) last summer as Little Red Ridinghood.

At 85 years old, playwright Tom Stoppard is the oldest nominee at this year’s Tony Awards. His show [*Leopoldstadt*](https://www.newyorktheatreguide.com/show/26003-leopoldstadt-tickets) is up for Best Play.

![cost of living review-1200](//images.ctfassets.net/6pezt69ih962/5vCMxlC40yg6rktYgluAhk/bf7cf191ea6fc694206328651906640a/cost_of_living_review-1200.jpg)

## 6 Pulitzer Prize-winning plays

No matter what happens, they’re already winners! Three of this year’s Best Play nominees have already won the Pulitzer Prize for Drama: [*Between Riverside and Crazy*](https://www.newyorktheatreguide.com/show/26311-between-riverside-and-crazy-tickets) by [Stephen Adly Guirgis](https://www.newyorktheatreguide.com/theatre-news/interviews/the-real-life-friendship-that-led-to-between-riverside-and-crazy) (2015), [*Cost of Living*](https://www.newyorktheatreguide.com/show/25892-cost-of-living-tickets) by Martyna Majok (2018), and [*Fat Ham*](https://www.newyorktheatreguide.com/show/27141-fat-ham-tickets) by James Ijames (2022). 

Additionally, three plays that got revived this year won Pulitzers when they premiered: [*Death of a Salesman*](https://www.newyorktheatreguide.com/show/25459-death-of-a-salesman-tickets) (1949), [*The Piano Lesson*](https://www.newyorktheatreguide.com/show/24256-the-piano-lesson-tickets) (1990), and [*Topdog/Underdog*](https://www.newyorktheatreguide.com/show/25558-topdog-underdog-tickets) (2002). 

![8 sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/5d6m9eAI4F4cba33znc9mk/90fae9ace6c029c58d525e5a2f124ca4/8_sweeney-1200x600-NYTG.jpg)

## Which nominee has the most career Tony nominations?

Lighting designers are not often household names, but if you don’t know the name Natasha Katz, you should. Katz has received a whopping 17 Tony nominations for designing Broadway plays and musicals, including last year’s MJ. She has won the award seven times – four for musicals (*MJ*, *Aida*, *Once*, and *An American in Paris*) and three for plays (*The Coast of Utopia*, *The Glass Menagerie*, and *Long Day’s Journey into Night*).

This year, she is doubly nominated for her work on two musicals: [*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets) and [*Sweeney Todd*](https://www.newyorktheatreguide.com/show/26216-sweeney-todd-on-broadway-tickets).

![ohio state review-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/7LYP2CqsoFdBdjjLnIvDcd/8cf87c36cc284ed9ecba5618b3d717af/ohio_state_review-1200x600-NYTG.jpg)

## Which nominee has the most career Tony wins?

Audra McDonald holds that record. She is one of only five performers to have been nominated in all four acting categories and is the only person who’s won all four acting categories. She has won six competitive awards; Julie Harris is the only other person in history with that many wins, but one of hers is a special award.

This year’s nomination for Best Leading Actress in a Play for [*Ohio State Murders*](https://www.newyorktheatreguide.com/show/24218-ohio-state-murders-tickets) is her 10th to date, tying her with Harris and Chita Rivera as the most nominated performer ever. If McDonald wins in 2023, she will become the performer with the most awards ever: seven.

The 2023 Tony Awards by the numbers

Tony Awards

Read on to learn fun facts and stats about the nominees, venue, and historic firsts associated with the 76th annual theatre awards ceremony, hosted on June 11.

The new musical [*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets) has garnered 13 Tony Award nominations — the most this season — for its swinging score, hilarious book, and brilliant cast. The nods include Best New Musical and four first-time nominations for co-writer Amber Ruffin and cast members J. Harrison Ghee, NaTasha Yvette Williams, and Kevin Del Aguila. 

Inspired by the 1959 Marilyn Monroe-led film of the same name, the musical features a book by Matthew López and Ruffin, and a score by Marc Shaiman and Scott Wittman. The musical sees two musicians, Jerry and Joe, escape the mob by disguising themselves as women and joining a traveling all-female swing band, where they learn a lot about their own truths and identities. *Some Like It Hot* incorporates everything you’d expect in a Broadway mega-musical: ensemble numbers, plenty of tap dancing, and marvelous set pieces.

The stage adaptation is more inclusive and openly celebratory of LGBTQ themes than its predecessor, which was groundbreaking at the time but limited in what the story could and couldn’t include due to censorship in the film industry. Below, the three nominated cast members shared their journey with the heartwarming show and how it feels to receive recognition for their performances.

Get [*Some Like It Hot* tickets](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets) now.

[![Book Tickets CTA - LT/NYTG](//images.ctfassets.net/6pezt69ih962/3qAtGOdQq9x3k1WcHlaJnw/90ece91bbe47ed07e142c2e43c7a7a3f/BookTickets-250.png)](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets)

![3 some like it hot-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2jrcIPZ0ssP6aFpBOPB9U4/af86078c84c12ef262d7289716e3b6f1/3_some_like_it_hot-1200x600-NYTG.jpg)

## Creating a safe space

[J. Harrison Ghee](https://www.newyorktheatreguide.com/theatre-news/interviews/j-harrison-ghee-contains-multitudes-in-some-like-it-hot-on-broadway), who previously played Lola in *Kinky Boots*, another show celebrated for its inclusivity, touched on the heartfelt interactions with *Some Like It Hot* audiences.

“[I’ve had] moments at the stage door with a parent of a trans kid who's like, 'Thank you for showing my child that their existence matters,'” said Ghee. “There's a part of them living on stage.”

Williams, who plays Sweet Sue, the leader of the all-female swing band, shared how the show creates a sense of community. She hopes audiences see the show and realize they don’t have to be isolated. Instead, she wants them to think, “I have to reach out and embrace others and have others embrace me so that we can move forward.”

In addition to creating a safe space for audience members to feel accepted for who they truly are, *Some Like It Hot* gives people a joyous respite from difficulties in their everyday lives. “People go to theatre to escape, feel, and see a spectacle," said Ghee. “They want to see something beyond normalcy sometimes. We're giving them that, but in such a beautiful way that’s grounded in truth.”

![1 some like it hot-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/60bl9xOY63DGZIq7srVBNo/cde27655be206d00abb379cb8539a5de/1_some_like_it_hot-1200x600-NYTG.jpg)

## Living your truth

Both the movie and the musical explore the theme of identity. By the end of the story, all the characters transform in some way, having learned something crucial about themselves. In developing these characters, each of the nominated performers brought a piece of themselves to their roles.

“The whole show is about identity, right?” says Del Aguila. “You have this idea of who you are inside, but the world tells you that you must be something else. You have to figure out how to live your truth in this world that may not see that.”

Kevin Del Aguila plays Osgood, a millionaire infatuated with Daphne, and brings part of himself to the role. While recording a demo for the musical, Matthew López said he wanted to make Osgood half-Mexican, a departure from the film portrayal. “Everyone in the show could have this dual nature that they're trying to figure out,” said Del Aguila, who is half-Peruvian.

For her part, Williams found it most special to celebrate strong maternal figures through her character Sweet Sue, who builds her band from the ground up and watches over its members as if they were her daughters. For her portrayal, Williams drew upon inspiration from strong women in her own life, such as her aunt and mother.

“What an honor to mirror some of the women in my life who pushed me and said, ‘We don't have to take that; we can go do our own thing,’” she said. “I knew who Sue was. So it was an honor to be able to just slice off people in my life and make them come to life.”

For Ghee, taking on this role was important for the message they could send to other gender-expansive people. “[This role] met me where I am in my life of being able to, as I say, free myself to see myself,” said Ghee. “To allow life and circumstances to expand me beyond my own labels, limits, and boundaries.”

They made history this year as one of the first non-binary actors to receive a Tony nomination, alongside *[Shucked](https://www.newyorktheatreguide.com/show/26987-shucked-tickets)*'s Alex Newell. 

“It is not something I take lightly, especially in this climate of legislation against queer and trans and nonbinary beings,” Ghee said of their historic Tony nomination. “It is something I care for with pride. I live with intention and purpose and love. And for that to be honored in this work is truly incredible.”

![2 some like it hot-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2Tw6BBa1k8OK21tSASJS5Z/940b9a1a33392e8a89336dc34aecc1f3/2_some_like_it_hot-1200x600-NYTG.jpg)

## Welcome back to Broadway

*Some Like It Hot* feels pertenint to this moment in history. Broadway reopened in September 2021, but it has taken some time for the world of live theatre to fully transition back to what it was before the pandemic. 

“This show has been everything that I think anybody needs coming out of the pandemic,” said Williams. “We have the opportunity to come together to laugh, to be with people in the space that says there's room for you here and you belong here. There’s no better place to be.”

“Broadway is back in such a bold, brassy way, and we're doing that at the [Shubert](https://www.newyorktheatreguide.com/theatres/shubert-theatre),” added Ghee. “It's wonderful to feel audiences every night receive that [message] and also be taken places they didn't expect in our journey. It's beautiful.”

Echoing his castmates, Del Aguila said it’s hard not to feel alive while performing. “You're surrounded by all these people tap dancing in this giant band just swinging these songs,” he said. “The joy, the vibrancy, the life has all come back in this incredibly big, glorious musical.”

Get [*Some Like It Hot* tickets](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets) now.

[![Book Tickets CTA - LT/NYTG](//images.ctfassets.net/6pezt69ih962/3qAtGOdQq9x3k1WcHlaJnw/90ece91bbe47ed07e142c2e43c7a7a3f/BookTickets-250.png)](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets)

*Photo credit: Some Like It Hot on Broadway. (Photos by Marc J. Franklin and Matthew Murphy)*


First-time Tony nominees in ‘Some Like It Hot’ celebrate the milestone

some like it hot-1200x600-NYTG 1

Recommended for 12 + Children under the age of 4 are not permitted in the theatre.

Some Like It Hot on Broadway - NYC

Some Like It Hot on Broadway

*Some Like It Hot* led to first-time nominations for cast members  J. Harrison Ghee, NaTasha Yvette Williams, and Kevin Del Aguila. 

This is good news, no doubt about it! Roundabout Theatre Company will present the first Broadway revival of [*Doubt: A Parable*](https://www.newyorktheatreguide.com/show/30042-doubt-a-parable-tickets) in February 2024, starring Tony and Emmy Award winner Tyne Daly and Tony and SAG Award winner Liev Schreiber.

Daly is a Tony Award winner for *Gypsy* and a nominee for *Mothers and Sons* and *Rabbit Hole*. She makes her Roundabout debut with *Doubt*. Schreiber has performed in *Betrayal* and *Moonlight* with Roundabout, and he received a Tony for *Glengarry Glen Ross*.

In John Patrick Shanley's play, Daly and Schreiber play Sister Aloysius and Father Flynn, respectively. Aloysius is the fearsome principal of an all-boys' Catholic school who wrestles with her morals and doubt when she suspects unseemly relations between Flynn and one of her students.

Scott Ellis directs the production, *Doubt*'s first since 2005, at the [American Airlines Theatre](https://www.newyorktheatreguide.com/theatres/american-airlines-theatre). Additional casting, creative team, and exact performance dates have yet to be announced.

*Doubt: A Parable* completes [Roundabout's 2023-24 season](https://www.newyorktheatreguide.com/theatre-news/news/danny-devito-to-lead-i-need-that-on-broadway-2023-24-roundabout-season-announced), which also includes the previously announced *I Need That*, starring Danny DeVito, on Broadway and *The Refuge Plays*, *Covenant*, and *Jonah* off Broadway.

Tyne Daly, Liev Schreiber to star in first 'Doubt' Broadway revival

doubt-1200x600-NYTG

Doubt on Broadway - NYC

Doubt on Broadway

John Patrick Shanley's play completes Roundabout Theatre Company's 2023-24 season, and it will play at the American Airlines Theatre from February 2024.

Joshua Harmon's [*Prayer for the French Republic*](https://www.newyorktheatreguide.com/show/24257-prayer-for-the-french-republic-tickets) will premiere on Broadway this winter with Manhattan Theatre Club, two years after the company produced its Off-Broadway premiere. Performances begin at the [Samuel J. Friedman Theatre](https://www.newyorktheatreguide.com/theatres/samuel-j-friedman-theatre) on December 19 ahead of an opening night on January 9, 2024.

In *Prayer for the French Republic*, a Jewish couple in Paris awaits news of their missing relatives in 1944. Seventy years later, their descendants, also in Paris, wonder about their own safety in this epic connecting generations and shows the lasting effects of anti-Semitism through the years.

The show won the 2022 Drama Desk Award for Outstanding Play and the Outer Critics Circle Award for Outstanding New Off-Broadway Play. A [four-star *Prayer for the French Republic* review](https://www.newyorktheatreguide.com/reviews/prayer-for-the-french-republic-review-manhattan-theatre-club) on New York Theatre Guide reads, "In a dramatic feat, the play does not collapse under its own weight. Instead, *Prayer for the French Republic* is a breathtaking work that skillfully balances the humanity of its characters with sprawling history."

The play is by Joshua Harmon, the author of other acclaimed plays like *Bad Jews* and *Significant Other*. David Cromer, who staged the Off-Broadway production, returns to direct.

Casting and additional creative team have yet to be announced.

*Photo credit: Prayer for the French Republic off Broadway. (Photo by Matthew Murphy)*

'Prayer for the French Republic' to premiere on Broadway

Prayer for the French Republic

In 1944, a Jewish couple in Paris desperately awaits news of their missing family.

Prayer for the French Republic - NYC

Joshua Harmon's drama about a Jewish family premiered with Manhattan Theatre Club, which is producing the Broadway show, off Broadway in the winter of 2021.

Julie Benko will join the cast of [*Harmony*](https://www.newyorktheatreguide.com/show/24995-harmony-tickets) on Broadway, the new Barry Manilow and Bruce Sussman musical coming to the Barrymore Theatre this fall. Performances begin October 18 ahead of a November 13 opening.

Benko is known for her breakout role as the alternate Fanny Brice in the current Broadway revival of *Funny Girl*, playing the role once a week in place of Lea Michele. Her performance earned her the 2023 Theatre World Dorothy Loudon Award for Excellence in the Theatre.

Benko will play Ruth in *Harmony*, joining a cast that also includes the [previously announced](https://www.newyorktheatreguide.com/theatre-news/news/initial-casting-set-for-harmony-on-broadway) Chip Zien as Rabbi, Sean Bell as Bobby, Danny Kornfeld as Young Rabbi, Zal Owen as Harry, Eric Peters as Erich, Blake Roman as Chopin, and Steven Telsey as Lesh. All but Benko reprise their roles from the musical's 2022 Off-Broadway premiere.

*Harmony* tells the true story of the Comedian Harmonists, a German Jewish choral group who reached their heyday in the 1920s and 30s, but were soon rocked by the rise of the Nazi regime. Manilow composed original songs for the musical, which also features a book and lyrics by Bruce Sussman and direction and choreography by Warren Carlyle.

New York Theatre Guide's [four-star review of *Harmony*](https://www.newyorktheatreguide.com/reviews/harmony-off-broadway-review) off Broadway reads, "*Harmony* hits all the right notes."

Check back for information on *Harmony* tickets on New York Theatre Guide.

*Photo credit: Julie Benko. (Photo courtesy of production)*

Julie Benko joins 'Harmony' Broadway cast

julie benko-1200x600-NYTG

Harmony: A New Musical on Broadway - NYC

Harmony: A New Musical on Broadway

The actress is known for her breakout role as the alternate Fanny Brice in the current Broadway revival of *Funny Girl*, receiving a Theatre World Award.

You didn't get the invite to the United Palace for the 2023 Tony Awards, but that doesn't mean you can't party like Broadway royalty. It's Tony season, so it's time to gather your bosom buddies and raise a glass of bubbly to the biggest night on Broadway. Cheer on your favorites as you watch the June 11 ceremony at 8 p.m. on CBS while enjoying themed snacks and drinks. And the award for Best Party Host goes to... you!

Learn more about the [2023 Tony nominees](https://www.newyorktheatreguide.com/theatre-news/news/2023-tony-award-nominees-announced) and [how to watch the 2023 Tony Awards](https://www.newyorktheatreguide.com/theatre-news/news/tony-awards-guide-how-to-watch-nominees-and-more).

<h2>Build a pre-show playlist.</h2>Jam to Tony-nominated scores as your guests arrive. We'd recommend a playlist of 11 o'clock numbers to kick off the night. Cue the <a href="https://www.newyorktheatreguide.com/show/hadestown" target="_blank">Hadestown</a> swinging lamps!<h2>Put together a themed menu.</h2>Come up with a list of&nbsp;Tony nominee-inspired cocktails&nbsp;for your guests to sip on, like Tequila Mockingbirds or <a href="https://www.newyorktheatreguide.com/actor-profile/adam-driver" target="_blank">Adam Screw-Drivers</a>. But make sure you don't drink on an empty stomach. We suggest putting together a cheese plate with the following cheeses: <a href="https://www.newyorktheatreguide.com/show/what-the-constitution-means-to-me" target="_blank">What the Constitution Means to Brie</a>, <a href="https://www.newyorktheatreguide.com/show/the-ferryman" target="_blank">Ferrymanchego</a>, <a href="https://www.newyorktheatreguide.com/show/burn-this" target="_blank">Brandon Urano-Swiss</a>, and <a href="https://www.newyorktheatreguide.com/show/tootsie" target="_blank">Santino Fontina</a>.<h2>Decorate.</h2>Theatre is one of the most delightfully over-the-top art forms, so don't be afraid to let your party camp it up. Put this season's playbills on prominent display on a cute clothesline and build your own step-and-repeat. Or even roll out a red carpet if you're feeling especially extra. Don't forget balloons and streamers. Think Beth Leavel and Brooks Ashmanskas <a href="https://www.newyorktheatreguide.com/show/the-prom" target="_blank">building a prom</a> and going for the most over-the-top aesthetic possible.<h2>Prepare voting ballots.</h2>Some people like to do Fantasy Football drafts or March Madness brackets, but in our world, the only league we care about is the Broadway League. No Tony watch party is complete without some healthy competition, so make sure you have ballots for all your guests to fill out with their predictions. Make things a little interesting by pooling together some cash, which will go to the person with the most correct predictions at the end of the night.<h2>Play a drinking game (responsibly).</h2>We would say take a drink every time host James Corden makes a niche musical theatre joke, but you have a liver to preserve. Start with something simple, like a Hollywood actor introducing an award by talking about how much theatre means to them. Then again, that could get dangerous too... come up with your own rules, and play at your own risk.

How to plan the perfect Tony Awards party

You didn't get the invite to Radio City Music Hall, but that doesn't mean you can't party like Broadway royalty. It's Tony season, so it's time to gather your bosom buddies and raise a glass of bubbly to the biggest night on Broadway.

How to plan the perfect Tony Awards party | NewYorkTheatreGuide.com

Read our tips for getting together the best decorations, food, music, and more to have the best, most fun bash on the biggest night of the Broadway season.

The Drama Desk has announced the winners of the 67th annual Drama Desk Awards, recognizing excellence in Broadway, off-Broadway, and off-offBroadway productions during the 2022-23 season. The Drama Desk Awards ceremony, co-hosted by Mandy Patinkin and Kathryn Grody, will take place on June 6 at Sardi’s Restaurant in New York City. 

This year, all performance categories are gender-free and award two winners. A group of journalists, editors, and publishers covering theatre vote on the nominations put forth by a nominating committee. Top winners include *[Some Like It Hot](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets)* with eight wins and *[Life of Pi](https://www.newyorktheatreguide.com/show/26712-life-of-pi-tickets)* with four. 

In addition to the competitive awards, the Drama Desk bestowed the Harold Prince Lifetime Achievement Award to Stephen McKinley Henderson, the Ensemble Award to the cast of Soho Rep’s Public Obscenities, and the Sam Norkin Off-Broadway Award to Ryan J. Haddad, for his writing and performing in *Dark Disabled Stories* and *american (tele)visions.*

Read the full list of 2023 Drama Desk Award winners and nominees below. The winners are denoted with an asterisk.

Get *[Some Like It Hot](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets)* tickets now.

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__Outstanding Play__
- *A Case for the Existence of God*, by Samuel D. Hunter
- *[Fat Ham](https://www.newyorktheatreguide.com/show/27141-fat-ham-tickets)*, by James Ijames
- *[Leopoldstadt](https://www.newyorktheatreguide.com/show/26003-leopoldstadt-tickets)* by Tom Stoppard *
- *Love* by Alexander Zeldin
- *[Prima Facie](https://www.newyorktheatreguide.com/show/25983-prima-facie-tickets)* by Suzie Miller
- *Wish You Were Here* by Sanaz Toossi

__Outstanding Musical__
- *[& Juliet](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets)*
- *Between the Lines*
- *F*ck7thGrade*
- *[Shucked](https://www.newyorktheatreguide.com/show/26987-shucked-tickets)*
- *Some Like It Hot* *
- *White Girl in Danger*

__Outstanding Revival of a Play__
- *A Raisin in the Sun*
- *Death of a Salesman*
- *Endgame*
- *The Piano Lesson* *
- *Ohio State Murders*
- *Wedding Band*

__Outstanding Revival of a Musical__
- *A Man of No Importance*
- *Into the Woods*
- *Merrily We Roll Along*
- *[Parade](https://www.newyorktheatreguide.com/show/26500-parade)*
- *[Sweeney Todd](https://www.newyorktheatreguide.com/show/26216-sweeney-todd-on-broadway-tickets)*

__Outstanding Lead Performance in a Play__
- Hiran Abeysekera: *Life of Pi*
- Kyle Beltran: *A Case for the Existence of God*
- Will Brill: *A Case for the Existence of God*
- Brittany Bradford: *Wedding Band*
- Jessica Chastain: *[A Doll’s House](https://www.newyorktheatreguide.com/show/26989-a-dolls-house-tickets)* *
- Sharon D. Clarke: *Death of a Salesman*
- Sean Hayes: *Good Night, Oscar* *
- Denise Manning: *Amani*
- Audra McDonald: *Ohio State Murders*
- Wendell Pierce: *Death of a Salesman*
- John Douglas Thompson: *Endgame*
- Kara Young: *Twelfth Night*

__Outstanding Lead Performance in a Musical__
- Annaleigh Ashford: *Sweeney Todd* *
- Nicholas Barasch: *The Butcher Boy*
- Sara Bareilles: *Into the Woods*
- Andrew Burnap: *Camelot*
- Micaela Diamond: *Parade*
- Andrew Durand: *Shucked*
- Callum Francis: *Kinky Boots*
- J. Harrison Ghee: *Some Like It Hot* *
- Jonathan Groff: *Merrily We Roll Along*
- Somi Kakoma: *Dreaming Zenzile*
- Lindsay Mendez: *Merrily We Roll Along*
- Anna Uzele: *New York, New York*

__Outstanding Featured Performance in a Play__
- Emily Bergl: *Good Night, Oscar*
- Danielle Brooks: *The Piano Lesson*
- Amelda Brown: *Love* 
- Ray Fisher: *The Piano Lesson*
- K. Todd Freeman: *Downstate* 
- Francis Guinan: *Downstate* 
- Nick Holder: *Love* 
- Arian Moayed: *A Doll’s House*
- Brian Quijada: *Wolf Play* 
- Miriam Silverman: *The Sign in Sidney Brustein’s Window* *
- Brandon Uranowitz: *Leopoldstadt* *
- Kara Young: *Cost of Living*

__Outstanding Featured Performance in a Musical__
- Kevin Cahoon: *Shucked*
- Kevin Del Aguila: *Some Like It Hot* *
- Robyn Hurder: *[A Beautiful Noise, The Neil Diamond Musical](https://www.newyorktheatreguide.com/show/24254-a-beautiful-noise-tickets)*
- Mark Jacoby: *A Beautiful Noise, The Neil Diamond Musical*
- Tarra Conner Jones: *White Girl in Danger* 
- [Julia Lester](https://www.newyorktheatreguide.com/theatre-news/interviews/julia-lester-on-growing-up-with-into-the-woods): *Into the Woods*
- Alex Newell: *Shucked* *
- Daniel Radcliffe: *Merrily We Roll Along* 
- Phillipa Soo: *Into the Woods*
- Mare Winningham: *A Man of No Importance* 

__Outstanding Direction of a Play__
- Zi Alikhan: *On That Day in Amsterdam* 
- Shayok Misha Chowdhury: *Public Obscenities* 
- Miranda Cromwell: *Death of a Salesman*
- Adam Meggido: *[Peter Pan Goes Wrong](https://www.newyorktheatreguide.com/show/27336-peter-pan-goes-wrong-tickets)*
- Max Webster: *Life of Pi* *
- Alexander Zeldin: *Love* 

__Outstanding Direction of a Musical__
- Jeff Calhoun: *Between the Lines*
- John Doyle: *A Man of No Importance* 
- Maria Friedman: *Merrily We Roll Along* 
- Thomas Kail: *Sweeney Todd* *
- Jack O’Brien: *Shucked*

__Outstanding Choreography__
- Andy Blankenbuehler: *Only Gold* 
- Tislarm Bouie: *the bandaged place*
- Edgar Godineaux: *The Harder They Come* 
- Casey Nicholaw: *Some Like It Hot* *
- Susan Stroman: *[New York, New York](https://www.newyorktheatreguide.com/show/26043-new-york-new-york-tickets)*
- [Jennifer Weber](https://www.newyorktheatreguide.com/theatre-news/interviews/choreographer-jennifer-weber-proves-her-versatility-on-broadway): *KPOP*

__Outstanding Music__
- Brandy Clark and Shane McAnally: *Shucked* *
- Michael R. Jackson: *White Girl in Danger*
- Tom Kitt and AnnMarie Milazzo (vocal designer): *Almost Famous*
- Elyssa Samsel and Kate Anderson: *Between the Lines*
- The Kilbanes: *Weightless*

__Outstanding Lyrics__
- Brandy Clark and Shane McAnally: *Shucked*
- Jonathan Hogue: *Stranger Sings! The Parody Musical*
- Michael R. Jackson: *White Girl in Danger*
- Adam Schlesinger and Sarah Silverman: *The Bedwetter*
- Scott Wittman and Marc Shaiman: *Some Like It Hot* *

__Outstanding Book of a Musical__
- Jonathan Hogue: *Stranger Sings! The Parody Musical*
- Robert Horn: *Shucked*
- Matthew López and Amber Ruffin: *Some Like It Hot* *
- Marla Mindelle, Constantine Rousouli, and Tye Blue: *Titanique*
- David West Read: *& Juliet*

__Outstanding Orchestrations__
- Bruce Coughlin: *A Man of No Importance* 
- Jason Howland: *Shucked*
- Charlie Rosen and Bryan Carter: *Some Like It Hot* *
- Kenny Seymour: *The Harder They Come*
- Daryl Waters and Sam Davis: *New York, New York*

__Outstanding Music in a Play__
- Ben Edelman, Zane Pais, and Sinan Refik Zafar: *Letters from Max, a ritual*
- Mauricio Escamilla: *the bandaged place*
- Suzan-Lori Parks: *Plays for the Plague Year* *
- Ian Ross: *Wuthering Heights* 
- Daniel Schlosberg: *Montag*

__Outstanding Scenic Design of a Play__
- Jason Ardizzone-West: *Wedding Band*
- Beowulf Boritt: *Ohio State Murders*
- dots: *Public Obscenities*
- Tim Hatley: *Life of Pi* *
- Natasha Jenkins: *Love*
- John McDermott: *Chains*

__Outstanding Scenic Design of a Musical__
- Beowulf Boritt: *New York, New York* *
- David Korins: *Only Gold*
- Scott Pask: *Shucked*
- Walt Spangler and Brendan McCann (production props): *Stranger Sings! The Parody Musical*
- Michael Yeargan: *[Camelot](https://www.newyorktheatreguide.com/show/25210-camelot-tickets)*

__Outstanding Costume Design of a Play__
- Kara Branch: *According to the Chorus*
- Enver Chakartash: *Public Obscenities*
- Qween Jean: *Wedding Band*
- Sarah Laux: *Wish You Were Here*
- Emilio Sosa: *Ain’t No Mo’* *
- Roberto Surace: *Peter Pan Goes Wrong*

__Outstanding Costume Design of a Musical__
- [Gregg Barnes](https://www.newyorktheatreguide.com/theatre-news/news/costume-designer-gregg-barnes-on-fashioning-the-1930s-in-some-like-it-hot): *Some Like It Hot* *
- Tilly Grimes: *Shucked*
- Jennifer Moeller: *Camelot*
- Clint Ramos and Sophia Choi: *KPOP*
- Anita Yavich: *Only Gold*
- Donna Zakowska: *New York, New York*

__Outstanding Lighting Design of a Play__
- Isabella Byrd: *Epiphany*
- Jiyoun Chang: *The Far Country*
- Natasha Chivers and Willie Williams (video): *Prima Facie* *
- Allen Lee Hughes: *Ohio State Murders*
- Cha See: *On That Day in Amsterdam*
- Japhy Weideman: *The Piano Lesson*

__Outstanding Lighting Design of a Musical__
- Ken Billington: *New York, New York*
- Jeff Croiter: *Only Gold*
- Heather Gilbert: *Parade*
- David Grill: *Bob Fosse’s Dancin’*
- Natasha Katz: *Sweeney Todd* *

__Outstanding Projection and Video Design__
- Simon Baker: *Wuthering Heights*
- Andrzej Goulding: *Life of Pi* *
- Caite Hevner: *Between the Lines*
- Josh Higgason: *White Girl in Danger*
- Nicholas Hussong: *On That Day in Amsterdam*
- Johnny Moreno: *Public Obscenities*

__Outstanding Sound Design of a Play__
- Justin Ellington: *Ohio State Murders*
- Tom Gibbons: *Hamlet*
- Josh Anio Grigg: *Love*
- Lee Kinney and Daniel Kluger: *You Will Get Sick*
- Ben & Max Ringham: *A Doll’s House* *
- Mikaal Sulaiman: *Fat Ham* 

__Outstanding Sound Design of a Musical__
- Peter Hylenski: *Almost Famous*
- Scott Lehrer and Alex Neumann: *Into the Woods* *
- John Shiver: *Shucked* *
- Joanna Lynne Staub: *Weightless*
- Jon Weston: *Parade* 

__Outstanding Wig and Hair__
- Campbell Young Associates: *Almost Famous*
- Cookie Jordan: *The Piano Lesson*
- Mia M. Neal: *Ain’t No Mo’* *
- Earon Nealey: *Twelfth Night*
- Mitsuteru Okuyama: *Chushingura 47 Ronin*
- Luc Verschueren: *A Beautiful Noise, The Neil Diamond Musical*

__Outstanding Solo Performance__
- Jodie Comer: *Prima Facie* *
- David Greenspan: *Four Saints in Three Acts*
- Jessica Hendy: *Walking With Bubbles*
- Anthony Rapp: *Without You*
- Tracy Thorne: *Jack Was Kind*

__Unique Theatrical Experience__
- *Asi Wind’s Inner Circle*
- *Peter Pan Goes Wrong* *
- *Plays for the Plague Year*
- *Zephyr*

__Outstanding Fight Choreography__
- B.H. Barry: *Camelot* *
- Rocio Mendez: *Día Y Noche*
- Rocio Mendez: *How to Defend Yourself*
- Unkledave’s Fight-House: *soft*

__Outstanding Adaptation__
- *A Doll’s House* by Amy Herzog *
- *Arden of Faversham* by Jeffrey Hatcher and Kathryn Walat
- *black odyssey* by Marcus Gardley
- *Oresteia* by Robert Icke
- *Wuthering Heights* by Emma Rice

__Outstanding Puppetry__
- John Leader: *Wuthering Heights*
- James Ortiz (design), Kennedy Kanagawa (as Milky White): *Into the Woods*
- Nick Barnes and Finn Caldwell: *Life of Pi* *
- Kirjan Waage: *The Immortal Jellyfish Girl*


2023 Drama Desk Award winners announced

Life of Pi - 1

LIFE OF PI - Hiran Abeysekera, Richard Parker (Fred Davis, Scarlet Wildeernik, Andrew Wilson) - by Matthew Murphy & Evan Zimmerman for Murphy Made

*Some Like It Hot* and *Life of Pi* are the top winners of the 67th annual Drama Desk Awards.

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The critically acclaimed National Yiddish Theatre Folksbiene (NYTF) production of Fiddler on the Roof, directed by Oscar and Tony Award winner Joel Grey, transfers to Off-Broadway's New World Stages. Get *Fiddler on the Roof* tickets on New York Theatre Guide.

*Fiddler on the Roof* centers on Tevye, a poor milkman living in the fictional Russian shtetl of Anatevka. Tradition is very important to him, and he fights hard to hang onto his Jewish cultural traditions as outside forces threaten to make them obsolete. But the most unexpected threat to his traditions comes from right inside his own family. Tevye struggles with what to do when his three eldest daughters fall in love and ask for his blessing, rather than accepting their arranged marriages.

The NYTF production is performed entirely in the Yiddish language, accompanied by English and Russian supertitles. The story, however, remains the same and will still be recognizable to even non-Yiddish-speaking audiences. Also recognizable, even in translation, are the musical's famous songs like "If I Were a Rich Man," "Matchmaker, Matchmaker," and "Tradition."

NYTF first mounted its *Fiddler on the Roof* off Broadway at the Museum for Jewish Heritage in 2018, marking the first time the Yiddish version had been performed in the United States. (A one-night version of Shraga Friedman's translation was previously performed in Israel in 1965, a year after the original Broadway production opened.) After three extensions and universal critical acclaim, *Fiddler on the Roof* moved to the larger [Stage 42](https://www.newyorktheatreguide.com/theatres/stage-42) in the Theatre District in 2019.

The show went on to win Best Musical Revival prizes at the Drama Desk, Outer Critics Circle, and Off-Broadway Alliance Awards. The New York Drama Critics Circle also offered *Fiddler on the Roof* in Yiddish a Special Citation. Steven Skybell won a Lucille Lortel Award for his performance as Tevye, and he returns to his award-winning role for the 2022 production.

Also returning is director Joel Grey. Primarily an actor, he's best known for his onstage roles in [*Wicked*](https://www.newyorktheatreguide.com/show/1-wicked-musical-tickets) (as the Wizard), *Anything Goes* (as Moonface Martin), [*Chicago*](https://www.newyorktheatreguide.com/show/22-chicago-tickets) (as Amos Hart), and *Cabaret*. His performance as the Emcee in the musical's Broadway premiere and film adaptation earned him a Tony and an Oscar, respectively.

The world-premiere production of *Fiddler on the Roof* opened in 1964 and made history by becoming the first-ever musical theatre production to surpass 3,000 performances on Broadway. The show also received nine Tony Awards in 1965, including Best Musical. The most recent Broadway revival — *Fiddler*'s fifth — opened in 2015, only a few years before the first New York run of *Fiddler on the Roof* in Yiddish. Tony Award winner [Danny Burstein](https://www.newyorktheatreguide.com/stars-on-stage/danny-burstein) played the role of Tevye.

Get tickets to *Fiddler on the Roof* in New York now.

*(Photos by Matthew Murphy)*

Fiddler on the Roof - NYC - New York Theatre Guide

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Fiddler On The Roof

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Full disclosure - I saw Zero Mostel in&nbsp;<a href="/show/fiddler-on-the-roof">Fiddler on the Roof</a> on Broadway in 1965. My sister and I sat audience left very close to the front and I think the tickets were $9.95.&nbsp;I wasn't crazy for Mostel who was doing schtick that made the audience howl but had nothing to do with the story.&nbsp;It bugged me. Even at 15 I was one smart shiksa.Speaking of which, have you ever noticed how many words we have looted from the Yiddish? America is not the home of the King's English - we speak Mongrel.&nbsp;Someone sneezes we say, "gezunterheyt."&nbsp;"Kinder" (as in Kindergarten). Mensch. Bagel.&nbsp;Meshuge. Come to this production and you will hear them rolling off the tongue of the actors portraying the people who survived the Russians (in this case) and brought their families, hopes and creativity to this country. Oh, them immigrants...Sound familiar, nu?The National Yiddish Theatre Folksbiene (NYTF) production of&nbsp;Fiddler on the Roof (in Yiddish), now at <a href="/theatres/stage-42">Stage 42</a>, takes the daring step of returning this story to its Yiddish roots.&nbsp;This is the Fiddler that was given to us as The&nbsp;Dairyman Vignettes by Sholem Aleichem&nbsp;(the pen name of&nbsp;Solomon Naumovich Rabinovich) born in 1859 in what was then Russia (now The&nbsp;Ukraine).&nbsp;This is the language of the people who filled the pages. And this is, ultimately, why the production works.&nbsp;The language is at the center of the tale.Steven Skybell is a sincere Teyve who is just realizing that his daughters&nbsp;Hodl (Stephanie Lynn Mason),&nbsp;Tsaytl Tsaytl (Rachel Zatcoff),&nbsp;Khave (Evan Mayer), Shprintze (Raquele Nobile) and&nbsp;Beylke (Samantha Hahn) are growing up and making their own decisions. You raise them and you let them go he tells God in one of the many one-sided conversations. But what if they go down a path you have not prepared? What if they think outside the preverbal box?&nbsp;When tradition is the center of life, what happens when it is shaken. In that case, you will make a new tradition.While this production lacks snap-crackle and pop, there is a foundation of purity, of truth.&nbsp;The original production of&nbsp;Fiddler&nbsp;had little in the way of reality.&nbsp;It bypassed any seriousness of the threat to immigrants all over the world. This was the 1960's and the biggest threat to Americans was the Beatles' hair.&nbsp;The more recent production in 2016 was a dark, penetrating re-examination of the tale.&nbsp;This&nbsp;Fiddler&nbsp;falls somewhere in between. Text wise there is more social commentary focus.&nbsp;"Girls need to learn.&nbsp;Girls are people." "The rich are criminals...There'll come a day, and all their capital will belong to us." The threat of rebellion is in the air.&nbsp;Neighbors turn on neighbors because of orders. Neighbors support neighbors' new ideas because the real tradition is their connection. And their language.&nbsp;By giving us the tale in Yiddish, Joel Grey and this company make us listen in ways for which we are unprepared. The sound of language opens more than the ears.&nbsp;It opens the heart.&nbsp;I read a post on FaceBook the other day - it read "Never make fun of someone who speaks broken English.&nbsp;It means they know another language."Ultimately this production works for mysterious reasons. The language is the loom on which the tapestry is created.&nbsp;We are lured in without knowing it, and when the last person pulls their wheelbarrow out of Anatevka, we know in our gut that they may never see one another again.&nbsp;The community we have come to love is no more.And what of us?&nbsp;What of our community? What of our connection to one another in the face of this shabby and shameful government? These are the questions left behind as the last fiddler leaves the stage.(Photo by Matthew Murphy)&nbsp;<div class="block block-block contextual-links-region " id="block-block-9"><div class="block-inner clearfix"><div class="block-title"><h2>WHAT THE OTHER CRITICS SAID</h2></div></div></div>"Though it features a Broadway-quality Tevye in Steven Skybell&nbsp;and, for Off-Broadway, a high level of professionalism throughout, the Folksbiene production, directed by the actor Joel Grey,&nbsp;cannot (and does not aim to) achieve the status and polish of mass entertainment. Rather, it offers a kind of authenticity no other American Fiddler&nbsp;ever has: It's in Yiddish." Jesse Green&nbsp;for <a href="https://www.nytimes.com/2018/07/17/theater/review-yiddish-fiddler-on-the-roof.html" target="_blank">New York Times</a>"Admittedly, this may not be the most spectacularly sung, danced or designed&nbsp;Fiddler&nbsp;ever to hit the stage, but it's likely the most authentic thanks to the use of Yiddish and the focus on genuine feelings. At times it's more like a séance than a show.&nbsp;The turn-of-the-20th-century village of Anatevka may be fictional, but its denizens feel wonderfully, vibrantly alive." Raven Snook&nbsp;for&nbsp;<a href="https://www.timeout.com/newyork/theater/fiddler-on-the-roof-in-yiddish" target="_blank">Time Out New York</a>"How do you take a 1964 musical blockbuster seen in countless revivals and tours, not to mention a robust big-screen treatment that still holds up, and imbue it with illuminating new life? In the case of director Joel Grey's shattering reclamation of&nbsp;Fiddler on the Roof, it's simply a matter of hearing the familiar work in a new language. Or more accurately, an ancient language. A sleeper hit last summer at Lower Manhattan's Museum of Jewish Heritage, this lovingly mounted staging from the National Yiddish Theatre Folksbiene has transferred uptown to a commercial venue, delivering raw emotionality, boisterous humor and cultural authenticity that will stir you whether you're experiencing the show for the first time or the 15th." David Rooney&nbsp;for&nbsp;<a href="https://www.hollywoodreporter.com/review/fiddler-on-the-roof-theater-1188813" target="_blank">Hollywood Reporter</a>

Review of Fiddler on the Roof (in Yiddish) at Stage 42

The Cast of Fiddler on the Roof

Off-Broadway

Fiddler On The Roof - NYC

Located beneath the Worldwide Plaza between Times Square and Hell’s Kitchen, New World Stages is a modern performing arts complex with five theatres for Off-Broadway productions.

The building was constructed in 1994 on the site of the third Madison Square Garden. It first opened as a Loews Cineplex Entertainment multiplex cinema, which closed in 2001.

For the next three years, the building underwent substantial renovations and finally reopened as Dodger Stages in 2004, designed by architects Beyer, Blinder, and Belle. The theatre complex was renamed New World Stages on March 16, 2006, and Stage Entertainment assumed sole ownership of the property. The Shubert Organization took over ownership and operation on November 17, 2017.

All five spaces have between 100 and 500 seats, officially deeming New World Stages an Off-Broadway venue. Stage 1 and Stage 3 are the largest theatres in the complex with 499 seats. Stages 2 and 4 offer a 350-seat capacity. Stage 5 is the smallest venue with 199 seats. The Green Room is the official bar and lounge for New World Stages, but it can also be a performance space.

## How to get to New World Stages off Broadway

New World Stages is closest to the 50th St. subway stop on the C and E lines. The nearest bus stop is 9 Av./W 50 St. on the M11 line.

## Where is *The Play That Goes Wrong* playing?

*The Play That Goes Wrong* is at New World Stages' Stage 4. The comedy play made its Broadway debut in 2017, and after running there for two years, it transferred off Broadway.

Previous productions that enjoyed long Off-Broadway runs at New World Stages after closing on Broadway are *Jersey Boys* and *Avenue Q*.

New World Stages - NYC

New World Stages

Find dates and book tickets to see the show Fiddler On The Roof at New World Stages from New York Theatre Guide.

Fiddler On The Roof Tickets | New World Stages | New York Theatre Guide

Take part in the tradition and see this acclaimed revival. Back for an encore run after an acclaimed premiere, director Joel Grey's production is performed entirely in Yiddish, with English and Russian supertitles. Get tickets and hear the musical's bost beloved songs, like "If I Were a Rich Man" and "Matchmaker, Matchmaker," in a whole new way.

Bubble lovers of all ages are delighted with an unbubblievable experience, awashed with a bubble tide, and perhaps even find themselves inside a bubble. (2+)

Gazillion Bubble Show [13514]

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The Play That Goes Wrong [14790] (USE THIS 2021) 

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The Play That Goes Wrong

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Halfway through the first act of the hilarious off-Broadway staging of <a href="/show/the-play-that-goes-wrong">The Play That Goes Wrong</a>, an actor who has grown wildly frustrated because of a missing prop turns to the audience and says, "Stop laughing! This isn't television, I can see you." The demand, naturally, only makes the audience laugh harder. And that is an impressive feat given that the chuckles had been pouring forth relentlessly from the production's opening moments and, indeed, carry through to the final madcap meltdown, with the scenery seemingly in a race with the performers to see which will tip over first. If it is cliché to say that a show has non-stop laughs, then this show is cliché in the extreme. If it is pat to say that this play lives up to its title, rarely have a talented crew of actors and technicians so seamlessly joined forces to make a ridiculously wrong piece of theater feel so very right.The script, by a trio of gents who trained at the London Academy of Music &amp; Dramatic Art, actually has a rather complicated exoskeleton. It is a play within a play, with actors portraying other actors who, in turn, are portraying characters in a murder mystery. It is an Agatha Christie type of an affair where one dead body turns into two, then back into one, then into several, while siblings, friends, a love interest and, of course, the butler, are all scrutinized by an intrepid inspector (a game for anything Matt Harrington). But none of this matters in the least. It is merely an excuse for two hours of well-timed spit takes, killer pratfalls, silly antics by men with serious British accents, pyrotechnics of both the literal and metaphorical variety, purposefully egregious over-acting and death defying moments of scenic design by Tony Award winner Nigel Hook. Director Matt DiCarlo, either a genius or a fool, pulls it all together with the nerves of a demolition expert handling a bomb with a dozen different triggers.Beyond the simple joys of a man running face-first into a pole, there are recognizable pleasures to be had for anyone who has ever been in a play, amateur or professional, on stage or in the wings. There are cascading prop failures, sound cues with a mind of their own, and misdelivered dialogue that leads to one scene getting stuck in an endless loop. An ensemble of eight perform the tricky task of bashing each other while making sure their antics are safely executed. Bartley Booz, as the confused thespian, Dennis, has his lines written on his hands but still manages to mispronounce everything as he tries to create a believable butler. Matt Walker, as Max, intentionally steals every scene he is in by making devilish eye contact with the audience, much more concerned with showing off than with actual acting. Ashley Reyes handles the ingénue duties with aplomb, gamely being thrown out the window when not torn between two lovers. Ryan Vincent Anderson and Bianca Horn are two stagehands who get dragged into the action with predictably bruising results while Chris Lanceley and Brent Bateman portray friends with stiff upper lips and quivering legs.Having ended its successful Broadway run in January, the play has found a happy home at <a href="/theatres/new-world-stages">New World Stages</a>, joining fellow transfers <a href="/show/avenue-q">Avenue Q</a> and <a href="/show/jersey-boys">Jersey Boys</a> in the underground complex which originally housed a discount multiplex cinema. This cramped stage feels more in keeping with the ruse that the production is presented by a dysfunctional British drama society. The smaller proscenium makes it seem all the more big-hearted.(Photo by Jeremy Daniel)

Review of The Play That Goes Wrong at New World Stages

May be inappropriate for 12 and under.  Children under the age of 4 are not permitted in the theatre.

Anthony Rapp’s Without You - NYC

Anthony Rapp-s Without You. Photo by Russ Rowland (7)

Anthony Rapp’s Without You

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"Five hundred, twenty-five thousand, six hundred minutes..."

The immediately recognizable "Seasons of Love" appropriately kicks off [*Without You*](https://www.newyorktheatreguide.com/show/26814-without-you-tickets), the theatrical memoir of Anthony Rapp, who originated the lead role of Mark in Jonathan Larson's groundbreaking rock musical *Rent*. To Rapp's credit, he makes what could be a painfully cliche opening feel genuine, as though the song was written only yesterday. It's a freshness that only an original *Rent* star could give a 30-year-old tune.

That's also the vibe of *Without You* at large. The show is adapted from Rapp's same-named 2006 memoir about events that happened in the mid-90s: his rapid rise from Starbucks barista to Broadway star, which coincided with the loss of Larson and, miles from New York, Rapp's mother. He delivers this story with such passion — signaled, at times, by visible tears on his cheeks — that you'd think it all just happened.

Moments like Rapp's vivid reenactment of *Rent*'s very first performance — a concert-style tribute to Larson, who passed away that morning — even feel like they're happening for the first time right there at [New World Stages](https://www.newyorktheatreguide.com/theatres/new-world-stages). (Indeed, *Without You*'s official opening tonight is the 27th anniversary of that performance.) Rapp's singular look behind the scenes of the beloved musical is not only the show's biggest draw, but its greatest strength.

He breaks out all the hits — "One Song Glory," "Rent," "La Vie Boheme," "No Day But Today" — and recalls his conversations with people like Larson, director Michael Greif, and castmates Adam Pascal and Daphne Rubin-Vega, skillfully mimicking all their voices. Images of various *Rent*-related objects and actual behind-the-scenes photos are projected collage-style on the walls behind him throughout, echoing the look of *Rent*'s original show poster.

But half of *Without You* dispenses with *Rent* as Rapp recalls his relationship with his on-and-off sickly mother in her last years. It's impossible for such a story not to strike an emotional chord, but theatrically, the show loses momentum in these sections and reminds us of its origin as a book.

Rapp doesn't quite succeed in integrating his two throughlines, making *Without You* feel like two separate shows at once. There's a chasm between the rollicking energy of the *Rent* sections, punctuated by Larson's tunes at both joyous and sorrowful moments, and the mellow straightforwardness of the family sections, scored by Rapp's easygoing original songs. (A live five-piece band supports all of Rapp's vocals.) There's little consistency between the two, both musically and visually — the carefully curated, stylized *Rent*-inspired projections give way to generic art as Rapp sings his own music. And a country-inspired tune about a cancerous tumor dubbed "Wild Bill" stands out as particularly bizarre, not quite matching either section's tone.

Rapp's effortlessly affable persona, however, keeps *Without You* largely entertaining nonetheless. And there is one consistent through line: "Seasons of Love." The song bookends the show and pops up a few times in between. It's the first number Rapp learned at the first *Rent* rehearsal — the symbol of a new beginning — and a key moment in *Rent*'s first performance after Larson's passing — the symbol of an end, "as if Jonathan had written his own memorial," as Rapp puts it. In other words, that one song ties together all of *Without You*'s themes of life and love and loss, with no trace of its time-acquired banality.

Mrs. Rapp loved any chance Rapp got to sing, he says. She, and Larson, would be proud.

[*Without You* is at New World Stages through April 30. Get *Without You* tickets on New York Theatre Guide.](https://www.newyorktheatreguide.com/show/26814-without-you-tickets)

*Photo credit: Anthony Rapp in Without You. (Photo by Russ Rowland)*