Broadway

Two musicians on the run find romance, misadventure, and, most significantly, their true selves in [*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets) on Broadway. Based on the classic Billy Wilder big-screen comedy, the musical gets a fresh coat of paint thanks to bookwriters Matthew Lopez and Amber Ruffin, plus a score that makes it all sing.

The songs are by Marc Shaiman (music and lyrics) and Scott Wittman (lyrics), who are “pros at matching showtunes to a particular period,” as noted in New York Theatre Guide’s [four-star *Some Like It Hot* review](https://www.newyorktheatreguide.com/reviews/some-like-it-hot-broadway-review). Just as they summoned the ’60s in the Tony Award-winning *Hairspray*, the team welcomes audiences to the ’30s in *Some Like It Hot*, which sees its lead characters stow away with a swing big band. Learn more about the jazzy, brassy songs playing at the [Shubert Theatre](https://www.newyorktheatreguide.com/theatres/shubert-theatre).

Get *Some Like It Hot* tickets now.

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## “What Are You Thirsty For?”

Between the Depression and Prohibition, times were doubly tough in 1933. Bandleader Sweet Sue (NaTasha Yvette Williams) sets the scene lickety-split in the lively opening number in a Chicago speakeasy. In a winking lyric that easily speaks to any era, Sue belts, “At times like these, we could all certainly use a drink.” 

## “You Can’t Have Me (If You Don’t Have Him)”

Jobs are scarce for musicians. But saxophonist Joe ([Christian Borle](https://www.newyorktheatreguide.com/stars-on-stage/christian-borle)) and bassist Jerry (J. Harrison Ghee) are also nimble hoofers. When Joe’s twinkle-toed tapping lands him a gig, he refuses to take it without Jerry, who is initially snubbed because he is Black.

“You can’t have proper without the prim, and you can’t have me if you don’t have him!” Joe sings. The plan – and the duo’s fancy footwork – works.

![5 some like it hot-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/4xXLSOfbiq73wS9e3skTJH/db46491d33d6e9170c91cff7be6a26a0/5_some_like_it_hot-1200x600-NYTG.jpg)

## “Vamp!”

This high-spirited number earns its exclamation point. After Joe and Jerry witness a mob execution, they hatch a quick scheme to save their lives. “Time to improvise,” they sing, donning wigs and frocks and reinventing themselves as women. Joe becomes Josephine, and Jerry morphs into Geraldine, which he later changes to Daphne.

## “I’m California Bound”

Intent on escaping into Mexico, the masquerading musicians join Sweet Sue’s all-girl band, the Society Syncopators, headed to San Diego. Also on board is singer Sugar Kane (Adrianna Hicks), who’s had it with men chasing her. “Hey ladies, all aboard, whether you’re running away or running toward!” porters sing in the big number.

## “A Darker Shade of Blue”

Everybody’s got their romantic kryptonite. For Sugar, it’s men who play sax – even though they always disappoint. “When a saxophone starts crying,” she says in the torch song, “that’s when night takes its cue to turn a darker shade of blue.”

![2 some like it hot-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2Tw6BBa1k8OK21tSASJS5Z/940b9a1a33392e8a89336dc34aecc1f3/2_some_like_it_hot-1200x600-NYTG.jpg)

## “Take It Up a Step”

When Sue demands her band polish their act, Sugar, Josephine, and Daphne take the lead on this song. The title lyric is a metaphor for how you must shift into high gear to get what you want.

## “Zee Bap”

This novelty number sees Sue, Josephine, and Daphne let loose with high-energy scatting. They educate fellow bandmates on how to deal with men behaving like creeps: Shut them down by saying, “Zee bag zah bootalee atta feet bam-bam.” Silly and fun? You bet.

## “At the Old Majestic Nickel Matinee”

In this beautiful and bittersweet solo, Sugar, reconceived for the musical as a Black woman, shares that movies offered a world beyond her rural, segregated one. “Up there on the screen, there was romance, and the make-believe carried me away,” Sugar sings, revealing her dreams to be a movie star someday. “Because no one I’d ever seen were like the stars up on the screen.”

![1 some like it hot-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/60bl9xOY63DGZIq7srVBNo/cde27655be206d00abb379cb8539a5de/1_some_like_it_hot-1200x600-NYTG.jpg)

## “Poor Little Millionaire”

This fizzy, doo-wop-laced song introduces goofy Osgood (Kevin del Aguila), who’s been drowning in money since his father invented root beer. However, he laments, his love life is “all at sea.” Then he sees Daphne, and he's immediately smitten.

## “Some Like It Hot” 

Shaiman and Wittman fire on all cylinders in this irresistible first-act finale that leads to a pre-intermission cliffhanger. “So ladies, Hades is the spot to be what angels sure are not,” everyone sings. “Some like it hot, and hot is what I got for you!” 

## “Let’s Be Bad”

Fans of the TV series *Smash* will recognize this song, as Shaiman and Wittman wrote it ten years ago for that show about the making of a Marilyn Monroe musical. Osgood, Daphne, and the Syncopators girls sing a reimagined version here as the root beer baron whisks them away for a night out in Mexico.

![4 some like it hot-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/21NCzYg5BDRB6leVTF45Xd/92494463ce6fdd47120ffda5dbfa46bb/4_some_like_it_hot-1200x600-NYTG.jpg)

## “Dance the World Away”

Joe adopts another disguise, as a Hollywood screenwriter named Kip, to win over Sugar. It works as they share this old-school, swoon-worthy song while dancing a romantic waltz.

## “Fly, Mariposa, Fly”

*Some Like It Hot* is about transformation and personal identity, and Osgood’s song underscores that idea. He shares a childhood story about a butterfly’s life stages, a tale he finds comforting when he's confused about who he is. It’s a smart song that gets bonus points for the clever rhyme “Mother’s Nature’s kiss” and “metamorphosis.” 

## “You Coulda Knocked Me Over With a Feather”

Daphne’s song is about the surprise of self-discovery and embracing one’s true being, as the character realizes Jerry and Daphne are two equally important sides of their truest identity. “I know that Daphne is the best part of me. Oh, yeah! Daphne is who I want to be!” Daphne sings. That Ghee is nonbinary adds to the song’s impact.

## “He Lied When He Said Hello”

Joe’s feelings for Sugar inspire him to come clean about his identity – and it isn’t Josephine or Kip. He breaks off "Kip's" relationship with Sugar with a letter and sings, “We’re through with pretending. It’s time to do right. I’m gonna have a happy ending.”

![some like it hot 6-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/3ptHd9hlTqkeO6cMSAPKEp/a7c116d4beda9885cd60194fa8cebe6c/some_like_it_hot_6-1200x600-NYTG.jpg)

## “Ride Out the Storm”

“I thought that I had found shelter — someone to brighten the day. But now comes the rain, so I welcome the rain… to wash all my sorrow away.” A heartbroken Sugar bares her soul in this 11 o'clock number that uses the time-honored metaphor of stormy weather to symbolize romantic trouble. 

## “Tip Tap Trouble”

Doors are slamming. Gangsters are chasing. Everybody’s running — and dancing — as fast as they can. The whole cast gets in on this fast-paced farce sequence where the police hunt for murderous mobster Spats, Spats hunts for Joe and Jerry, and everyone else is just trying to escape alive.

## “Baby, Let’s Get Good”

The last line of Wilder's film – “Nobody’s perfect” – is woven into the show's rousing finale. What’s perfect is that at this point, Prohibition has lifted, and the good times will roll. Similarly, good times will come your way at *Some Like It Hot*.

Get *Some Like It Hot* tickets now.

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*Photo credit: Some Like It Hot on Broadway. (Photos by Marc J. Franklin and Matthew Murphy)*

All the songs in ‘Some Like It Hot’ on Broadway

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Recommended for 12 + Children under the age of 4 are not permitted in the theatre.

Some Like It Hot on Broadway - NYC

Some Like It Hot on Broadway

Read our A-to-Z guide of the tunes in this big-band musical comedy based on the classic comedy film, from "At the Old Majestic Nickel Matinee" to "Zee Bap."

It's too good, at least! A new block of tickets has been released for *Sweeney Todd* on Broadway, with seats now available to performances through January 14, 2024. [Get *Sweeney Todd* tickets now.](https://www.newyorktheatreguide.com/show/26216-sweeney-todd-on-broadway-tickets)

The current revival of *Sweeney Todd* began performances at the [Lunt-Fontanne Theatre](https://www.newyorktheatreguide.com/theatres/lunt-fontanne-theatre) on February 26 and officially opens on March 26. It is the third Broadway revival of Stephen Sondheim and Hugh Wheeler's musical, which won eight Tony Awards for its 1979 premiere.

Grammy Award nominee Josh Groban plays the title character of *Sweeney Todd*, a barber who swears vengeance — and death — on a judge who wronged him. Tony Award winner Annaleigh Ashford stars opposite Groban as Mrs. Lovett, Todd's accomplice as his revenge plot turns into a murder spree.

The show features popular show tunes including "A Little Priest," "Johanna," and "The Ballad of Sweeney Todd."

Get *Sweeney Todd* tickets now.

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'Sweeney Todd' Broadway tickets on sale through January 2024

sweeney todd new-1200x600-NYTG

Sweeney Todd on Broadway - NYC

Sweeney Todd on Broadway

Josh Groban and Annaleigh Ashford star in the latest revival of Stephen Sondheim and Hugh Wheeler's musical thriller, which plays the Lunt-Fontanne Theatre.

Women’s History Month is underway, and there are countless ways to celebrate with theatre. Women currently lead several Broadway shows on stage and off, collectively representing a diverse range of backgrounds and perspectives. Several incredible plays and musicals on Broadway showcase talented female actors and creators.

Below are the best Broadway shows in New York with female characters at the forefront. Whether you’re in the mood for a somber drama, a heart-pounding romance, or an empowering retelling of a classic tale, you’ll find it in these women-led Broadway shows.

[Hear from Broadway actresses about what Women's History Month means to them.](https://www.newyorktheatreguide.com/theatre-news/news/broadway-actresses-celebrate-womens-history-month)

Get tickets to a Broadway show on New York Theatre Guide.

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## *A Doll’s House*

Henrik Ibsen’s groundbreaking play starring [Jessica Chastain](https://www.newyorktheatreguide.com/stars-on-stage/jessica-chastain) will keep you captivated with a story about a woman taking control of her life despite difficult circumstances. Written in 1879, *A Doll’s House* tackles themes ahead of its time, even drawing backlash for challenging gender norms and expectations of mothers and wives. A female writer, Pulitzer Prize finalist Amy Herzog, updated Ibsen’s script for this revival.

The lead character, Nora Helmer, questions her marriage while harboring a secret from her husband, wishing to leave and live an independent life. *A Doll’s House* made history as an early work featuring a strong female lead who wants more than society has allowed her.

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## *& Juliet*

If you think Juliet deserved a better ending than the one she got in *Romeo & Juliet*, check out this new jukebox musical. *& Juliet* features the music catalog of Max Martin, the songwriter behind hits from NSYNC, Britney Spears, Kelly Clarkson, and many other pop sensations.

*& Juliet* centers two strong-willed female characters: Juliet and Shakespeare’s wife, Anne Hathaway. After reading her husband’s play, Anne imagines a new ending for the heroine, where she escapes Verona in search of her own destiny. The musical follows the two as Anne creates a different path for Juliet, who gets to live a new life.

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## *Bad Cinderella*

Interested in another heroine who could use more agency in her own story? See Andrew Lloyd Webber’s *Bad Cinderella*, which retells the classic tale in a way where Cinderella isn’t looking for Prince Charming. (In fact, he’s dead.)

Instead of a soft-natured Cinderella who quietly accepts her fate until the Fairy Godmother arrives, this “bad” Cinderella is a rebel raging against her cruel stepmother, stepsisters, and the town that rejects her. Although she finds a happily ever after, the joy comes from accepting exactly how she is — not from suddenly becoming a beautiful princess. 

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## *Chicago*

There’s no doubt about the sheer female power in *Chicago*, a jazzy musical that’s run on Broadway continuously since 1996. *Chicago* features a majority-female principal cast led by Roxie Hart, who rises to celebrity status during her murder trial. In 2023, drag queen Jinkx Monsoon made history playing Matron “Mama” Morton, the warden at Roxie's jail.

The show features powerful vocals and showstopping numbers like “All That Jazz” and “Nowadays.” If you’ve only seen the famous movie version starring Renee Zellweger and Catherine Zeta-Jones, you’ll want to check out the musical to get a taste of all that jazz live.

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## *Wicked*

Adapted from the Gregory Maguire novel, *Wicked* has been a Broadway mainstay for two decades, wowing audiences with incredible music and celebrating the power of female friendship. Elphaba, the future Wicked Witch of the West, and Glinda, later known as Glinda the Good, initially start as enemies while roommates at Shiz University, but a friendship soon blossoms between the two.

The headstrong Elphaba risks everything to expose corruption in Oz, ultimately standing up for what’s right against all odds. You’ll be blown away by the incredible vocals in the women’s iconic songs like “Defying Gravity,” “For Good,” and “Popular.”

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## *Kimberly Akimbo*

Thought high school was hard enough? Imagine being Kimberly, a 16-year-old who looks like she’s 72 due to a rare condition that has accelerated her aging. And to top it off, she’s also dealing with a dysfunctional family — and yet, trying to find happiness through it all in this funny yet poignant musical, which has received near-universal acclaim.

Not only does *Kimberly Akimbo* have a unique and bold female lead (plus a fan-favorite supporting character in Kimberly’s Aunt Deb), but two of the show’s lead creatives are women: composer/lyricist Jeanine Tesori and director Jessica Stone.

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## *Moulin Rouge! The Musical*

Based on the cult classic Baz Luhrmann film, *Moulin Rouge! The Musical* transports audiences to Paris’s bohemian Montmartre district at the turn of the 20th century. The leading man is Christian, an American writer who has just arrived in Paris, but Satine — the sparkling diamond at the Moulin Rouge nightclub — steals the show.

Although she’s promised to the Duke of Monroth to save the club, the independent and closed-off Satine falls into a whirlwind romance with Christian. In the end, it’s Satine who learns to love and be loved in return.

Get *Moulin Rouge! The Musical* tickets now.

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## *Funny Girl*

Who told you you’re allowed to rain on her parade? If anyone is willing to go after exactly what she wants without hesitation, it’s *Funny Girl*’s Fanny Brice. Based on the true story of Ziegfeld Follies showgirl and comedian Fanny Brice, the musical follows her upbringing in an immigrant Jewish family with big dreams of stardom and her success as a comedic actress in the Follies.

You’ll not only hear [Lea Michele](https://www.newyorktheatreguide.com/stars-on-stage/lea-michele) sing the famous showstopper “Don’t Rain on My Parade” at *Funny Girl* on Broadway, but you’ll also learn about a pioneering female comedian who paved the way for other “funny girls” who came after her.

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## *Summer, 1976*

*Summer, 1976* celebrates female bonds as two women navigate motherhood, ambition, and independence amid societal expectations for women. The play follows naive housewife Alice and nonconformist artist Diana, who strike up a friendship one summer that changes their lives. Not only does this play focus on women’s resilience and independence, but it also stars two powerhouse actresses: [Laura Linney](https://www.newyorktheatreguide.com/stars-on-stage/laura-linney) and Jessica Hecht. 

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## *Six*

Listen up and let them tell you a story. *Six* is the musical sensation that has taken Broadway by storm since premiering in 2020, featuring the six wives of Henry VIII — except this time, you get to hear about their lives in their own words. The show flips the script by allowing these women, historically known as little more than wives, to make their voices heard, independent of the king.

You’ll have a blast at this high-octane musical that mimics a pop concert, and you’ll also learn history about these women and the parts of their lives often left out of textbooks.

Get *Six* tickets now.

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## *Once Upon a One More Time*

This women-powered jukebox musical takes the songs of Britney Spears and sets them to a new story about fairytale princesses you know and love. They realize they have the power to create their own happily ever afters — no princes required.

In the vein of *Bad Cinderella* and *& Juliet*, this new musical retells the stories of famous female characters, creating more empowering paths than those in their original narratives. In other words, they’re stronger than yesterday, and now there’s nothing in their way.

[Check back for information on *Once Upon a One More Time* tickets on New York Theatre Guide.](https://www.newyorktheatreguide.com/show/27127-once-upon-a-one-more-time-on-broadway)

The best Broadway shows to see for Women’s History Month

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Check out these plays and musicals in New York led by women on stage, as various historic and fictional characters, and off stage as writers and directors.

Here it is! The new Stephen Sondheim musical [*Here We Are*](https://www.newyorktheatreguide.com/show/28147-here-we-are-tickets) will have its world premiere this September at [The Shed](https://www.newyorktheatreguide.com/theatres/the-griffin-theater-at-the-shed), with exact dates to be announced.

Sondheim and bookwriter David Ives based *Here We Are* on two films by Luis Buñuel: 1972's *The Discreet Charm of the Bourgeoisie*, about six middle-class urbanites whose dinner party is constantly interrupted, and 1962's *The Exterminating Angel*, about wealthy guests trapped at a dinner party of their own.

Sondheim and Ives's adaptation was originally called *Square One*, and various private workshops have taken place since news of the musical first broke in 2014.

Directing *Here We Are* off Broadway is Joe Mantello, a two-time Tony Award winner for *Assassins* and *Take Me Out*. He is also known for directing shows including [*Wicked*](https://www.newyorktheatreguide.com/show/1-wicked-musical-tickets), *The Humans*, and this spring's *Grey House*, a new play starring Laurie Metcalf.

Additional creative team and cast announcements for *Here We Are* have yet to come.

*Here We Are* is the final show Stephen Sondheim composed before his death in 2021. A string of Sondheim shows have appeared in New York since then: *Company*, *Into the Woods*, and the currently running [*Sweeney Todd*](https://www.newyorktheatreguide.com/show/26216-sweeney-todd-on-broadway-tickets) on Broadway, and *Assassins* and [*Merrily We Roll Along*](https://www.newyorktheatreguide.com/show/27417-merrily-we-roll-along-tickets) off Broadway. The latter is transferring to Broadway this fall.

Check back for information on *Here We Are* tickets on New York Theatre Guide.

New Stephen Sondheim musical 'Here We Are' to premiere off Broadway

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Here We Are - NYC

Here We Are

This new show, based on two films by Luis Buñuel, will play at The Shed and is the final musical Stephen Sondheim composed before his death in 2021.

The new play [*Room*](https://www.newyorktheatreguide.com/show/27517-room-on-broadway) has postponed its Broadway premiere indefinitely. The show, starring [Adrienne Warren](https://www.newyorktheatreguide.com/stars-on-stage/adrienne-warren), was set to play a limited engagement at the [James Earl Jones Theatre](https://www.newyorktheatreguide.com/theatres/james-earl-jones-theatre) from April 3 to September 17.

“In the midst of our rehearsals we were informed by one of our Lead Producers that due to personal reasons, they did not intend to fulfill their obligations to the production," producer Hunter Arnold said in a statement about the postponement.

"Since being notified, the rest of the producing team has exhausted all possible avenues to keep the show on track, but the narrow timeline and economic shortfall created by this series of events has proven to be insurmountable."

The current production is shut down as of March 16.

*Room* is based on the same-named book and movie about a woman and her young son facing the outside world after years of being held in captivity. Emma Donoghue wrote the novel, screenplay, and the script for the stage adaptation. Cora Bissett and Kathryn Joseph wrote songs for the show, and Bissett was set to direct.

'Room' postpones Broadway premiere indefinitely

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Children under 4 are not permitted in the theatre.

Room on Broadway Starring Adrienne Warren - NYC

Room on Broadway Starring Adrienne Warren

The new play, based on Emma Donoghue's book and movie of the same name, was scheduled to begin performances at the James Earl Jones Theatre on April 3.

Wonder what the king is doing tonight? Then hightail it to [*Camelot*](https://www.newyorktheatreguide.com/show/25210-camelot-tickets), the 1960 musical by Alan J. Lerner and Frederick Loewe that packs enough royal romance and drama to fill the [Vivian Beaumont Theater](https://www.newyorktheatreguide.com/theatres/vivian-beaumont-theater), which houses the show's latest revival.

The show is based on the legend of King Arthur and the Knights of the Round Table. Nearly 63 years after premiering on Broadway, *Camelot* has carved its rightful place as a beloved classic. Credit a gem-packed score plus the enduring meaning of Camelot beyond the stage. Find out more about how *Camelot* looks to history and proves its lasting relevance, plus other compelling reasons to put this revival on your must-see list.

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## Aaron Sorkin updated the story.

This revival is not your grandmother’s *Camelot*. Since the beginning, the show’s sprawling story has been challenging to tell coherently. Director Bartlett Sher tapped Aaron Sorkin to update the book. Sorkin, who won an Oscar for writing *The Social Network*, a contemporary drama of power plays, brings the musical’s story down to earth while maintaining its epic sweep.

Sorkin scrapped *Camelot*'s supernatural elements, so the stakes are all on a human level, and you can’t get higher than that. Plus, Sorkin situated the story on the eve of the Enlightenment. The poetic richness of that era speaks for itself, but this change also means Arthur is no longer in a fantasy bubble. His story now affects an actual period of history.

## *Camelot* has a timeless takeaway.

Camelot is the mythical title kingdom that shone brightly, if briefly. Arthur goes from an idealistic young monarch who dreams of a just, democratic society to a despairing ruler who realizes his utopian visions have imploded.

A downer? Maybe. But Camelot’s brief rise is reason to rejoice – and to hope again for “a fleeting wisp of glory,” as the show famously says. Right now, a dose of optimism – and the reminder that greatness may be in anyone’s grasp – could do us some good.

## *Camelot* is symbolic of the Kennedys.

One way to measure the reach of a musical is to look beyond the stage to its impact on pop culture. *Camelot* debuted on Broadway as John F. Kennedy was en route to becoming president. In the same way people know Arthur and his knights as chivalrous, they romanticize the Kennedy administration as a period of optimism. 

“The Kennedys saw the show, and Jack loved it," Sorkin has said. "Jackie started calling their White House ‘Camelot.’” Today, it’s uncertain if that’s 100% true. But it’s the stuff of legend – and that’s what this musical is about. 

## *Camelot* showcases dramas of the heart and sword.

Love triangles and power battles are storytelling staples that don’t get old, and both are at the heart of *Camelot*. Despite her marriage to Arthur, Queen Guenevere becomes increasingly unable to resist her feelings for Sir Lancelot. That’s going to hurt. The king’s illegitimate son, Mordred, plots to overtake the throne. Ditto. These two events thread together and contribute to the demise of Arthur’s dream.

## *Camelot* has a vibrant, celebrated cast.

The show’s principal roles now belong to a trio of proven Broadway talents. A Tony Award winner for *The Inheritance*, Andrew Burnap plays the idealistic Arthur. [*Hamilton*](https://www.newyorktheatreguide.com/show/384-hamilton-tickets) Tony nominee Phillipa Soo is the conflicted Guenevere, and *My Fair Lady* alum Jordan Donica heats things up as Lancelot. Richard Burton, Julie Andrews, and Robert Goulet originated the three juicy roles.

## Royal rubbernecking never gets old.

Royal intrigue is forever fascinating. The show offers this reminder on stage, and the coronation of England’s King Charles III in the lusty month of May (the 3rd, to be specific) provides one in the real world.

## The musical’s songs are royal treats.

Lerner and Loewe’s score has many crown jewels. Among them are the buoyant title song and the jaunty “The Lusty Month of May.” “If Ever I Would Leave You” is hard to beat for sheer swoon appeal. Various artists like Aretha Franklin and Il Divo have covered the song. 

## You’ll hear an orchestra with oomph.

A royal epic deserves a lush background. This new production boasts a 30-piece orchestra and the show’s original orchestrations. When you have such beautiful songs, showcase them to the max.

## The director is in his element.

Director Bartlett Sher, who previously collaborated with Sorkin on the Broadway play *To Kill a Mockingbird*, has lots of experience making classic musicals shine anew on stage at the Beaumont in Lincoln Center. He’s previously guided hit revivals of *South Pacific*, *The King and I*, and *My Fair Lady* on that grand stage. 

## *Camelot* is a Broadway time machine.

*Camelot* debuted in 1960 during the Golden Age of Broadway. Now, a new generation of theatregoers experiences the show with fresh eyes and ears. Today’s audiences get the best of both worlds: the pleasing nostalgia of a classic musical and a script by a celebrated contemporary writer. Together, they remind us that *Camelot*’s messages of hope, honor, and love outlast any kingdom.

Get *Camelot* tickets now.

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How the 'Camelot' Broadway revival is reinventing the roundtable

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Camelot on Broadway - NYC

Camelot on Broadway

See why Lerner and Loewe's classic musical about an ancient mythical kingdom still speaks to modern times, thanks to updates by Oscar winner Aaron Sorkin.

Scream and shout! Two new cast members have been set for [*Once Upon a One More Time*](https://www.newyorktheatreguide.com/show/27127-once-upon-a-one-more-time-on-broadway) on Broadway. The musical begins performances at the [Marquis Theatre](https://www.newyorktheatreguide.com/theatres/marquis-theatre) on May 13 ahead of a June 22 opening night.

Newly announced cast members include two-time Tony Award nominees Jennifer Simard as Stepmother and Adam Godley as the Narrator. Simard is known for her acclaimed performances in *Company* and *Mean Girls* on Broadway, and Godley for *The Lehman Trilogy* and *Anything Goes*. 

They join the previously announced Briga Heelan as Cinderella, Justin Guarini as Prince Charming, and Aisha Jackson as Snow White.

Additional casting has yet to be announced.

The creative team includes creative consultant David Leveaux, scenic designer Anna Fleischle, costume designer Loren Elstein, lighting designer Kenneth Posner, sound designer Andrew Keister, projection designer Sven Ortel, and wig designer Nikiya Mathis.

## What is *Once Upon a One More Time* about?

*Once Upon a One More Time* features an original story by Jon Hartmere set to the chart-topping songs of Britney Spears. When a fairy godmother presents Cinderella, Snow White, Sleeping Beauty, and more with *The Feminine Mystique* at their book club, the women learn they can write their own happily ever afters.

Spears songs featured include "...Baby One More Time," "Womanizer," "Oops!...I Did It Again," "Circus," and "Stronger," plus more than a dozen others.

Check back for information on *Once Upon a One More Time* tickets on New York Theatre Guide.

*Photo credit: Jennifer Simard and Adam Godley. (Photos courtesy of production; Simard photo by Sarah Jenkins)*

Jennifer Simard, Adam Godley join 'Once Upon a One More Time' Broadway cast

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Once Upon A One More Time on Broadway - NYC

Once Upon A One More Time on Broadway

Both actors were Tony Award nominees in 2022, and they now join the cast of the new Britney Spears musical beginning performances at the Marquis Theatre in May.

This is your ticket to Neverland! [*Peter Pan Goes Wrong*](https://www.newyorktheatreguide.com/show/27336-peter-pan-goes-wrong-tickets) will offer rush and lottery tickets for its 16-week Broadway run. Performances begin March 17 ahead of an April 19 opening at the [Barrymore Theatre](https://www.newyorktheatreguide.com/theatres/barrymore-theatre).

*Peter Pan Goes Wrong* will offer $40 tickets via a digital lottery. The lottery is open for entries from midnight to 3 p.m. the day before each performance, and winners are drawn at 10 a.m. and 3 p.m. Winners may purchase up to two tickets for the next day's performance.

The show will also have in-person rush tickets available for $45. Each person can purchase up to two tickets for that day's performance at the Barrymore Theatre box office, beginning at 10 a.m. each day. Rush tickets are subject to availability.

In *Peter Pan Goes Wrong*, an amateur college theatre troupe attempts to stage [J. M. Barrie's classic *Peter Pan* play](https://www.newyorktheatreguide.com/theatre-news/news/all-the-peter-pan-adaptations-in-broadway-theatre), but they encounter mishaps with their sets, props, and fellow actors at every turn. This slapstick comedy show is from Mischief Theatre Company, who also created [*The Play That Goes Wrong*](https://www.newyorktheatreguide.com/show/14790-the-play-that-goes-wrong-tickets), which has played in New York since 2019.

Get *Peter Pan Goes Wrong* tickets now.

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*Photo credit: The cast of Peter Pan Goes Wrong in London in 2015. (Photo by Alastair Muir)*

'Peter Pan Goes Wrong' to offer Broadway lottery and rush tickets

peter pan goes wrong-1200x600-NYTG

Peter Pan Goes Wrong on Broadway - NYC

Peter Pan Goes Wrong on Broadway

The comedy from Mischief Theatre Company, the creator of *The Play That Goes Wrong*, makes its New York debut at the Barrymore Theatre for 16 weeks only.

Three new cast members have entered the cottage! Complete principal casting has been announced for [*The Cottage*](https://www.newyorktheatreguide.com/show/27834-the-cottage-tickets) on Broadway. This new comedy play by Sandy Rustin begins performances on July 7.

Newly announced cast members include Alex Moffat, Nehal Joshi, and Dana Steingold. Joshi and Steingold are theatre veterans; Joshi has appeared in various shows including *The Phantom of the Opera* and *Les Miserables*, and Steingold just wrapped a run in *Beetlejuice* on Broadway.

Moffat, now making his Broadway debut, is known for his breakout performances on *Saturday Night Live*, impersonating figures like Joe Biden and Mark Zuckerberg and appearing regularly in the Weekend Update sketch.

The trio joins the previously announced previously announced Eric McCormack (Emmy Award winner for *Will & Grace*), Laura Bell Bundy (Tony nominee for *Legally Blonde*), and Lilli Cooper (Tony nominee for *Tootsie*).

Additionally, the creative team includes set designer Paul Tate dePoo III, costume designer Sydney Maresca, lighting designer Jiyoun “Jiji” Chang, and sound designer Justin Ellington.

*Seinfeld*'s Jason Alexander directs *The Cottage*, which follows a woman who reveals her affair to both her husband and her lover's wife. Chaos, and potentially murder, ensue.

## When is *The Cottage* on Broadway playing?

*The Cottage* runs at the [Hayes Theater](https://www.newyorktheatreguide.com/theatres/hayes-theater) on Broadway from July 7 to October 29. Opening night is July 24.

Check back for information on *The Cottage* tickets on New York Theatre Guide.

*Photo credit: Alex Moffat, Nehal Joshi, and Dana Steingold. (Photos courtesy of production)*

'The Cottage' sets full principal Broadway cast

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The Cottage on Broadway - NYC

The Cottage on Broadway

Find out who will be joining Eric McCormack, Laura Bell Bundy, and Lilli Cooper in leading roles in Sandy Rustin's new play directed by Jason Alexander.

He's gonna be startin' somethin'! Elijah Rhea Johnson will make his Broadway debut as Michael Jackson in [*MJ The Musical*](https://www.newyorktheatreguide.com/show/23379-mj-the-musical-tickets) on Broadway this spring. He begins performances at the [Neil Simon Theatre](https://www.newyorktheatreguide.com/theatres/neil-simon-theatre) on April 4.

Johnson makes his Broadway debut in the role; however, this isn't his first time with *MJ*. He played the role of a younger Michael Jackson in pre-Broadway workshops of *MJ*, and he also starred in touring and Las Vegas productions of *The Lion King* as a child.

Johnson takes over the role from Myles Frost, who departs *MJ The Musical* on April 2. Frost made history in 2022 as the youngest solo actor to win the Tony Award for Best Actor in a Musical at 22 years old.

*MJ The Musical* recounts the life and career of Michael Jackson through all his hit songs. When an MTV camera crew arrives at tour rehearsals to film a documentary about Jackson, he and audiences look back through his most formative memories and career highlights.

Director/choreographer Christopher Wheeldon won the Best Choreography Tony Award for *MJ*, and the script is by two-time Pulitzer Prize winner Lynn Nottage.

## Who is in the *MJ The Musical* Broadway cast?

In addition to Johnson as Michael Jackson, the principal cast of *MJ The Musical* also includes Tavon Olds-Sample, Bane Griffith, Christian Wilson, Quentin Earl Darrington, Whitney Bashor, Gabriel Ruiz, Antoine L. Smith, Joey Sorge, Ayana George, Apollo Levine, John Edwards, Lamont Walker II, and Zelig Williams.

Get *MJ The Musical* tickets now.

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*Photo credit: Elijah Rhea Johnson. (Photo by Drew Elhamalawy)*

Elijah Rhea Johnson to star in 'MJ The Musical' on Broadway

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MJ The Musical on Broadway [23379]

MJ The Musical on Broadway

He will assume the role of Michael Jackson from Myles Frost, who won a 2022 Tony Award for Best Actor for his performance, in April at the Neil Simon Theatre.

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Irish Rep kicks off its 2019-2020 Off-Broadway season with&nbsp;Dublin Carol, written by Conor McPherson and directed by&nbsp;Ciarán O'Reilly.(Photos by Carol Rosegg)

Dublin Carol - NYC - New York Theatre Guide

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Dublin Carol

[Poster] Dublin Carol 18336

It's Christmas Eve in Dublin, circa 1999. A string of fairy lights and slightly tattered wreaths do their best to leaven the atmosphere at the funeral parlor where John Plunkett (Jeffrey Bean) works.&nbsp;With its vintage 1970's décor, perfectly executed by scenic designer Charlie Corcoran and properties designer Sven Henry Nelson, the office space is a veritable time capsule, a fitting metaphor for the state of suspended animation Plunkett inhabits.&nbsp;Toxic guilt and shame over his intractable alcoholism have paralyzed him, swallowing whole decades of his life.The funeral parlor's owner, Noel has taken Plunkett under his wing, betting on the power of trust to break&nbsp;the&nbsp;cycle of drunkenness and remorse.&nbsp;Noel is in hospital, so Plunkett has to hold down the fort.&nbsp;He brings in Noel's nephew Mark (Cillian Hegarty) to help out with the funeral services.&nbsp;Mark is the exact opposite of Plunkett.&nbsp;Barely 20, he has yet to take his first false step, while Plunkett has travelled so far down that road, his pre-alcoholic youth is a mere speck on the horizon.Wearing his loneliness like a cloak, Plunkett offers Mark tea and proceeds to splash nips of Jameson's into his own mug, engaging in awkward conversation to delay Mark's inevitable departure home.&nbsp;Plunkett, in a series of extraordinary monologues, reveals the story of his life - a subject never far from his mind -- in exhaustive detail.&nbsp;He unfurls a painful narrative of the humiliating price of alcoholism, wallowing in his shame to an almost indecent degree.Alas, Plunkett has not wholly abandoned the bottle - a foolish and dangerous proposition.&nbsp;It makes your skin crawl with anxiety as you watch him refill his mug with whiskey, one drop at a time.&nbsp;It's almost too painful to bear.&nbsp;What am I saying - it is absolutely too painful to bear.In Scene Two, the lights come up on a young woman we discover is Plunkett's daughter Mary (Sarah Street), come to tell him news of her mother's illness.&nbsp;It's been 10 years since they last saw each other, and time has been alternately kind and brutal to memory.&nbsp;Street is excellent as Mary, finding nuance and quiet strength in a narrative that could easily lose its vigor as Mary's desire for answers will inevitably run up against her father's brick wall of excuses.When Mark returns to the office the next day, we learn more about Plunkett's emotional history, including a weird misogyny he has developed through an emotional alchemy which transforms unconditional love into toxic corruption.&nbsp;Women are just trying to 'get you.'&nbsp;As Plunkett says, "Easy love is dangerous."&nbsp;You can feel Plunkett getting his claws into Mark, attempting to drag him down to his level of self-hatred and cynicism.&nbsp;As Mark, Cillian Hegarty has a sweet callowness that avoids being saccharine.&nbsp;He feels naïve, not simple.&nbsp;Hegarty offers hope that Mark will have the fortitude to resist Plunkett's poisonous philosophy.In the gargantuan role of John Plunkett, Jeffrey Bean gives a committed, emotional, very real performance of a man who has thrown his life away and doesn't know what to do with himself.&nbsp;The burden of his guilt lies too heavily on his shoulders.This <a href="/theatres/irish-repertory-theatre">Irish Repertory Theatre</a> production of&nbsp;<a href="/show/dublin-carol">Dublin Carol</a> pulls no emotional punches.&nbsp;It is beautifully written by Conor McPherson, but ultimately depressing.&nbsp;Just once I would love to see an Irish story where the sun shines on a bright future.&nbsp;Initially the play elicits a sense of Irish charm and the shadow of regret, but it quickly descends into a painful story of loneliness and loss, requiring great stamina on the part of both actors and audience.(Photo by Carol Rosegg)<div class="block block-block contextual-links-region " id="block-block-9"><div class="block-inner clearfix"><div class="block-title"><h2>WHAT THE OTHER CRITICS SAID</h2></div></div></div>"First staged Off Broadway in 2003,&nbsp;Dublin Carol&nbsp;maintains its quietly powerful impact. Director Ciarán O'Reilly and his expert cast bring out the sadness, regret and hope that define these characters, as well as the simple eloquence of McPherson's words." Diane Snyder for <a href="https://www.timeout.com/newyork/theater/dublin-carol" target="_blank">Time Out New York</a>

Review of Dublin Carol at Irish Repertory Theatre

Jeffrey Bean in Dublin Carol

Off-Broadway

Dublin Carol [18336]

Ciarán O'Reilly and Charlotte Moore founded the Irish Repertory Theatre in 1988, with a mission to present works by Irish and Irish American playwrights to American audiences. The theatre opened with Sean O’Casey’s *The Plough and the Stars*. To this day, Irish Rep remains the only theatre company in New York City devoted to Irish and Irish American playwrights year-round.

Irish Rep found its permanent home on 22nd Street in Chelsea in 1995. The site, a former warehouse, underwent renovations to house both the main theatre space - the 148-seat Francis J. Greenburger Mainstage - as well as a smaller studio space named the W. Scott McLucas Studio.

## How to get to the Irish Repertory Theatre off Broadway

The Irish Repertory Theatre is closest to the 23rd Street subway stop on the 1 line. The nearest bus stops are W 23 St./Ave. of The Americas on the M23-SBS line and 7 Av./W 23 St. on the M7 and M20 lines.

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Review of Dublin Carol at Irish Repertory Theatre