Broadway

Happy Pride! Across the world, people celebrate Pride month throughout the month of June, honoring the history of the LGBTQ+ community and celebrating its continued survival. With states nationwide introducing anti-LGBTQ laws, this year's Pride Month is an especially important time to support LGBTQ stories and, in the theatre in particular, celebrate the work of queer artists.

The contributions of LGBTQ+ writers, directors, performers, choreographers, and so much more appear in so many shows on stage this month. All these stories are worth uplifting and celebrating, and most of them happen to be pure fun. Check out these plays and musicals this Pride month — everyone is welcome at these theatres.

![fat ham broadway-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/4ZhzLE1qhWKeFBZZ7t9Zqz/8f9e84ed08ca74fc9b67eb731d1738fd/fat_ham_broadway-1200x600-NYTG.jpg)

## *Fat Ham*

Everyone's invited to this cookout — but only through July 2, when *Fat Ham* ends its limited Broadway run. In his Pulitzer-winning and Tony-nominated play, James Ijames mashes up the classic plot of *Hamlet* with the sensibilities of a modern-day queer Black student, Juicy. Like Hamlet, he's tasked with killing his murderous uncle, but does Juicy really want to kill anyone? Is there another way that doesn't continue the cycle of violence? Is being sensitive and "soft" to such things really that bad?

Ijames, who also [grew up Black and queer in the South](https://www.newyorktheatreguide.com/theatre-news/interviews/james-ijames-shares-the-ingredients-from-his-life-that-make-up-fat-ham), explores these themes with humor, heart, and hot barbecue. Plus, Juicy's not the only character on stage exploring their identity and trying to access their truest self.

Get [*Fat Ham* tickets](https://www.newyorktheatreguide.com/show/27141-fat-ham-tickets) now.

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![3 some like it hot-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2jrcIPZ0ssP6aFpBOPB9U4/af86078c84c12ef262d7289716e3b6f1/3_some_like_it_hot-1200x600-NYTG.jpg)

## *Some Like It Hot*

If you're thirsty for a fresh update to a classic film that celebrates finding your most authentic self, *Some Like It Hot* delivers. Based on the 1959 Marilyn Monroe movie, this musical follows musicians Joe and Jerry as they escape the mob with an all-female traveling band, themselves disguised as women.

For Jerry, their identity as Daphne ends up being the part of themselves they didn't know they truly needed. Among *Some Like It Hot*'s 13 Tony nominations, including Best Musical, is one for [J. Harrison Ghee](https://www.newyorktheatreguide.com/theatre-news/interviews/j-harrison-ghee-contains-multitudes-in-some-like-it-hot-on-broadway). As one of the first non-binary actors to receive a Tony nomination, it means the most to them that "there's so many trans and queer and non-binary people at the stage door who are like, 'I've been struggling, and now I have more language; thank you for this visibility,’” said Ghee.

Get [*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets) tickets now.

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![4 shucked-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2A88TTJg0pds5UEOWzjQde/ef28d6d61e4aa6265901b3dfdae57a25/4_shucked-1200x600-NYTG.jpg)

## *Shucked*

Alongside Ghee in this year's ranks of Tony nominees is Alex Newell, also one of the first non-binary Tony nominees for acting. See them onstage as Lulu in *Shucked*, a "farm-to-fable" about a rural town that learns to embrace the outside world when their beloved corn crop starts dying, and they need to branch out to find help.

*Shucked* also features an all-queer lead creative team: book writer Robert Horn, songwriters Brandy Clark and Shane McAnally, and director Jack O'Brien. They're all 2023 Tony nominees, proving that *Shucked* is nothing short of golden.

Get [*Shucked*](https://www.newyorktheatreguide.com/show/26987-shucked-tickets) tickets now.

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![& juliet pride-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/5xtq29vxJl4jOY1JRY0HVS/52775bdbed16f61071a04978ec319bcd/__juliet_pride-1200x600-NYTG.jpg)

## *& Juliet*

It's gonna be you that sees *& Juliet* this June. In this nine-time Tony-nominated musical, Juliet — of *Romeo & Juliet* fame — decides not to die when Romeo does but instead ditches Verona for Paris in search of a new life and love.

*& Juliet* features characters old and new, and among the new characters is May, Juliet's non-binary pal who finds a star-crossed love of their own with the romance-challenged Francois. Not only is the show a celebration of all kinds of love, but it's simply a party. *& Juliet* is set to 30 chart-topping hits by songwriter/producer [Max Martin](https://www.newyorktheatreguide.com/theatre-news/news/how-max-martin-shaped-and-juliet-on-its-road-to-broadway) (the man behind "...Baby One More Time," "Since U Been Gone," "I Want It That Way," and much more) and electric dancing by queer, two-time Tony-nominated choreographer [Jennifer Weber](https://www.newyorktheatreguide.com/theatre-news/interviews/choreographer-jennifer-weber-proves-her-versatility-on-broadway). What more could you ask for in a larger-than-life Pride musical?

Get [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) tickets now.

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![marla titanique 2-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/CKK1sCrTf9ZWnX8DwRcSf/ccf70b44938c0668f011fffcf1881e87/marla_titanique_2-1200x600-NYTG.jpg)

## *Titanique*

Shall we go for it? This campy parody musical is a kooky retelling of James Cameron's film *Titanic* through the character of Celine Dion, set to Dion's catalog of timeless hits. Multiple queer actors have appeared in *Titanique*, including *RuPaul's Drag Race* star Rosé, and it's by an all-queer writing team of Tye Blue, Constantine Rousouli, and Marla Mindelle.

Jack and Rose may be a straight couple, but *Titanique* is a love letter to the LGBT+ community, with plenty of references to queer pop culture, updated regularly as new trends go viral. But everyone will find something to love in this joyful, energetic comedy.

New York Theatre Guide's [four-star review calls *Titanique*](https://www.newyorktheatreguide.com/reviews/titanique-off-broadway-review) "as much a love letter to the *Titanic* movie as it is to the people obsessed with that movie: pop culture-savvy, queer theatre kids, or so the creators presume from experience. [ ] Older and/or less theatre-obsessed audiences will find more of their enjoyment in the recreations of all the major *Titanic* movie moments and the Dion hits that score the show."

Get [*Titanique* tickets](https://www.newyorktheatreguide.com/show/25241-titanique-tickets) now.

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![seven sins pride-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/5aFRRFa53aZKdUcGXK0xeg/3bc7be76192e53733f63737bd79b37ea/seven_sins_pride-1200x600-NYTG.jpg)

## *Seven Sins*

*Seven Sins* is a burlesque variety show based on the biblical tale of Adam and Eve. People don't often associate biblical stories with LGBT themes, but as our critic pointed out in a [five-star review](https://www.newyorktheatreguide.com/reviews/seven-sins-off-broadway-review), "What makes *Seven Sins* stand out, in particular, is its deliberate and gleeful queering of its source material."

"The show may end on a somber note, in keeping with the ancient story," our critic continues, "but the real takeaway from *Seven Sins* is that sometimes, what's considered sinful outside the theatre's four walls is actually worth indulging in — and unapologetically celebrating. Pleasure. Self-expression. Confidence. Beauty."

Get [*Seven Sins* tickets](https://www.newyorktheatreguide.com/show/20950-seven-sins-tickets) now.

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![cocktail magique-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/XRKCaiw85wKF2UycjfwKl/b2ea44f7ab7eb4610edbe1593eaf7704/cocktail_magique-1200x600-NYTG.jpg)

## *Cocktail Magique*

For even more burlesque fun, go right across the street from *Seven Sins* to *Cocktail Magique*, a variety show that combines magic, mixology, and more. 
Performers of all genders serve up circus-like entertainment, intoxicating illusions, and plenty of libations. Yes, you get to drink along; every ticket type includes at least one cocktail distributed throughout the performance. Everyone gets a few snacks and access to plenty of water, too. 

Get [*Cocktail Magique* tickets](https://www.newyorktheatreguide.com/show/26141-cocktail-magique-tickets) now.

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![love science-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/6txNiE1twARoHv4nY2MKi6/f9a9c573422c3aecaf398709de806876/love_science-1200x600-NYTG.jpg)

## *Love + Science*

Bring the tissues for this drama. *Love + Science* occurs at the onset of the AIDS crisis, when two gay medical students fall in love in the lab — and watch their community quickly succumb to the disease. The play makes the widespread epidemic searingly intimate and human, showing the possibilities for love and hope amid crisis.

*Love + Science* also reminds audiences that the history of Pride has a somber side, and just as important as celebrating LGBT people's lives is honoring the lives lost.

Get [*Love + Science*](https://www.newyorktheatreguide.com/show/28528-love-science) tickets now.

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## *Moulin Rouge! The Musical*

"No matter your desire, you're welcome here, for this is more than a nightclub. The Moulin Rouge is a state of mind." These lines from this musical's opening number set the tone immediately: Everyone can escape the outside world when they enter the Al Hirschfeld Theatre, transformed into the iconic French hotspot, and be free to be their most authentic selves. Pleasure, glamour, and fabulosity are the name of the game at this 10-time Tony-winning Best Musical adapted from Baz Luhrmann's film.

See the timeless love story of the writer Christian and showgirl Satine in 1899 Paris, set to more than 40 pop hits by artists ranging from Elton John to Lady Gaga. There's no better time than Pride Month to see a story that celebrates true love persisting against all odds.

Get [*Moulin Rouge! The Musical*](https://www.newyorktheatreguide.com/show/15911-moulin-rouge-the-musical-on-broadway-tickets) tickets now.

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See these New York theatre shows for Pride month

& juliet pride-1200x600-NYTG

Many of these Broadway and Off-Broadway musicals and plays feature LGBTQ+ stories and artists, and others simply celebrate inclusivity, acceptance, and joy.

This season, several shows premiered on the West End before coming to Broadway, including [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets), the jukebox musical featuring hit songs from powerhouse music producer/songwriter [Max Martin](https://www.newyorktheatreguide.com/theatre-news/news/how-max-martin-shaped-and-juliet-on-its-road-to-broadway)’s catalog. . *& Juliet*, featuring a book by David West Read, flips the script on Shakespeare’s tragedy *Romeo & Juliet* and reimagines the classic tale for a modern audience. In this feminist version, Juliet drops the dagger and chooses to live. The eponymous heroine ventures from fair Verona to Paris with her girlfriends, confidently stepping into a new chapter post-Romeo. 

*& Juliet* opened at the Manchester Opera House in 2019 before transferring to the West End in 2020. Then, it went to Toronto and Broadway in 2022, receiving nine Tony Awards nominations, including for Best Musical. For the show’s transfer to Broadway, the creative team honed in on the narrative storytelling and the audience experience through design elements.

For Gareth Owen, the show’s Tony-nominated sound designer, the transfer across the pond allowed the sound team to fine-tune the design. “*& Juliet* Broadway is a more polished, refined version of the London production as far as sound is concerned,” said Owen. 

The team pushed boundaries in London and tried several techniques for sound design. The team scrapped the failures for the Broadway iteration and further improved the successes. “The result is a much more cohesive overall picture — a sonic landscape that threads through the show from one end to the other with a definite purpose, as opposed to London, where we were often trying to be clever simply for the sake of it,” conceded Owen.

![2 & juliet-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/4uRxS4JCAwq28qRsfLQYse/a3e7a49d37437ce5ce8b0c37b59d75ed/2___juliet-1200x600-NYTG.jpg)

Dominic Fallacaro and Bill Sherman, nominated for Best Orchestrations, tuned up the storytelling for the Broadway transfer. “There were some small musical tweaks and upgrades, from cutting a few bars here to changing a string line there,” said Fallacaro. “Ultimately, it's about serving the narrative the best and thinking about all the creative musical ways you can amp up the storytelling.”

The show features chart-toppers from the past few decades, including “...Baby One More Time,” “Since U Been Gone,” and “I Want It That Way,” which cleverly lend themselves to a new storyline of empowerment, self-acceptance, and love.

Sherman added, “The creative team definitely tightened some narrative screws before Broadway, including song cuts and character refinement. In addition, we continued to find new ways to bring Max Martin's music to life.”

One noticeable change was with the showstopping number “Can’t Stop the Feeling,” which closes the show. The entire creative team worked together to drive the show home. “Along with our choreographer, [Jennifer Weber](https://www.newyorktheatreguide.com/theatre-news/interviews/choreographer-jennifer-weber-proves-her-versatility-on-broadway), we workshopped hits and breaks into that number to maximize the explosive choreography and leave the show on an extra high note,” said Fallacaro. (Not just one, but two explosive confetti cannons extend that high note further.)

*& Juliet*’s lighting designer Howard Hudson also earned a Tony nomination. “Being able to work again on the show, having opened it in the West End, let us add another whole layer of detail,” said Hudson.

“Lighting-wise, when you leave a show, there’s always things with hindsight you think to yourself that you’d wish you’d done, and of course, we were able to make all those changes,” he said. “Broadway definitely feels more immersive as we tried to bring the piece into the auditorium more and really embrace the audience in the world of the show.” 

For the entire creative team, the experience of bringing some of the greatest pop songs to the stage, and bringing the audience into the fun, has been gratifying. “Working on this project has brought me to the West End in London, Abbey Road, Manchester, Toronto, and now to Broadway, with some of the most talented creatives and artists, and I've loved it,” effused Fallacaro.

Get [*& Juliet* tickets](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) now.

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How the ‘& Juliet’ creative team fine-tuned the Broadway design

& juliet review-1200x600-NYTG

Contains some strong language. Recommended for ages 6+. Children age 4 and under will not be admitted into the theatre. Everyone must have a ticket, regardless of age.

& Juliet on Broadway - NYC 

& Juliet on Broadway

The creative team behind Broadway's *& Juliet* shares how the show transformed from London's West End with amped-up choreography, sound, and lighting design.

The [American Airlines Theatre](https://www.newyorktheatreguide.com/theatres/american-airlines-theatre) will be renamed for Todd Haimes, the late former artistic director and CEO of Roundabout Theatre Company.

Haimes joined Roundabout in 1983, and he led the charge to restore and rename the venue, originally called the Selwyn Theatre, in the 1990s. The American Airlines theatre is now the flagship venue of Roundabout, which operates two other Broadway houses — [Studio 54](https://www.newyorktheatreguide.com/theatres/studio-54) and the [Stephen Sondheim Theatre](https://www.newyorktheatreguide.com/theatres/stephen-sondheim-theatre) — and the Off-Broadway [Harold and Miriam Steinberg Center for Theatre](https://www.newyorktheatreguide.com/theatres/harold-and-miriam-steinberg-center-for-theatre).

Plans to rename the American Airlines were actually in the works before Haimes's death at 66, as American Airlines's sponsorship of the theatre is set to end in 2024.

The renaming will take place during the 2023-24 Broadway season at a date to be confirmed.

Through July 2, the theatre is currently showing [*Fat Ham*](https://www.newyorktheatreguide.com/show/27141-fat-ham-tickets), James Ijames's Pulitzer-winning and Tony-nominated play.

Get [*Fat Ham* tickets](https://www.newyorktheatreguide.com/show/27141-fat-ham-tickets) now.

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*Photo credit: Todd Haimes. (Photo by Teddy Wolff)*

American Airlines Theatre to be renamed for Todd Haimes

haimes-1200x600-NYTG

Haimes, who died in April, was the longtime artistic director of Roundabout Theatre Company, the nonprofit organization that operates the Broadway venue.

It’s the summer of 76! 

Not [*Summer, 1976*](https://www.newyorktheatreguide.com/show/25993-summer-1976-tickets) — that’s the Tony-nominated David Auburn play — but the 76th annual Tony Awards on June 11. Tony host Ariana DeBose may not march on stage with 76 trombones in tow (*The Music Man* was last season, after all), but it does seem fitting that the 76th Tony Awards are taking place in the same season as Roundabout’s gender-flipped [*1776*](https://www.newyorktheatreguide.com/show/24270-1776-tickets) revival and Manhattan Theatre Club’s world premiere of *Summer, 1976*. 

Seventy-six isn’t the only notable number attached to this year’s ceremony, though. Read on to discover some of the exciting, historic firsts among the nominees and more fast facts on the 2023 Tony Awards by the numbers.

## 76 years of the Tonys

The very first Antoinette Perry Awards took place in 1947 in the Grand Ballroom at the Waldorf Astoria Hotel in New York City. (It took another two decades until the ceremony was broadcast on national television in 1967.) Awards were given in eight categories: 

- Actor in a Play
- Actress in a Play
- Best Performer in a Musical
- Outstanding Newcomer
- Director
- Choreographer
- Costume Designer
- Composer

The winners, including director Elia Kazan (*All My Sons*), composer Kurt Weill (*Street Scene*), actress Ingrid Bergman (*Joan of Lorraine*), and choreographer Agnes DeMille (*Brigadoon*), received gendered prizes by today’s standards. The women got engraved jewelry or compacts, while the men got engraved money clips or cigarette lighters. Two years later, the Tonys began awarding medallions to the recipients instead. 

![united palace-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/5fVs6gar9E47dbFcCw3mKX/e2cd678dea5fcb7dc10663a9a318f8e9/united_palace-1200x600-NYTG.jpg)

## 1 new venue

For the first time, the Tonys will take place at the United Palace theatre in Washington Heights. It is Manhattan’s fourth-largest theatre, with nearly 3,500 seats. In some ways, the Tony Awards are going back to their roots by happening there — Harold Rambusch, who designed the Waldorf Astoria, also designed the interior of the United Palace theatre.

Over the past 76 years, the Tonys have been held at 19 different venues, including other hotels like the Plaza, Broadway theatres like the [Winter Garden](https://www.newyorktheatreguide.com/theatres/winter-garden-theatre) and [Shubert](https://www.newyorktheatreguide.com/theatres/shubert-theatre), and iconic New York landmarks like the Rainbow Room and [Radio City Music Hall](https://www.newyorktheatreguide.com/theatres/radio-city-music-hall). Radio City has hosted the most Tony Award ceremonies of all time: 20.

## 3 modified ceremonies (in 3 years)

The pandemic shook up the past two Tony Awards ceremonies. The combined 2020 awards ceremony actually took place in 2021 after pandemic delays. And several of the 2022 Tony winning shows actually began performances just prior to the Broadway shutdown on March 12, 2020, and would have been considered among that year’s nominees had they not been shuttered as quickly as they opened.

The 2023 ceremony is also being modified, this time amid an ongoing strike by the Writers Guild of America, which writes material for televised broadcasts like the Tonys. While the ceremony will still be broadcast as planned on June 11, it won’t contain any original scripted material. The ceremony will consist almost entirely of awards presentations and performances from the nominated shows.

![ny ny 2-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/76uUS8WipVTT9QVHVh4amf/1bea349f9046dbe852c66037faa9e88d/ny_ny_2-1200x600-NYTG.jpg)

## 38 eligible shows

There were 38 total shows in the 2022-2023 Broadway season, and all were considered eligible for nominations. Of those, 27, or 71% of the eligible shows, received at least one nomination.

## 26 competitive award categories

Having come a long way since 1947, the Tony Awards now award performers, directors, writers, choreographers, and designers, with most categories split by play or musical. There are also multiple special Tony honors, a different number each year, awarded to educators, regional theatres, administrators, and artists celebrating lifetime achievement.

![3 some like it hot-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2jrcIPZ0ssP6aFpBOPB9U4/af86078c84c12ef262d7289716e3b6f1/3_some_like_it_hot-1200x600-NYTG.jpg)

## 13 *Some Like It Hot* nominations

[*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets) is this year’s most nominated show, receiving 13 nominations in 12 categories. [Christian Borle](https://www.newyorktheatreguide.com/stars-on-stage/christian-borle) and [J. Harrison Ghee](https://www.newyorktheatreguide.com/theatre-news/interviews/j-harrison-ghee-contains-multitudes-in-some-like-it-hot-on-broadway) were nominated for their work on the new musical in the same category: Best Performance by a Leading Actor in a Musical.

There is a three-way tie for second place: The musicals [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets), [*Shucked*](https://www.newyorktheatreguide.com/show/26987-shucked-tickets), and [*New York, New York*](https://www.newyorktheatreguide.com/show/26043-new-york-new-york-tickets) all received nine nods. [*Leopoldstadt*](https://www.newyorktheatreguide.com/show/26003-leopoldstadt-tickets), [*Ain’t No Mo’*](https://www.newyorktheatreguide.com/show/25907-aint-no-mo-tickets), and [*A Doll’s House*](https://www.newyorktheatreguide.com/show/26989-a-dolls-house-tickets) also tied three ways for the most play nominations with six each.

![jordan 1200 NYTG](//images.ctfassets.net/6pezt69ih962/2ZIzHupXCcEaU9Rq9HsgzB/f16227aa0fa3b54816165487442fccf6/jordan_1200_NYTG.jpg)

## 8 double nominees

8 nominees were either nominated in the same category for two different shows they worked on this season, or they were nominated in two different categories for their work on the same show. Here are all the double nominees this year:

- Playwright/performer Jordan E. Cooper ([*Ain’t No Mo’*](https://www.newyorktheatreguide.com/show/25907-aint-no-mo-tickets))
- Choreographer [Jennifer Weber](https://www.newyorktheatreguide.com/theatre-news/interviews/choreographer-jennifer-weber-proves-her-versatility-on-broadway) ([*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets) and [*KPOP*](https://www.newyorktheatreguide.com/show/24236-kpop-tickets))
- Costume designer Emilio Sosa ([*Ain’t No Mo’*](https://www.newyorktheatreguide.com/show/25907-aint-no-mo-tickets) and [*Good Night, Oscar*](https://www.newyorktheatreguide.com/show/26390-good-night-oscar-tickets)) 
- Director/choreographer Casey Nicholaw ([*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets))
- Bookwriter/lyricist David Lindsay-Abaire ([*Kimberly Akimbo*](https://www.newyorktheatreguide.com/show/25458-kimberly-akimbo-tickets))
- Set designer Scott Pask ([*Shucked*](https://www.newyorktheatreguide.com/show/26987-shucked-tickets) and [*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets))
- Sound designers Ben and Max Ringham ([*Prima Facie*](https://www.newyorktheatreguide.com/show/25983-prima-facie-tickets) and [*A Doll’s House*](https://www.newyorktheatreguide.com/show/26989-a-dolls-house-tickets))
- Lighting designer Natasha Katz ([*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets) and [*Sweeney Todd*](https://www.newyorktheatreguide.com/show/26216-sweeney-todd-on-broadway-tickets))

[Read our feature spotlighting this year's double Tony nominees.](https://www.newyorktheatreguide.com/theatre-news/news/meet-the-broadway-artists-nominated-for-two-tonys-this-season)

## 60 first-time Tony nominees

Of note, Weber and Cooper, both among the double nominees above, made their Broadway debuts this season. Additionally, all the performers in the Best Featured Actress and Actor in a Musical categories, with the exception of Ruthie Ann Miles, are first-time nominees.

![4 shucked-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2A88TTJg0pds5UEOWzjQde/ef28d6d61e4aa6265901b3dfdae57a25/4_shucked-1200x600-NYTG.jpg)

## More historic firsts at the 2023 Tony Awards

The 76th Tony Awards already made history with this year’s nominees, and pivotal moments could happen when the winners are announced. 

[*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets)’s Ghee and [*Shucked*](https://www.newyorktheatreguide.com/show/26987-shucked-tickets)’s Alex Newell are the first openly non-binary performers to be nominated in their categories. Ghee plays a gender-expansive character, and Newell plays a cisgender woman, but both performers were able to choose whether they wanted to be considered eligible in the Actor or Actress category.

Katy Sullivan ([*Cost of Living*](https://www.newyorktheatreguide.com/show/25892-cost-of-living-tickets)) is the first female amputee to perform on Broadway and the first to be nominated for a Tony Award.

Although the current [*A Doll’s House*](https://www.newyorktheatreguide.com/show/26989-a-dolls-house-tickets) revival is the 14th Broadway production of the famous Ibsen play, 2023 Tony nominee [Amy Herzog](https://www.newyorktheatreguide.com/theatre-news/interviews/tony-nominee-amy-herzog-flips-the-script-with-a-dolls-house) is the first woman to adapt the work for Broadway. And since she newly adapted it, not just translated it, she’s eligible for the Best Revival of a Play award, which is usually reserved for producers.

Jordan E. Cooper became the youngest Black American playwright in Broadway history when his play [*Ain’t No Mo’*](https://www.newyorktheatreguide.com/show/25907-aint-no-mo-tickets) opened this past fall. And now, he’s the youngest Black American playwright ever nominated!

Helen Park is the first female Asian composer/lyricist on Broadway and the first to be nominated for a Tony. She is, in fact, the first female Asian writer to be nominated for a Tony in any of the writing categories. If Helen Park were to win Best Score for her work on [*KPOP*](https://www.newyorktheatreguide.com/show/24236-kpop-tickets), she would be the first woman of color to do so in her category. 

Similarly, if either Amber Ruffin (*Some Like It Hot*) or Sharon Washington ([*New York, New York*](https://www.newyorktheatreguide.com/show/26043-new-york-new-york-tickets)) wins Best Book of a Musical, they will be the first non-white woman to ever receive the award for writing or co-writing the book of a musical. In fact, no non-white woman has ever won a Tony Award in either writing category (Best Book or Best Score). The closest exception is Yasmina Reza, a playwright of half-Central Asian descent who has won two Tonys for Best Play.

![kimberly akimbo-1200x600-NYTG 4](//images.ctfassets.net/6pezt69ih962/O3Pvd2E5ymYHMwRNNCeBO/2b8326d3df40952dadec774a363299fe/kimberly_akimbo-1200x600-NYTG_4.jpg)

## 66-year age range of nominees

*Kimberly Akimbo*’s Justin Cooley is this year’s youngest nominee at 19 years old. He’s up for Best Featured Actor in a Musical for starring in Kimberly Akimbo. In a close second, the youngest nominated woman is 23-year-old Best Featured Actress in a Musical nominee Julia Lester, who made her Broadway debut with [*Into the Woods*](https://www.newyorktheatreguide.com/show/25770-into-the-woods-tickets) last summer as Little Red Ridinghood.

At 85 years old, playwright Tom Stoppard is the oldest nominee at this year’s Tony Awards. His show [*Leopoldstadt*](https://www.newyorktheatreguide.com/show/26003-leopoldstadt-tickets) is up for Best Play.

![cost of living review-1200](//images.ctfassets.net/6pezt69ih962/5vCMxlC40yg6rktYgluAhk/bf7cf191ea6fc694206328651906640a/cost_of_living_review-1200.jpg)

## 6 Pulitzer Prize-winning plays

No matter what happens, they’re already winners! Three of this year’s Best Play nominees have already won the Pulitzer Prize for Drama: [*Between Riverside and Crazy*](https://www.newyorktheatreguide.com/show/26311-between-riverside-and-crazy-tickets) by [Stephen Adly Guirgis](https://www.newyorktheatreguide.com/theatre-news/interviews/the-real-life-friendship-that-led-to-between-riverside-and-crazy) (2015), [*Cost of Living*](https://www.newyorktheatreguide.com/show/25892-cost-of-living-tickets) by Martyna Majok (2018), and [*Fat Ham*](https://www.newyorktheatreguide.com/show/27141-fat-ham-tickets) by James Ijames (2022). 

Additionally, three plays that got revived this year won Pulitzers when they premiered: [*Death of a Salesman*](https://www.newyorktheatreguide.com/show/25459-death-of-a-salesman-tickets) (1949), [*The Piano Lesson*](https://www.newyorktheatreguide.com/show/24256-the-piano-lesson-tickets) (1990), and [*Topdog/Underdog*](https://www.newyorktheatreguide.com/show/25558-topdog-underdog-tickets) (2002). 

![8 sweeney-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/5d6m9eAI4F4cba33znc9mk/90fae9ace6c029c58d525e5a2f124ca4/8_sweeney-1200x600-NYTG.jpg)

## Which nominee has the most career Tony nominations?

Lighting designers are not often household names, but if you don’t know the name Natasha Katz, you should. Katz has received a whopping 17 Tony nominations for designing Broadway plays and musicals, including last year’s MJ. She has won the award seven times – four for musicals (*MJ*, *Aida*, *Once*, and *An American in Paris*) and three for plays (*The Coast of Utopia*, *The Glass Menagerie*, and *Long Day’s Journey into Night*).

This year, she is doubly nominated for her work on two musicals: [*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets) and [*Sweeney Todd*](https://www.newyorktheatreguide.com/show/26216-sweeney-todd-on-broadway-tickets).

![ohio state review-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/7LYP2CqsoFdBdjjLnIvDcd/8cf87c36cc284ed9ecba5618b3d717af/ohio_state_review-1200x600-NYTG.jpg)

## Which nominee has the most career Tony wins?

Audra McDonald holds that record. She is one of only five performers to have been nominated in all four acting categories and is the only person who’s won all four acting categories. She has won six competitive awards; Julie Harris is the only other person in history with that many wins, but one of hers is a special award.

This year’s nomination for Best Leading Actress in a Play for [*Ohio State Murders*](https://www.newyorktheatreguide.com/show/24218-ohio-state-murders-tickets) is her 10th to date, tying her with Harris and Chita Rivera as the most nominated performer ever. If McDonald wins in 2023, she will become the performer with the most awards ever: seven.

The 2023 Tony Awards by the numbers

Tony Awards

Read on to learn fun facts and stats about the nominees, venue, and historic firsts associated with the 76th annual theatre awards ceremony, hosted on June 11.

The new musical [*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets) has garnered 13 Tony Award nominations — the most this season — for its swinging score, hilarious book, and brilliant cast. The nods include Best New Musical and four first-time nominations for co-writer Amber Ruffin and cast members J. Harrison Ghee, NaTasha Yvette Williams, and Kevin Del Aguila. 

Inspired by the 1959 Marilyn Monroe-led film of the same name, the musical features a book by Matthew López and Ruffin, and a score by Marc Shaiman and Scott Wittman. The musical sees two musicians, Jerry and Joe, escape the mob by disguising themselves as women and joining a traveling all-female swing band, where they learn a lot about their own truths and identities. *Some Like It Hot* incorporates everything you’d expect in a Broadway mega-musical: ensemble numbers, plenty of tap dancing, and marvelous set pieces.

The stage adaptation is more inclusive and openly celebratory of LGBTQ themes than its predecessor, which was groundbreaking at the time but limited in what the story could and couldn’t include due to censorship in the film industry. Below, the three nominated cast members shared their journey with the heartwarming show and how it feels to receive recognition for their performances.

Get [*Some Like It Hot* tickets](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets) now.

[![Book Tickets CTA - LT/NYTG](//images.ctfassets.net/6pezt69ih962/3qAtGOdQq9x3k1WcHlaJnw/90ece91bbe47ed07e142c2e43c7a7a3f/BookTickets-250.png)](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets)

![3 some like it hot-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2jrcIPZ0ssP6aFpBOPB9U4/af86078c84c12ef262d7289716e3b6f1/3_some_like_it_hot-1200x600-NYTG.jpg)

## Creating a safe space

[J. Harrison Ghee](https://www.newyorktheatreguide.com/theatre-news/interviews/j-harrison-ghee-contains-multitudes-in-some-like-it-hot-on-broadway), who previously played Lola in *Kinky Boots*, another show celebrated for its inclusivity, touched on the heartfelt interactions with *Some Like It Hot* audiences.

“[I’ve had] moments at the stage door with a parent of a trans kid who's like, 'Thank you for showing my child that their existence matters,'” said Ghee. “There's a part of them living on stage.”

Williams, who plays Sweet Sue, the leader of the all-female swing band, shared how the show creates a sense of community. She hopes audiences see the show and realize they don’t have to be isolated. Instead, she wants them to think, “I have to reach out and embrace others and have others embrace me so that we can move forward.”

In addition to creating a safe space for audience members to feel accepted for who they truly are, *Some Like It Hot* gives people a joyous respite from difficulties in their everyday lives. “People go to theatre to escape, feel, and see a spectacle," said Ghee. “They want to see something beyond normalcy sometimes. We're giving them that, but in such a beautiful way that’s grounded in truth.”

![1 some like it hot-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/60bl9xOY63DGZIq7srVBNo/cde27655be206d00abb379cb8539a5de/1_some_like_it_hot-1200x600-NYTG.jpg)

## Living your truth

Both the movie and the musical explore the theme of identity. By the end of the story, all the characters transform in some way, having learned something crucial about themselves. In developing these characters, each of the nominated performers brought a piece of themselves to their roles.

“The whole show is about identity, right?” says Del Aguila. “You have this idea of who you are inside, but the world tells you that you must be something else. You have to figure out how to live your truth in this world that may not see that.”

Kevin Del Aguila plays Osgood, a millionaire infatuated with Daphne, and brings part of himself to the role. While recording a demo for the musical, Matthew López said he wanted to make Osgood half-Mexican, a departure from the film portrayal. “Everyone in the show could have this dual nature that they're trying to figure out,” said Del Aguila, who is half-Peruvian.

For her part, Williams found it most special to celebrate strong maternal figures through her character Sweet Sue, who builds her band from the ground up and watches over its members as if they were her daughters. For her portrayal, Williams drew upon inspiration from strong women in her own life, such as her aunt and mother.

“What an honor to mirror some of the women in my life who pushed me and said, ‘We don't have to take that; we can go do our own thing,’” she said. “I knew who Sue was. So it was an honor to be able to just slice off people in my life and make them come to life.”

For Ghee, taking on this role was important for the message they could send to other gender-expansive people. “[This role] met me where I am in my life of being able to, as I say, free myself to see myself,” said Ghee. “To allow life and circumstances to expand me beyond my own labels, limits, and boundaries.”

They made history this year as one of the first non-binary actors to receive a Tony nomination, alongside *[Shucked](https://www.newyorktheatreguide.com/show/26987-shucked-tickets)*'s Alex Newell. 

“It is not something I take lightly, especially in this climate of legislation against queer and trans and nonbinary beings,” Ghee said of their historic Tony nomination. “It is something I care for with pride. I live with intention and purpose and love. And for that to be honored in this work is truly incredible.”

![2 some like it hot-1200x600-NYTG](//images.ctfassets.net/6pezt69ih962/2Tw6BBa1k8OK21tSASJS5Z/940b9a1a33392e8a89336dc34aecc1f3/2_some_like_it_hot-1200x600-NYTG.jpg)

## Welcome back to Broadway

*Some Like It Hot* feels pertenint to this moment in history. Broadway reopened in September 2021, but it has taken some time for the world of live theatre to fully transition back to what it was before the pandemic. 

“This show has been everything that I think anybody needs coming out of the pandemic,” said Williams. “We have the opportunity to come together to laugh, to be with people in the space that says there's room for you here and you belong here. There’s no better place to be.”

“Broadway is back in such a bold, brassy way, and we're doing that at the [Shubert](https://www.newyorktheatreguide.com/theatres/shubert-theatre),” added Ghee. “It's wonderful to feel audiences every night receive that [message] and also be taken places they didn't expect in our journey. It's beautiful.”

Echoing his castmates, Del Aguila said it’s hard not to feel alive while performing. “You're surrounded by all these people tap dancing in this giant band just swinging these songs,” he said. “The joy, the vibrancy, the life has all come back in this incredibly big, glorious musical.”

Get [*Some Like It Hot* tickets](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets) now.

[![Book Tickets CTA - LT/NYTG](//images.ctfassets.net/6pezt69ih962/3qAtGOdQq9x3k1WcHlaJnw/90ece91bbe47ed07e142c2e43c7a7a3f/BookTickets-250.png)](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets)

*Photo credit: Some Like It Hot on Broadway. (Photos by Marc J. Franklin and Matthew Murphy)*


First-time Tony nominees in ‘Some Like It Hot’ celebrate the milestone

some like it hot-1200x600-NYTG 1

Recommended for 12 + Children under the age of 4 are not permitted in the theatre.

Some Like It Hot on Broadway - NYC

Some Like It Hot on Broadway

*Some Like It Hot* led to first-time nominations for cast members  J. Harrison Ghee, NaTasha Yvette Williams, and Kevin Del Aguila. 

This is good news, no doubt about it! Roundabout Theatre Company will present the first Broadway revival of [*Doubt: A Parable*](https://www.newyorktheatreguide.com/show/30042-doubt-a-parable-tickets) in February 2024, starring Tony and Emmy Award winner Tyne Daly and Tony and SAG Award winner Liev Schreiber.

Daly is a Tony Award winner for *Gypsy* and a nominee for *Mothers and Sons* and *Rabbit Hole*. She makes her Roundabout debut with *Doubt*. Schreiber has performed in *Betrayal* and *Moonlight* with Roundabout, and he received a Tony for *Glengarry Glen Ross*.

In John Patrick Shanley's play, Daly and Schreiber play Sister Aloysius and Father Flynn, respectively. Aloysius is the fearsome principal of an all-boys' Catholic school who wrestles with her morals and doubt when she suspects unseemly relations between Flynn and one of her students.

Scott Ellis directs the production, *Doubt*'s first since 2005, at the [American Airlines Theatre](https://www.newyorktheatreguide.com/theatres/american-airlines-theatre). Additional casting, creative team, and exact performance dates have yet to be announced.

*Doubt: A Parable* completes [Roundabout's 2023-24 season](https://www.newyorktheatreguide.com/theatre-news/news/danny-devito-to-lead-i-need-that-on-broadway-2023-24-roundabout-season-announced), which also includes the previously announced *I Need That*, starring Danny DeVito, on Broadway and *The Refuge Plays*, *Covenant*, and *Jonah* off Broadway.

Tyne Daly, Liev Schreiber to star in first 'Doubt' Broadway revival

doubt-1200x600-NYTG

Doubt on Broadway - NYC

Doubt on Broadway

John Patrick Shanley's play completes Roundabout Theatre Company's 2023-24 season, and it will play at the American Airlines Theatre from February 2024.

Joshua Harmon's [*Prayer for the French Republic*](https://www.newyorktheatreguide.com/show/24257-prayer-for-the-french-republic-tickets) will premiere on Broadway this winter with Manhattan Theatre Club, two years after the company produced its Off-Broadway premiere. Performances begin at the [Samuel J. Friedman Theatre](https://www.newyorktheatreguide.com/theatres/samuel-j-friedman-theatre) on December 19 ahead of an opening night on January 9, 2024.

In *Prayer for the French Republic*, a Jewish couple in Paris awaits news of their missing relatives in 1944. Seventy years later, their descendants, also in Paris, wonder about their own safety in this epic connecting generations and shows the lasting effects of anti-Semitism through the years.

The show won the 2022 Drama Desk Award for Outstanding Play and the Outer Critics Circle Award for Outstanding New Off-Broadway Play. A [four-star *Prayer for the French Republic* review](https://www.newyorktheatreguide.com/reviews/prayer-for-the-french-republic-review-manhattan-theatre-club) on New York Theatre Guide reads, "In a dramatic feat, the play does not collapse under its own weight. Instead, *Prayer for the French Republic* is a breathtaking work that skillfully balances the humanity of its characters with sprawling history."

The play is by Joshua Harmon, the author of other acclaimed plays like *Bad Jews* and *Significant Other*. David Cromer, who staged the Off-Broadway production, returns to direct.

Casting and additional creative team have yet to be announced.

*Photo credit: Prayer for the French Republic off Broadway. (Photo by Matthew Murphy)*

'Prayer for the French Republic' to premiere on Broadway

Prayer for the French Republic

In 1944, a Jewish couple in Paris desperately awaits news of their missing family.

Prayer for the French Republic - NYC

Joshua Harmon's drama about a Jewish family premiered with Manhattan Theatre Club, which is producing the Broadway show, off Broadway in the winter of 2021.

Julie Benko will join the cast of [*Harmony*](https://www.newyorktheatreguide.com/show/24995-harmony-tickets) on Broadway, the new Barry Manilow and Bruce Sussman musical coming to the Barrymore Theatre this fall. Performances begin October 18 ahead of a November 13 opening.

Benko is known for her breakout role as the alternate Fanny Brice in the current Broadway revival of *Funny Girl*, playing the role once a week in place of Lea Michele. Her performance earned her the 2023 Theatre World Dorothy Loudon Award for Excellence in the Theatre.

Benko will play Ruth in *Harmony*, joining a cast that also includes the [previously announced](https://www.newyorktheatreguide.com/theatre-news/news/initial-casting-set-for-harmony-on-broadway) Chip Zien as Rabbi, Sean Bell as Bobby, Danny Kornfeld as Young Rabbi, Zal Owen as Harry, Eric Peters as Erich, Blake Roman as Chopin, and Steven Telsey as Lesh. All but Benko reprise their roles from the musical's 2022 Off-Broadway premiere.

*Harmony* tells the true story of the Comedian Harmonists, a German Jewish choral group who reached their heyday in the 1920s and 30s, but were soon rocked by the rise of the Nazi regime. Manilow composed original songs for the musical, which also features a book and lyrics by Bruce Sussman and direction and choreography by Warren Carlyle.

New York Theatre Guide's [four-star review of *Harmony*](https://www.newyorktheatreguide.com/reviews/harmony-off-broadway-review) off Broadway reads, "*Harmony* hits all the right notes."

Check back for information on *Harmony* tickets on New York Theatre Guide.

*Photo credit: Julie Benko. (Photo courtesy of production)*

Julie Benko joins 'Harmony' Broadway cast

julie benko-1200x600-NYTG

Harmony: A New Musical on Broadway - NYC

Harmony: A New Musical on Broadway

The actress is known for her breakout role as the alternate Fanny Brice in the current Broadway revival of *Funny Girl*, receiving a Theatre World Award.

You didn't get the invite to the United Palace for the 2023 Tony Awards, but that doesn't mean you can't party like Broadway royalty. It's Tony season, so it's time to gather your bosom buddies and raise a glass of bubbly to the biggest night on Broadway. Cheer on your favorites as you watch the June 11 ceremony at 8 p.m. on CBS while enjoying themed snacks and drinks. And the award for Best Party Host goes to... you!

Learn more about the [2023 Tony nominees](https://www.newyorktheatreguide.com/theatre-news/news/2023-tony-award-nominees-announced) and [how to watch the 2023 Tony Awards](https://www.newyorktheatreguide.com/theatre-news/news/tony-awards-guide-how-to-watch-nominees-and-more).

<h2><strong>Build a pre-show playlist.</strong></h2><p>Jam to Tony-nominated scores as your guests arrive. We'd recommend a playlist of 11 o'clock numbers to kick off the night. Cue the <a href="https://www.newyorktheatreguide.com/show/hadestown" target="_blank"><em>Hadestown</em></a> swinging lamps!</p><h2><strong>Put together a themed menu.</strong></h2><p>Come up with a list of&nbsp;Tony nominee-inspired cocktails&nbsp;for your guests to sip on, like Tequila Mockingbirds or <a href="https://www.newyorktheatreguide.com/actor-profile/adam-driver" target="_blank">Adam Screw-Drivers</a>. But make sure you don't drink on an empty stomach. We suggest putting together a cheese plate with the following cheeses: <a href="https://www.newyorktheatreguide.com/show/what-the-constitution-means-to-me" target="_blank">What the Constitution Means to Brie</a>, <a href="https://www.newyorktheatreguide.com/show/the-ferryman" target="_blank">Ferrymanchego</a>, <a href="https://www.newyorktheatreguide.com/show/burn-this" target="_blank">Brandon Urano-Swiss</a>, and <a href="https://www.newyorktheatreguide.com/show/tootsie" target="_blank">Santino Fontina</a>.</p><h2><strong>Decorate.</strong></h2><p>Theatre is one of the most delightfully over-the-top art forms, so don't be afraid to let your party camp it up. Put this season's playbills on prominent display on a cute clothesline and build your own step-and-repeat. Or even roll out a red carpet if you're feeling especially extra. Don't forget balloons and streamers. Think Beth Leavel and Brooks Ashmanskas <a href="https://www.newyorktheatreguide.com/show/the-prom" target="_blank">building a prom</a> and going for the most over-the-top aesthetic possible.</p><h2><strong>Prepare voting ballots.</strong></h2><p>Some people like to do Fantasy Football drafts or March Madness brackets, but in our world, the only league we care about is the Broadway League. No Tony watch party is complete without some healthy competition, so make sure you have ballots for all your guests to fill out with their predictions. Make things a little interesting by pooling together some cash, which will go to the person with the most correct predictions at the end of the night.</p><h2><strong>Play a drinking game (responsibly).</strong></h2><p>We would say take a drink every time host James Corden makes a niche musical theatre joke, but you have a liver to preserve. Start with something simple, like a Hollywood actor introducing an award by talking about how much theatre means to them. Then again, that could get dangerous too... come up with your own rules, and play at your own risk.</p>

How to plan the perfect Tony Awards party

You didn't get the invite to Radio City Music Hall, but that doesn't mean you can't party like Broadway royalty. It's Tony season, so it's time to gather your bosom buddies and raise a glass of bubbly to the biggest night on Broadway.

How to plan the perfect Tony Awards party | NewYorkTheatreGuide.com

Read our tips for getting together the best decorations, food, music, and more to have the best, most fun bash on the biggest night of the Broadway season.

The Drama Desk has announced the winners of the 67th annual Drama Desk Awards, recognizing excellence in Broadway, off-Broadway, and off-offBroadway productions during the 2022-23 season. The Drama Desk Awards ceremony, co-hosted by Mandy Patinkin and Kathryn Grody, will take place on June 6 at Sardi’s Restaurant in New York City. 

This year, all performance categories are gender-free and award two winners. A group of journalists, editors, and publishers covering theatre vote on the nominations put forth by a nominating committee. Top winners include *[Some Like It Hot](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets)* with eight wins and *[Life of Pi](https://www.newyorktheatreguide.com/show/26712-life-of-pi-tickets)* with four. 

In addition to the competitive awards, the Drama Desk bestowed the Harold Prince Lifetime Achievement Award to Stephen McKinley Henderson, the Ensemble Award to the cast of Soho Rep’s Public Obscenities, and the Sam Norkin Off-Broadway Award to Ryan J. Haddad, for his writing and performing in *Dark Disabled Stories* and *american (tele)visions.*

Read the full list of 2023 Drama Desk Award winners and nominees below. The winners are denoted with an asterisk.

Get *[Some Like It Hot](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-tickets)* tickets now.

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__Outstanding Play__
- *A Case for the Existence of God*, by Samuel D. Hunter
- *[Fat Ham](https://www.newyorktheatreguide.com/show/27141-fat-ham-tickets)*, by James Ijames
- *[Leopoldstadt](https://www.newyorktheatreguide.com/show/26003-leopoldstadt-tickets)* by Tom Stoppard *
- *Love* by Alexander Zeldin
- *[Prima Facie](https://www.newyorktheatreguide.com/show/25983-prima-facie-tickets)* by Suzie Miller
- *Wish You Were Here* by Sanaz Toossi

__Outstanding Musical__
- *[& Juliet](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets)*
- *Between the Lines*
- *F*ck7thGrade*
- *[Shucked](https://www.newyorktheatreguide.com/show/26987-shucked-tickets)*
- *Some Like It Hot* *
- *White Girl in Danger*

__Outstanding Revival of a Play__
- *A Raisin in the Sun*
- *Death of a Salesman*
- *Endgame*
- *The Piano Lesson* *
- *Ohio State Murders*
- *Wedding Band*

__Outstanding Revival of a Musical__
- *A Man of No Importance*
- *Into the Woods*
- *Merrily We Roll Along*
- *[Parade](https://www.newyorktheatreguide.com/show/26500-parade)*
- *[Sweeney Todd](https://www.newyorktheatreguide.com/show/26216-sweeney-todd-on-broadway-tickets)*

__Outstanding Lead Performance in a Play__
- Hiran Abeysekera: *Life of Pi*
- Kyle Beltran: *A Case for the Existence of God*
- Will Brill: *A Case for the Existence of God*
- Brittany Bradford: *Wedding Band*
- Jessica Chastain: *[A Doll’s House](https://www.newyorktheatreguide.com/show/26989-a-dolls-house-tickets)* *
- Sharon D. Clarke: *Death of a Salesman*
- Sean Hayes: *Good Night, Oscar* *
- Denise Manning: *Amani*
- Audra McDonald: *Ohio State Murders*
- Wendell Pierce: *Death of a Salesman*
- John Douglas Thompson: *Endgame*
- Kara Young: *Twelfth Night*

__Outstanding Lead Performance in a Musical__
- Annaleigh Ashford: *Sweeney Todd* *
- Nicholas Barasch: *The Butcher Boy*
- Sara Bareilles: *Into the Woods*
- Andrew Burnap: *Camelot*
- Micaela Diamond: *Parade*
- Andrew Durand: *Shucked*
- Callum Francis: *Kinky Boots*
- J. Harrison Ghee: *Some Like It Hot* *
- Jonathan Groff: *Merrily We Roll Along*
- Somi Kakoma: *Dreaming Zenzile*
- Lindsay Mendez: *Merrily We Roll Along*
- Anna Uzele: *New York, New York*

__Outstanding Featured Performance in a Play__
- Emily Bergl: *Good Night, Oscar*
- Danielle Brooks: *The Piano Lesson*
- Amelda Brown: *Love* 
- Ray Fisher: *The Piano Lesson*
- K. Todd Freeman: *Downstate* 
- Francis Guinan: *Downstate* 
- Nick Holder: *Love* 
- Arian Moayed: *A Doll’s House*
- Brian Quijada: *Wolf Play* 
- Miriam Silverman: *The Sign in Sidney Brustein’s Window* *
- Brandon Uranowitz: *Leopoldstadt* *
- Kara Young: *Cost of Living*

__Outstanding Featured Performance in a Musical__
- Kevin Cahoon: *Shucked*
- Kevin Del Aguila: *Some Like It Hot* *
- Robyn Hurder: *[A Beautiful Noise, The Neil Diamond Musical](https://www.newyorktheatreguide.com/show/24254-a-beautiful-noise-tickets)*
- Mark Jacoby: *A Beautiful Noise, The Neil Diamond Musical*
- Tarra Conner Jones: *White Girl in Danger* 
- [Julia Lester](https://www.newyorktheatreguide.com/theatre-news/interviews/julia-lester-on-growing-up-with-into-the-woods): *Into the Woods*
- Alex Newell: *Shucked* *
- Daniel Radcliffe: *Merrily We Roll Along* 
- Phillipa Soo: *Into the Woods*
- Mare Winningham: *A Man of No Importance* 

__Outstanding Direction of a Play__
- Zi Alikhan: *On That Day in Amsterdam* 
- Shayok Misha Chowdhury: *Public Obscenities* 
- Miranda Cromwell: *Death of a Salesman*
- Adam Meggido: *[Peter Pan Goes Wrong](https://www.newyorktheatreguide.com/show/27336-peter-pan-goes-wrong-tickets)*
- Max Webster: *Life of Pi* *
- Alexander Zeldin: *Love* 

__Outstanding Direction of a Musical__
- Jeff Calhoun: *Between the Lines*
- John Doyle: *A Man of No Importance* 
- Maria Friedman: *Merrily We Roll Along* 
- Thomas Kail: *Sweeney Todd* *
- Jack O’Brien: *Shucked*

__Outstanding Choreography__
- Andy Blankenbuehler: *Only Gold* 
- Tislarm Bouie: *the bandaged place*
- Edgar Godineaux: *The Harder They Come* 
- Casey Nicholaw: *Some Like It Hot* *
- Susan Stroman: *[New York, New York](https://www.newyorktheatreguide.com/show/26043-new-york-new-york-tickets)*
- [Jennifer Weber](https://www.newyorktheatreguide.com/theatre-news/interviews/choreographer-jennifer-weber-proves-her-versatility-on-broadway): *KPOP*

__Outstanding Music__
- Brandy Clark and Shane McAnally: *Shucked* *
- Michael R. Jackson: *White Girl in Danger*
- Tom Kitt and AnnMarie Milazzo (vocal designer): *Almost Famous*
- Elyssa Samsel and Kate Anderson: *Between the Lines*
- The Kilbanes: *Weightless*

__Outstanding Lyrics__
- Brandy Clark and Shane McAnally: *Shucked*
- Jonathan Hogue: *Stranger Sings! The Parody Musical*
- Michael R. Jackson: *White Girl in Danger*
- Adam Schlesinger and Sarah Silverman: *The Bedwetter*
- Scott Wittman and Marc Shaiman: *Some Like It Hot* *

__Outstanding Book of a Musical__
- Jonathan Hogue: *Stranger Sings! The Parody Musical*
- Robert Horn: *Shucked*
- Matthew López and Amber Ruffin: *Some Like It Hot* *
- Marla Mindelle, Constantine Rousouli, and Tye Blue: *Titanique*
- David West Read: *& Juliet*

__Outstanding Orchestrations__
- Bruce Coughlin: *A Man of No Importance* 
- Jason Howland: *Shucked*
- Charlie Rosen and Bryan Carter: *Some Like It Hot* *
- Kenny Seymour: *The Harder They Come*
- Daryl Waters and Sam Davis: *New York, New York*

__Outstanding Music in a Play__
- Ben Edelman, Zane Pais, and Sinan Refik Zafar: *Letters from Max, a ritual*
- Mauricio Escamilla: *the bandaged place*
- Suzan-Lori Parks: *Plays for the Plague Year* *
- Ian Ross: *Wuthering Heights* 
- Daniel Schlosberg: *Montag*

__Outstanding Scenic Design of a Play__
- Jason Ardizzone-West: *Wedding Band*
- Beowulf Boritt: *Ohio State Murders*
- dots: *Public Obscenities*
- Tim Hatley: *Life of Pi* *
- Natasha Jenkins: *Love*
- John McDermott: *Chains*

__Outstanding Scenic Design of a Musical__
- Beowulf Boritt: *New York, New York* *
- David Korins: *Only Gold*
- Scott Pask: *Shucked*
- Walt Spangler and Brendan McCann (production props): *Stranger Sings! The Parody Musical*
- Michael Yeargan: *[Camelot](https://www.newyorktheatreguide.com/show/25210-camelot-tickets)*

__Outstanding Costume Design of a Play__
- Kara Branch: *According to the Chorus*
- Enver Chakartash: *Public Obscenities*
- Qween Jean: *Wedding Band*
- Sarah Laux: *Wish You Were Here*
- Emilio Sosa: *Ain’t No Mo’* *
- Roberto Surace: *Peter Pan Goes Wrong*

__Outstanding Costume Design of a Musical__
- [Gregg Barnes](https://www.newyorktheatreguide.com/theatre-news/news/costume-designer-gregg-barnes-on-fashioning-the-1930s-in-some-like-it-hot): *Some Like It Hot* *
- Tilly Grimes: *Shucked*
- Jennifer Moeller: *Camelot*
- Clint Ramos and Sophia Choi: *KPOP*
- Anita Yavich: *Only Gold*
- Donna Zakowska: *New York, New York*

__Outstanding Lighting Design of a Play__
- Isabella Byrd: *Epiphany*
- Jiyoun Chang: *The Far Country*
- Natasha Chivers and Willie Williams (video): *Prima Facie* *
- Allen Lee Hughes: *Ohio State Murders*
- Cha See: *On That Day in Amsterdam*
- Japhy Weideman: *The Piano Lesson*

__Outstanding Lighting Design of a Musical__
- Ken Billington: *New York, New York*
- Jeff Croiter: *Only Gold*
- Heather Gilbert: *Parade*
- David Grill: *Bob Fosse’s Dancin’*
- Natasha Katz: *Sweeney Todd* *

__Outstanding Projection and Video Design__
- Simon Baker: *Wuthering Heights*
- Andrzej Goulding: *Life of Pi* *
- Caite Hevner: *Between the Lines*
- Josh Higgason: *White Girl in Danger*
- Nicholas Hussong: *On That Day in Amsterdam*
- Johnny Moreno: *Public Obscenities*

__Outstanding Sound Design of a Play__
- Justin Ellington: *Ohio State Murders*
- Tom Gibbons: *Hamlet*
- Josh Anio Grigg: *Love*
- Lee Kinney and Daniel Kluger: *You Will Get Sick*
- Ben & Max Ringham: *A Doll’s House* *
- Mikaal Sulaiman: *Fat Ham* 

__Outstanding Sound Design of a Musical__
- Peter Hylenski: *Almost Famous*
- Scott Lehrer and Alex Neumann: *Into the Woods* *
- John Shiver: *Shucked* *
- Joanna Lynne Staub: *Weightless*
- Jon Weston: *Parade* 

__Outstanding Wig and Hair__
- Campbell Young Associates: *Almost Famous*
- Cookie Jordan: *The Piano Lesson*
- Mia M. Neal: *Ain’t No Mo’* *
- Earon Nealey: *Twelfth Night*
- Mitsuteru Okuyama: *Chushingura 47 Ronin*
- Luc Verschueren: *A Beautiful Noise, The Neil Diamond Musical*

__Outstanding Solo Performance__
- Jodie Comer: *Prima Facie* *
- David Greenspan: *Four Saints in Three Acts*
- Jessica Hendy: *Walking With Bubbles*
- Anthony Rapp: *Without You*
- Tracy Thorne: *Jack Was Kind*

__Unique Theatrical Experience__
- *Asi Wind’s Inner Circle*
- *Peter Pan Goes Wrong* *
- *Plays for the Plague Year*
- *Zephyr*

__Outstanding Fight Choreography__
- B.H. Barry: *Camelot* *
- Rocio Mendez: *Día Y Noche*
- Rocio Mendez: *How to Defend Yourself*
- Unkledave’s Fight-House: *soft*

__Outstanding Adaptation__
- *A Doll’s House* by Amy Herzog *
- *Arden of Faversham* by Jeffrey Hatcher and Kathryn Walat
- *black odyssey* by Marcus Gardley
- *Oresteia* by Robert Icke
- *Wuthering Heights* by Emma Rice

__Outstanding Puppetry__
- John Leader: *Wuthering Heights*
- James Ortiz (design), Kennedy Kanagawa (as Milky White): *Into the Woods*
- Nick Barnes and Finn Caldwell: *Life of Pi* *
- Kirjan Waage: *The Immortal Jellyfish Girl*


2023 Drama Desk Award winners announced

Life of Pi - 1

LIFE OF PI - Hiran Abeysekera, Richard Parker (Fred Davis, Scarlet Wildeernik, Andrew Wilson) - by Matthew Murphy & Evan Zimmerman for Murphy Made

*Some Like It Hot* and *Life of Pi* are the top winners of the 67th annual Drama Desk Awards.

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Mischief Theatre, the company behind *The Play That Goes Wrong*, returns with its latest Broadway show, *Peter Pan Goes Wrong*. Emmy and Tony Award winner Neil Patrick Harris guest stars from April 11-30. Get *Peter Pan Goes Wrong* tickets on New York Theatre Guide.

*Peter Pan Goes Wrong* is a play within a play, as the show is set at a performance of J. M. Barrie's *Peter Pan*, put on by the fictional Cornley Drama Society. But their journey through Neverland isn't so smooth. The players run into one mid-show mishap after another, and it's questionable whether they'll even make it through the show. While this would spell doom at any other show, at *Peter Pan Goes Wrong*, all this trouble makes for clever slapstick comedy and nonstop laughs.

The Cornley Drama Society are also at the center of Mischief Theatre's other New York hit, *The Play That Goes Wrong*. That show, in which the troupe struggles through an original murder mystery play, premiered in London's West End in 2012 and on Broadway in 2017. It is still running in both cities, though in 2019, *The Play That Goes Wrong* moved off Broadway.

*Peter Pan Goes Wrong* premiered just after *The Play That Goes Wrong*, in 2013. Since then, the show has played twice in London's West End (where it earned an Olivier Award nomination for Best New Comedy), adapted into a TV special, and made its North American debut in Edmonton, Canada in 2022.

## Who is in the *Peter Pan Goes Wrong* cast?

Creators Henry Lewis, Jonathan Sayer, and Henry Shields all appear in the cast of *Peter Pan Goes Wrong* on Broadway. They are joined by the rest of the original 2013 company: Chris Leask, Ellie Morris, Charlie Russell, Greg Tannahill and Nancy Zamit.

Adam Meggido, who helmed the show's previous productions, returns to direct.

## What is Mischief Theatre?

Mischief Theatre is a company created by Lewis, Sayer, and Shields during their time in college. Since its founding in 2008, the company has created numerous comedy shows, including *The Play That Goes Wrong* and *Peter Pan Goes Wrong*. Most of their shows debut in London; others include *The Comedy About a Bank Robbery*, *Groan Ups*, and *Magic Goes Wrong*.

Get tickets to *Peter Pan Goes Wrong* in New York now.

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Peter Pan Goes Wrong - NYC - NYTG

Genre: Play

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Peter Pan Goes Wrong on Broadway

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J.M. Barrie’s beloved children’s story *Peter Pan* offers straight-shooting directions to the fictional island of Neverland: Fly toward the “second star to the right and straight on ‘til morning. ” In [*Peter Pan Goes Wrong*](https://www.newyorktheatreguide.com/show/27336-peter-pan-goes-wrong-tickets), the latest Broadway production from Mischief Theatre, the journey to Neverland is anything but smooth. The comedy follows the Cornley University Drama Society’s botched attempt to stage the classic adventure tale, and there are flying accidents, forgotten lines, falling set pieces, and missing props, among other disasters.

Mischief first bowed on Broadway in 2017 with [*The Play That Goes Wrong*](https://www.newyorktheatreguide.com/show/14790-the-play-that-goes-wrong-tickets), a play-within-a-play following the Cornley troupe’s calamitous staging of a murder mystery. Similarly, their *Peter Pan* is rife with slapstick humor and running gags. But *Peter Pan Goes Wrong* benefits from the familiar framing of a classic story: There is anticipatory laughter in waiting to see just how the amateur company will hoist actors in the air and fashion a crocodile. (The answers: poorly, and with an actor in a childish onesie on a rolling board.)

The merriment and mishaps begin before the curtain rises as *Peter Pan*’s excitedly nervous director Chris Bean (Henry Shields) welcomes audience members. He trips and tumbles down the aisle of the [Ethel Barrymore Theatre](https://www.newyorktheatreguide.com/theatres/barrymore-theatre), kickstarting the rolling laughter. The setup continues with an onstage pre-show speech, in which Bean and assistant director Robert Grove (Henry Lewis) recall the company’s past failures, including a production titled *Jack and the Bean*. (There was no budget for a full beanstalk.)

But there’s hope that *Peter Pan* — which received a sizable donation from a company member’s father — will be a feather in the troupe’s cap. The directors warn the audience that the actor playing John Darling (Jonathan Sayer) does not know a single line and that the Lost Boy Tootles (Ellie Morris) has extreme stage fright. These are the least of their worries, though.

The play’s narrator, Francis Beaumont (Neil Patrick Harris, guest-starring through April 30), enters the stage on a comically slow-rolling throne with a burst of confetti to begin. Act 1 is a tight sequence of hilarity. One of the best laughs is prompted by John Darling sporting headphones so the stage crew can feed lines from backstage. Before each deadpan line reading, the headset emits a radio crackle. (It’s one of the running gags that actually gets funnier throughout, especially in Act 2, when the transmitter begins to pick up television commercials and Uber notifications.) 

Anne Twilloil (Nancy Zamit) undergoes split-second quick changes to transform from Mary Darling in a purple evening gown to the Darling family’s maid in a dowdy uniform. It is physical comedy at its best. Stacker also shines, literally, as the cavorting Tinker Bell in a light-up tutu (costumes are by Roberto Surace). 

The play continues beyond the Darling’s home to showcase an impressive set —thanks, no doubt, to the company’s inflated production budget. Scenic designer Simon Scullion’s wondrous spinning set, complete with a towering Big Ben and the Neverland Jungle, is unworthy of the amateurs. It also gets completely ruined by the careless actors and crew members — and several technical difficulties, including an electrical fire.

In Act 2, offstage showmances and creative conflicts creep on stage, worsening the characters' performances in *Peter Pan*. Some of the production’s repeat gags also lose steam by the time Peter, Wendy, John, and Michael greet the Lost Boys in Neverland. The energy wanes a bit, but the audience participation ramps up with ad-libbed scenes and audience callouts. 

Scenes with Captain Hook (also Shields) elicited lots of boos and jeers, especially from kids in attendance. Hook claps back, asking the crowd if [Josh Groban](https://www.newyorktheatreguide.com/stars-on-stage/josh-groban) has to endure audible criticism as [Sweeney Todd](https://www.newyorktheatreguide.com/show/26216-sweeney-todd-on-broadway-tickets). In another scene, Harris, playing Cecco the pirate, entertains with a participatory magic trick to divert attention from yet another onstage injury. Children (and children at heart) willing to ride the giggle train will enjoy this production the most. 

Under the swift direction of Adam Meggido, the rollicking cast members deliver lines perfectly out of order and miss stage blocking to comic effect. In many ways, it is more challenging to waywardly fly on a harness and haphazardly roller skate upstage than to do it correctly and safely. 

Perhaps the show’s biggest stars, though, are the actual stage managers (led by production stage manager Adam John Hunter) who employ hundreds of ill-timed sound cues (sound design by Ella Wahlström) and operate a decentered spotlight (lighting design by Matthew Haskins). 

This critic gives it four stars and advises you to go straight on to the Ethel Barrymore Theatre.

[*Peter Pan Goes Wrong* is at the Ethel Barrymore Theatre through July 23. Get *Peter Pan Goes Wrong* tickets on New York Theatre Guide.](https://www.newyorktheatreguide.com/show/27336-peter-pan-goes-wrong-tickets)

*Photo credit: Henry Shields, Ellie Morris, Henry Lewis, Charlie Russell, Jonathan Sayer, Neil Patrick Harris, and Matthew Cavendish in Peter Pan Goes Wrong. (Photo by Jeremy Daniel)*

'Peter Pan Goes Wrong' review — never-ending laughs abound in this Neverland

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Peter Pan Goes Wrong on Broadway - NYC

Read our four-star review of *Peter Pan Goes Wrong*, the latest Broadway show from the creators of *The Play That Goes Wrong*, now playing through July 23.

The Ethel Barrymore Theatre was built in 1928 and designed by Herbert J. Krapp. It is the only surviving theatre that Lee and J.J. Shubert built for the purpose of staging productions starring an individual artist affiliated with them.

Ethel Barrymore achieved stardom under the management of producer Charles Frohman. The Shuberts offered to build her a theatre and commission a play for her to premiere in her namesake house. The play, *The Kingdom of God*  opened on December 20, 1928. Other plays she performed there include *The Love Duel*, *Scarlet Sister Mary*, *The School for Scandal*, and *An International Incident*.

## How to get to the Barrymore Theatre on Broadway

Audiences can take the C, E, or 1 subway line to 50th St. and walk three blocks to the theatre on 47th St. and Broadway. By bus, the Barrymore Theatre is closest to the 8th Ave/W 46th St. on the M20 line.

Barrymore Theatre - NY

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Summer Cyber Sale! Get tickets to Peter Pan Goes Wrong on Broadway from the official New York Theatre Guide. Go to Neverland at this show from The Play That Goes Wrong's creators.

Peter Pan Goes Wrong Broadway Tickets | Official NY Theatre Guide

The creators of The Play That Goes Wrong are back with their latest slapstick theatre show. The Cornley Drama Society returns to stage J. M. Barrie's fairytale, but they run into multiple mishaps on their journey through Neverland. Wayward actors and unsteady sets would normally spell disaster, but here, they provide nonstop laughs. Discover more about tickets now.

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Tony and Emmy Award-winning actor Neil Patrick Harris will join the cast of *Peter Pan Goes Wrong* on Broadway for a limited time. He will appear from April 11-30, with the exception of the April 21 evening performance and April 22 matinee.

Harris will play the role of Francis, a member of the fictional Cornley Drama Society acting troupe. The show sees the group putting on a production of J.M. Barrie's *Peter Pan*, but they encounter mishaps at every turn.

He temporarily replaces Harry Kershaw in the role. The *Peter Pan Goes Wrong* cast also includes Bartley Booz as Dennis (through April 9), Matthew Cavendish as Max, Bianca Horn as Gill, Harry Kershaw as Francis, Chris Leask as Trevor, Henry Lewis as Robert, Ellie Morris as Lucy, Charlie Russell as Sandra, Jonathan Sayer as Dennis (from April 11), Henry Shields as Chris, Greg Tannahill as Jonathan, and Nancy Zamit as Annie.

Harris last appeared on Broadway in 2014, winning a Tony Award for playing Hedwig in *Hedwig and the Angry Inch*. He is also known for his extensive screen work, which has earned him five Emmy Awards. His most famous roles include Barney Stinson on *How I Met Your Mother*, Count Olaf in *A Series of Unfortunate Events*, and Bryan Ryan in *Glee*. He has also hosted the Tony Awards multiple times, winning four of his Emmys for doing so.

Harris is the first in a series of *Peter Pan Goes Wrong* guest stars. Others will be announced at a later date, and some will be unannounced.

Get *Peter Pan Goes Wrong* tickets now.

[![Book Tickets CTA - LT/NYTG](//images.ctfassets.net/6pezt69ih962/3qAtGOdQq9x3k1WcHlaJnw/90ece91bbe47ed07e142c2e43c7a7a3f/BookTickets-250.png)](https://www.newyorktheatreguide.com/show/27336-peter-pan-goes-wrong-tickets)

*Photo credit: Neil Patrick Harris. (Photo courtesy of production)*

Neil Patrick Harris to appear in 'Peter Pan Goes Wrong' Broadway cast

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The Tony and Emmy Award winner will be a special guest star in the show, which plays at the Ethel Barrymore Theatre, for a limited three-week run.

Even if you don't know [*Peter Pan Goes Wrong*](https://www.newyorktheatreguide.com/show/27336-peter-pan-goes-wrong-tickets), you're likely familiar with the first part of that title. The story of the boy from Neverland who wouldn't grow up [first took flight in 1904 as a play by J.M. Barrie](https://www.newyorktheatreguide.com/theatre-news/news/all-the-peter-pan-adaptations-in-broadway-theatre) and continues to shape countless childhoods worldwide. 

In 2013, Mischief Theatre Company — a comedy theatre group led by British writer/performers Jonathan Sayer, Jonathan Lewis, and Henry Shields — followed up the success of their smash hit [*The Play That Goes Wrong*](https://www.newyorktheatreguide.com/show/14790-the-play-that-goes-wrong-tickets) with their own take on that beloved tale. *Peter Pan Goes Wrong* is less of an adaptation and more of a play-within-a-play, as the fictional Cornley University Drama Society is actually putting on *Peter Pan*.

But there’s a key difference: The show gets derailed almost constantly by mile-a-minute slapstick in the form of crumbling sets, forgotten lines, offstage fights, and fly rigs that don't actually lift up the actors.

This physical comedy, plus the globally familiar, family-friendly nature of *Peter Pan*, makes Mischief's show — now premiering on Broadway at the [Barrymore Theatre](https://www.newyorktheatreguide.com/theatres/barrymore-theatre) — a treat for anybody. As performer Fred Gray described the play, "It just feels like you've been hugged."

"The show is pretty much language-independent," added performer Stephen James Anthony. "Folks who may not speak English well or first could probably still enjoy the show."

Hear more from *Peter Pan Goes Wrong*'s cast and creators about even more reasons to join them in Neverland through July 23.

Get *Peter Pan Goes Wrong* tickets now.

[![Book Tickets CTA - LT/NYTG](//images.ctfassets.net/6pezt69ih962/3qAtGOdQq9x3k1WcHlaJnw/90ece91bbe47ed07e142c2e43c7a7a3f/BookTickets-250.png)](https://www.newyorktheatreguide.com/show/27336-peter-pan-goes-wrong-tickets)

## *Peter Pan Goes Wrong* uses *The Play That Goes Wrong* playbook.

The two shows have the same creator, after all. *Peter Pan Goes Wrong* isn't an official sequel to *The Play That Goes Wrong*, but both center on the same Cornley troupe. Their murder mystery play in *The Play That Goes Wrong* was a bust, but the group decides to give it another go with *Peter Pan*.

"It's rare that you get to go see a different show with the characters that you love from a previous show, even though it's about a totally different plot," said understudy Ryan Vincent Anderson. "You're going get the lovable characters you like [from *The Play That Goes Wrong*], but you're also going to get the absolutely amazing story of *Peter Pan*."

Sure, Cornley's staging still goes awry, in part due to the characters' offstage squabbles: "You get a little bit more of a peek into the relationships going on between the cast of Cornley," Greg Tannahill, who plays Jonathan, explained. "You see... things going wrong and them not dealing with it in the best way, but you also get a little peek at them not dealing with each other in the best way."

Nonetheless, keen fans will notice growth in the familiar characters, like sound board operator Trevor, diva Sandra, and stage manager-turned-actress Annie.

"We've learned some things about how to produce better theatre," said understudy Brenann Stacker, referring to the Cornley troupe. "They're better actors, they're better scenic designers. They're actually growing as human beings."

## The cast members are friends on stage and off.

Multiple *Peter Pan Goes Wrong* actors met at drama school together. Chris Leask and Matt Cavendish — who play Trevor and Max, respectively — were in the same year. Sayer, Shields, and Lewis created Mischief as a group project during their time at university.

Plus, most of the principal cast members worked together on the show's premiere 10 years ago, and others have worked with Mischief in at least one production of *Peter Pan Goes Wrong* or *The Play That Goes Wrong* worldwide.

"It's not just a working relationship. We're all best mates, and we have been for the last 13 years, which is why Mischief came together in the first place," said Leask. "Everyone just enjoyed working together and creating theatre. The charm of Mischief is that we all know each other so well. We all just want to get out [there] every night and have fun and entertain our audience. You can see that relationship on stage between the actors."

In other words, *Peter Pan Goes Wrong* lets the actors goof off with their friends. What could be more fun than that?

## *Peter Pan* is a globally beloved story.

"We've done [*Peter Pan Goes Wrong*] in several different countries, and we keep thinking, how are we going to adapt it for this particular country?" said director Adam Meggio. "And in the end, you don't actually have to do that much with it because it's *Peter Pan*, which is a fairly universal story.

"People tend to know it," he continued. "And even if you don't know it, it doesn't matter, because you get it when you watch it." The nostalgic familiarity of *Peter Pan* and its characters — Peter, Tinkerbell, Wendy, Captain Hook — is a major reason Mischief's version succeeded in multiple countries on both sides of the Atlantic.

## The play is rooted in a popular British theatre form.

"Back in the U.K., we have a big English tradition of the pantomime," Meggio explained. "The grand style of acting, the actor down in the footlights being a villain, puffs of smoke and people appear, old stage magic."

In short, pantomime is just a more exaggerated version of what comedic performing already is. The concept of pantomime may be uniquely British, but its old-fashioned, campy performance style is universal.

That said, the creators made some tweaks for American audiences, mainly vocabulary-wise. "Rather than white spirit, it's paint thinner," Sayer said. Added Shields: "We've changed the word interval to intermission... We also had to change the word polytechnic to university, which is fair because I don't think even British people really know what to call it."

## *Peter Pan Goes Wrong* takes flight — literally.

You can't follow the second star straight on 'till morning on foot. Peter Pan and Tinkerbell must fly, and that's only half the complex stage magic going on in this show. "There's loads of elaborate routines like flying and pirate ships and creating these incredible sets," described Shields. "That really is just fodder for us to tear everything apart."

In other words, expect lots of flying, but in the hands of the clueless Cornley company, expect lots of failed takeoffs and falling, too.

## We all have an inner Peter Pan.

Unlike Peter Pan, we're all growing up whether we like it or not. But at *Peter Pan Goes Wrong*, the actors and audience members can stop the clock for a few hours.

"There's something really universal about not growing up, right?" said Anthony. "Life gets serious and difficult, especially in these past few years, and who doesn't want to go back to a place of childlike wonder and simple pleasures?"

Added Anderson: "Our inner child just withers away sometimes. We kind of have to, to get through life, but then to come to a show like this and just experience childlike joy, it's amazing."

## Everyone loves when things go wrong.

No one likes embarrassing themselves, but when others do it, it's comedy. When asked why this phenomenon is so universal, the *Peter Pan Goes Wrong* cast had quick answers.

"Comedy is mostly about status and status transactions: people thinking that they're better than they are, and then getting their comeuppance and being knocked down a peg or two," Meggio said. "Those sorts of things tend to be very human."

Anthony had just the word: "Schadenfreude. There's something delicious about watching someone get defeated by a prop, or, despite their best efforts to be very respectable, they end up looking like an absolute fool." We might usually feel bad for laughing, but at *Peter Pan Goes Wrong*, it's not only okay, but encouraged.

## The play isn't just funny — it's heartfelt.

Despite facing setbacks at every turn, the actors are determined to make it through their play. *Peter Pan Goes Wrong* sincerely celebrates resilience and teamwork, which one might not expect from a show bursting with gags.

Harry Kershaw, who plays Francis, made this point by comparing *Peter Pan Goes Wrong* to *The Office*. "[In] the English *Office*... the most successful thing that's happened is that Ricky Gervais has told someone to fuck off," he said. "That's the win, whereas the American *Office* ends on a more upbeat note, with Michael Scott being a hero.

"In this show, there's more of a sense of everyone who's managed to finish the show is a hero," Kershaw continued. "There's a wonderful sense of achievement."

That warm feeling, plus all the joy from the comedy leading up to it, makes this trip to Neverland worthwhile.

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*Responses have been condensed and edited for length and clarity.*

*Photo credit: Photo credit: The cast of Peter Pan Goes Wrong in London in 2015. (Photo by Alastair Muir)*

Why 'Peter Pan Goes Wrong' has universal comedic appeal

peter pan goes wrong-1200x600-NYTG

The show's Broadway cast, many of whom have performed in it or *The Play That Goes Wrong* before, shares what makes this show that goes wrong so hilariously right.

This is your ticket to Neverland! [*Peter Pan Goes Wrong*](https://www.newyorktheatreguide.com/show/27336-peter-pan-goes-wrong-tickets) will offer rush and lottery tickets for its 16-week Broadway run. Performances begin March 17 ahead of an April 19 opening at the [Barrymore Theatre](https://www.newyorktheatreguide.com/theatres/barrymore-theatre).

*Peter Pan Goes Wrong* will offer $40 tickets via a digital lottery. The lottery is open for entries from midnight to 3 p.m. the day before each performance, and winners are drawn at 10 a.m. and 3 p.m. Winners may purchase up to two tickets for the next day's performance.

The show will also have in-person rush tickets available for $45. Each person can purchase up to two tickets for that day's performance at the Barrymore Theatre box office, beginning at 10 a.m. each day. Rush tickets are subject to availability.

In *Peter Pan Goes Wrong*, an amateur college theatre troupe attempts to stage [J. M. Barrie's classic *Peter Pan* play](https://www.newyorktheatreguide.com/theatre-news/news/all-the-peter-pan-adaptations-in-broadway-theatre), but they encounter mishaps with their sets, props, and fellow actors at every turn. This slapstick comedy show is from Mischief Theatre Company, who also created [*The Play That Goes Wrong*](https://www.newyorktheatreguide.com/show/14790-the-play-that-goes-wrong-tickets), which has played in New York since 2019.

Get *Peter Pan Goes Wrong* tickets now.

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*Photo credit: The cast of Peter Pan Goes Wrong in London in 2015. (Photo by Alastair Muir)*

'Peter Pan Goes Wrong' to offer Broadway lottery and rush tickets

The comedy from Mischief Theatre Company, the creator of *The Play That Goes Wrong*, makes its New York debut at the Barrymore Theatre for 16 weeks only.

Follow the second star on the right and straight on 'till casting! [*Peter Pan Goes Wrong*](https://www.newyorktheatreguide.com/show/27336-peter-pan-goes-wrong-tickets) has set the complete cast for its Broadway premiere at the [Barrymore Theatre](https://www.newyorktheatreguide.com/theatres/barrymore-theatre). The 16-week engagement runs from March 17 to July 9, with opening night on April 19.

Created by Mischief Theatre Company, the team behind [*The Play That Goes Wrong*](https://www.newyorktheatreguide.com/show/14790-the-play-that-goes-wrong-tickets), *Peter Pan Goes Wrong* sees an amateur theatre troupe run into mishaps at every turn as they try to stage J.M. Barrie's *Peter Pan*. The show makes its New York debut 10 years after its London world premiere.

## Who is in the *Peter Pan Goes Wrong* cast?

As previously announced, the full cast of the London production will return for the Broadway premiere, including the three creators: Jonathan Sayer as Dennis (starting April 11), Henry Shields as Chris, and Henry Lewis as Robert. Other previously announced cast members include Chris Leask as Trevor, Ellie Morris as Lucy, Charlie Russell as Sandra, Greg Tannahill as Jonathan, and Nancy Zamit as Annie. 

New cast members include Bartley Booz as Dennis (from March 17 to April 9), Matthew Cavendish as Max, Bianca Horn as Jill, and Harry Kershaw as Francis. Ryan Vincent Anderson, Stephen James Anthony, Fred Gray, and Brenann Stacker complete the cast.

Get *Peter Pan Goes Wrong* tickets now.

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*Photo credit: Henry Lewis, Fred Gray, Charlie Russell, Henry Shields, Ellie Morris, and Jonathan Sayer in rehearsal for Peter Pan Goes Wrong on Broadway. (Photo by Danny Kaan)*

'Peter Pan Goes Wrong' sets full Broadway cast

peter pan rehearsal-1200x600-NYTG

The hit comedy play from the creators of *The Play That Goes Wrong* makes its New York debut with the full original cast from its world premiere in London.

You gotta crow about it. J. M. Barrie’s *Peter Pan*, a tale of a boy who wouldn’t grow up, first flew onto the stage 119 years ago. He has delighted audiences – and inspired writers — ever since. Case in point: [*Peter Pan Goes Wrong*](https://www.newyorktheatreguide.com/show/27336-peter-pan-goes-wrong-tickets), a comedy about a theatre troupe’s turbulent efforts to stage *Peter Pan*, opens on Broadway in March, 10 years after first making London audiences laugh. 

What makes *Peter Pan* such rich, timeless material? On the one hand, young audiences enjoy seeing the age- and gravity-defying rascal’s adventures in Neverland alongside the Darling children, lost boys, villainous pirates, and fairies. Adults do, too, and they appreciate the conflict of wanting to remain a child forever but knowing they must grow up. 

Each adaptation finds something new to explore in the source material, whether hewing close to Barrie's story or departing widely. Read on to learn more about shows in the *Peter Pan*-theon – and be sure to get tickets to *Peter Pan Goes Wrong* on Broadway. 

Get *Peter Pan Goes Wrong* tickets now.

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## 1904: *Peter Pan* in London

Barrie’s play premiered in December 1904 at Duke of York’s Theatre in London with Nina Boucicault in the title role – and in a harness, a must for flying sequences. But why cast a 37-year-old actress as a boy? Regulations regarding child actors at the time. It has since become tradition for a female actress to play Peter Pan on stage.

Gerald du Maurier doubled up as Mr. Darling and Captain Hook in the show produced by Charles Frohman. The play’s hit run inspired Barrie to write the 1911 novel adaptation called *Peter and Wendy*. 

## 1905: *Peter Pan* on Broadway

Frohman brought the play to New York, where it debuted on Broadway at the Empire Theatre. Maude Adams played Peter, a role she never outgrew. She reprised the part in 1912 and 1915 runs. The role of Peter Pan later became a Broadway showcase for Marilyn Miller in 1924 and Eva Le Gallienne in 1928. 

## 1950: The first *Peter Pan* Broadway musical

This obscure adaptation boasts music and lyrics by Leonard Bernstein, the renowned composer of *West Side Story* and *On the Town*. The show virtually vanished after its initial run starring Jean Arthur as Peter Pan and horror icon Boris Karloff as Captain Hook. However, to celebrate Bernstein's would-be 100th birthday in 2018, Bard College mounted a contemporary take on the show.

“Who Am I?,” sung by Wendy Darling, reminds us that kids ask big questions: “What am I? Was it all planned in advance, or was I just born by chance?” 

## 1954: The best-known *Peter Pan* musical

Mary Martin and Cyril Ritchard hooked themselves Tony Awards as Peter Pan and Captain Hook in this iconic Broadway musical directed and choreographed by Jerome Robbins.

NBC telecasts with the same stars in 1955, 1956, and 1960 made Peter Pan a household name – and put the hummable songs “I Gotta Crow,” “I’m Flying,” and “I Won’t Grow Up” by composer Moose Charlap and lyricist Carolyn Leigh on everyone’s lips. Showtune earworms “Wendy” and “Neverland” are the work of Betty Comden, Adolf Green, and [*Funny Girl*](https://www.newyorktheatreguide.com/show/24232-funny-girl-tickets) composer Jule Styne.

Broadway revivals of the show starred Sandy Duncan in 1979 and ex-gymnast Cathy Rigby throughout the 1990s. In 2014, a live telecast of the stage show, starring Allison Williams as Peter and Christopher Walken as Hook, aired on NBC.

## 1982 and 2016: Nontraditional *Peter Pan* productions in London

Though it's tradition, there’s no rule that a woman must play Peter Pan – or that a man must play Captain Hook. The December 1982 adaptation of the play, directed by John Caird and Trevor Nunn and presented by the Royal Shakespeare Company at the Barbican Theatre in London, starred Miles Anderson, whose IMDb page notes that “he has the distinction of being the first adult male to play Peter Pan.”

And in 2016, a production with London's National Theatre had Anna Francolini playing Mrs. Darling and the hateful Hook. According to director Sally Cookson, this casting matched Barrie's original intent, as the ever-childlike Peter Pan's real enemy was the "mother figure."

## 2011: *Peter and the Starcatcher*

Based on the novel *Peter and the Starcatchers*, Rick Elice's play is a *Peter Pan* precursor. How did Peter Pan get his name and legendary status? And Captain Hook? Answers emerge in the Victorian-era tale filled with orphans, pirates, and magical stuff from fallen stars.

*Peter and the Starcatcher* premiered off Broadway in 2011 and a year later on Broadway. The show won five Tonys, including Best Featured Actor for [Christian Borle](https://www.newyorktheatreguide.com/stars-on-stage/christian-borle), now starring in [*Some Like It Hot*](https://www.newyorktheatreguide.com/show/24262-some-like-it-hot-on-broadway), and costumes by Paloma Young, whose work is now on display in [*& Juliet*](https://www.newyorktheatreguide.com/show/25598-and-juliet-tickets).

## 2013: *Peter Pan Goes Wrong*

Second star to the right, and straight on till Murphy’s Law kicks in. So it goes in this Mischief Theatre play-within-a-play about a hapless troupe of actors stumbling and bumbling their way through a production of *Peter Pan*. Ten years after its premiere, the show flies onto Broadway in spring 2023.

The broad comedy follows a template established in Mischief’s [*The Play That Goes Wrong*](https://www.newyorktheatreguide.com/show/14790-the-play-that-goes-wrong-tickets), which debuted in London in 2012. That show opened on Broadway in 2017, ran there for nearly two years, and is currently off Broadway.

## 2015: *Finding Neverland*

There’s always a dusting of truth in make-believe. *Peter Pan* grew out of stories and fantastical games Barrie played with the sons of Sylvia Llewellyn Davies. Writer Allan Knee turned that bit of history into his 1998 play *The Man Who Was Peter Pan*, which became the 2004 Johnny Depp movie *Finding Neverland*. 

After a long development period, the musical adaptation premiered at American Repertory Theatre in Cambridge, Massachusetts, in 2014. *Finding Neverland* features a book by James Graham and songs by Gary Barlow and Eliot Kennedy.

The 2015 Broadway production starred Matthew Morrison as J. M. Barrie, Kelsey Grammer as Charles Frohman and Capt. Hook, Laura Michele Kelly as Sylvia, and current [*Bad Cinderella*](https://www.newyorktheatreguide.com/show/26514-bad-cinderella-tickets) stepmom Carolee Carmello as Sylvia’s mother. 

## Additional Peter Pan adaptations

The above are major *Peter Pan* adaptations, but many other shows have looked to Barrie’s ageless wonder as a jumping-off point. Two recent plays are Sarah Ruhl’s *For Peter Pan On Her 70th Birthday*, which ran off Broadway in 2017, and Lauren Gunderson’s girl-powered *Peter Pan and Wendy*, which ran in Washington, D.C. in 2019.

There’s always something new to discover and enjoy about Barrie’s boy wonder. But there's only one place to see the magic shine through on Broadway this season: at *Peter Pan Goes Wrong*.

Get *Peter Pan Goes Wrong* tickets now.

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All the ‘Peter Pan’ adaptations in Broadway theatre

As the slapstick comedy adaptation Peter Pan Goes Wrong lands on Broadway in spring 2023, learn about all the shows that have taken audiences to Neverland.

All the Peter Pan adaptations on Broadway | New York Theatre Guide

As the slapstick comedy adaptation *Peter Pan Goes Wrong* lands on Broadway in spring 2023, learn about all the shows that have taken audiences to Neverland.

Neverland has never been so wrong. The new play [*Peter Pan Goes Wrong*](https://www.newyorktheatreguide.com/show/27336-peter-pan-goes-wrong-tickets) is set to play a 16-week limited Broadway run this spring, with performances beginning at the [Barrymore Theatre](https://www.newyorktheatreguide.com/theatres/barrymore-theatre) on March 17 ahead of an April 19 opening night.

*Peter Pan Goes Wrong* is the latest Broadway show from Mischief Theatre, the company behind [*The Play That Goes Wrong*](https://www.newyorktheatreguide.com/show/14790-the-play-that-goes-wrong-tickets). That play, which had a Tony-winning Broadway run and currently runs off Broadway at New World Stages, sees the fictional Cornley Drama Society battle endless mishaps as they try to stage a murder mystery drama.

*Peter Pan Goes Wrong* also features the Cornley troupe, who are now attempting to stage J. M. Barrie's classic fairytale. Fast-paced slapstick comedy unfolds as they encounter various troubles with their set, actors, and more.

Mischief members Henry Lewis, Jonathan Sayer, and Henry Shields created *Peter Pan Goes Wrong*, which premiered in London in 2013. The show has since played multiple London engagements, one of which earned it an Olivier Award nomination for Best New Comedy, and made its North American premiere in 2022 in Canada.

The full original cast of *Peter Pan Goes Wrong* will star in the Broadway premiere, including Lewis, Sayer, and Shields. The cast also features Chris Leask, Ellie Morris, Charlie Russell, Greg Tannahill and Nancy Zamit.

Adam Meggido directs *Peter Pan Goes Wrong*, which features set design by Simon Scullion, costume design by Roberto Surace, lighting design by Matt Haskins, sound design by Ella Wahlström, and original music by Richard Baker and Rob Falconer.

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*Photo credit: The cast of Peter Pan Goes Wrong in London in 2015. (Photo by Alastair Muir)*