Ewa Dziarnowska: This resting, patience tickets

A carpet of deep ultramarine blue, a small audience seated onstage within arm’s reach of the dancers, and Dionne Warwick’s “What the World Needs Now” playing on a loop that never quite resolves. For three hours, Ewa Dziarnowska and Leah Marojević draw together and pull apart, fall into step and out of it, testing and tending in turn. The dance is slow and unafraid of its own duration, building its charge by holding to one thing until it changes.

From one of Europe’s most striking younger choreographers, the piece offers something few dance works do: no stage, only proximity. Watching stops being a private act and becomes something reciprocal, something the two dancers can feel taking place. It turns desire, nearness, and the patience intimacy asks into something felt rather than observed.