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In The Receptionist off Broadway — “a poisoned Post-it note of a play” (The New York Times) — it's business as usual at the Northeast Office. The friendly receptionist juggles various tasks, makes coffee, and gabs with coworkers — until a stranger comes to visit. That newcomer, from the central office, has a specific need, turning this office comedy upside down and revealing the insidious nature of obedience, order, and bureaucracy.
"Bock is thinking about the extent to which moral responsibility should be shared by those far removed from the so-called deciders," Theatermania wrote of the play's original run. "Can the littlest cog in the societal wheel claim immunity? Bock makes his uncompromising statement in a piece that falls somewhere between Shirley Jackson’s short story The Lottery and a Twilight Zone episode — with a soupcon of Franz Kafka thrown in."
The "chilling contemporary allegory" (Theatermania) about power and the jobs we live out originally premiered at Manhattan Theatre Club in New York and now gets a second life for a new generation to experience. Known for his idiosyncratic and pointed, funny voice, Bock has received many accolades over his decades-long career. He's received the Obie Award and Guggenheim Fellowship and has also been nominated for multiple Drama Desk and Outer Critics Circle awards.
1hr 30min.
Ages 12+.
April 15th, 2026
May 24th, 2026
“Cheerful office comedy with a chilling dark twist”
Audiences are raving about this deceptively simple office comedy that slowly reveals its chilling underbelly. What begins as a familiar, humorous workplace setting gradually transforms into something ...
A play that will give you something to think about.
Did not expect the dark turn this one took. Enjoyed it. But did not expect it.
Breezy, charming, and frequently funny--until, unexpectedly, it isn't. Two women--a front desk receptionist and her co-worker, who occupies an office behind her--clock in, enjoy their coffee, gossip a bit, and then get down to their daily routine; when a handsome stranger arrives from the main office to speak to their boss (whom we have already met in a kind of prologue, but hasn't come in yet), the tone shifts a bit...only not nearly as much as it will in the piece's twisty (and twisted) final moments. Why is the stranger there? What, if anything, has their boss done? And what, exactly, does the parent company overseeing this little office even do? The clues have been planted, but even if you've interpreted them correctly the truth may still shock you. Maybe more could have been made of the Big Reveal--perhaps it all could have been explained more clearly--but that might have been the point; we're not supposed to know what's going on, not with absolute certainty. Accept "The Receptionist" as the comedy it starts off as, and then the "Twilight Zone"-like chiller it morphs into, and you'll be just fine...even if the facts, once hinted at, are the stuff of nightmares.
By: Adam Bock
Director: Sarah Benson
Producer: Second Stage Theater
Cast list: Katie Finneran (as Beverly Wilkins), Mallori Johnson (as Lorraine Taylor), Nael Nacer (as Edward Raymond), Will Pullen (as Martin Dart)
Sets: dots
Costumes: Enver Chakartash
Lighting: Stacey Derosier
Sound: Bray Poor
The Receptionist is a dark comedy about an office worker who, task by task, becomes a cog in evil's machine.
Unfortunately, tickets for this event are no longer available.
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